Analysis Of ' Flaming Iguanas ' By Cormac Mccarthy

Pentecost (2014) compares The Distance Between Us: A memoir with Rudolfo Anaya and Tomas Rivera’s major work as an attempt to capture the cultural identity of Mexican Americans concluding that the main protagonist of these works had to set outside their cultural boundaries to find their cultural identity. Ruf (2009) unlike Pentecost (2014) emphases the uniqueness of Grande’s work as she highlights that even though Across a Hundred Mountains is a fiction work it is based on Grade’s real experiences and fears. Unlike most immigration novels that are usually narrated from a male perspective, Grande’s narrative of a young girl denounces attention to gender inequalities and intersectionalities among immigrants (Bürkner, 2012) (Ruf, 2009). In addition, critics see Reyna Grande as an honest writer that uses her personal experiences for the development of an immigrant narrative and whose novel is underscored with personal truths (Olivas, 2006) (Coca, 2009). While this literature explore Grande’s work they do not pay attention to the representation of her personal and/or her fictional character Juana’s identity formation, when it is a fundamental characteristic of her

The Road, a post apocalyptic novel,written by Cormac McCarthy, tells the story of a father and son traveling along the cold, barren and ash ridden interstate highways of America. Pushing all their worldly possessions in a shopping cart, they struggle to survive. Faced with despair, suicide and cannibalism, the father and son show a deep loving and caring that keeps them going through unimaginable horrors. Through the setting of a post apocalyptic society, McCarthy demonstrates the psychological effects of isolation and the need to survive and how these effects affect the relationships of the last few people on Earth.

A man and his son travelling alone amidst the ruins of a previously prosperous nation; a young man venturing into a treacherous land to tie up the loose ends in his life; a broken ranch hand that suspects he had a conversation with death: in the most desolate and uncertain environments, the surrounding world can lend a bleak and lifeless perspective to one’s struggle to survive. In lands without accompaniment from other humans, the will to live can be as difficult to muster as shelter for the night or the first meal in days. Cormac McCarthy explores the difficulties of survival under the tension of barren landscapes and youthful inexperience and their effects on the loss of innocence. Gained maturity enables humans to persist and stay hopeful, even in the least hopeful situations. These environments and mindsets play an important role in the messages of three novels by Cormac McCarthy: The Road, The Crossing, and Cities of the Plain.

Caminero-Santangelo, Marta. 2007. On Latinidad: U.S. Latino Literature and the Construction of Ethnicity. Gainesville, FL: University Press of Florida.

  The novels The House on Mango Street (Cisneros 1984) and Woman Hollering Creek (Cisneros 1992) relate the new American through the eyes of Cisneros. The women in both novels are caught in the middle of their ethnic identity and their American identity, thus creating the "New American." Cisneros moved between Mexico and the United States often while growing up, thus making her feel "homeless and displaced" (Jones and Jorgenson 109).

When Even the Rat was White was announced as the book that we would be assigned to read and complete a reflection on, I felt indifferent. The title generated the all too familiar themes of cultures being white-washed. In other words, the United States has a past and ongoing history of taking every culture and putting a European spin on it. Naturally, with the announcement of this title, I immediately thought of the Eurocentric atmosphere that is diligently maintained in this country. With that title, the book had to be about the history of that. Also, there were thoughts brought to mind about the book including more information about the cultures that were disregarded and misappropriated.

We all make mistakes that we later regret, but that's life. We need to focus more on just accepting to live with it.

Cultural expectations have prevented humans from being able to lead their own lives the way they see fit. Gloria Anzaldúa and Sandra Cisneros are two notorious Mexican-American writers that wrote extensively about cultural borders and expectations. Anzaldúa came from the Mexico-Texas border, was a cultural and feminist theorist as well as English scholar, while Cisneros also comes from a Latino background and speaks from her cultural hybridity to illustrate cultural expectations. In this paper, I will use Anzaldúa’s “Borderlands / La Frontera” as a lens for Cisnero’s short story, “Woman Hollering Creek” to draw connections of cultural and gender expectations between two different genres of text.

Uptons Sinclairs The Jungle from 1906 is a fictional book from the progressive era. Even though The Jungle is a fictional novel, it described conditions that were real during the progressive era, such as working class poverty and harsh working conditions. The novel was written as a way to exploit the real lives of working citizens at home and at work.

In an enticingly realistic novel, contemporary western writer Cormac McCarthy tells the coming-of-age story of a young John Grady Cole whose life begins and, in a sense, ends in rustic San Angelo. Page by page, McCarthy sends his protagonist character creation on a Mexican adventure, complete with barriers, brawls, and beauties. The events which bring about John Grady’s adventure and the reasons behind his decision to flight familiarity are the most intriguing aspects of the novel. Through an examination of the text, readers can determine that John Grady Cole’s hellish plunge from his position of grace on his grandfather’s ranch in Cormac McCarthy’s All the Pretty Horses is a

Tomato escapes domestication by going on the road. She has a fear of being entrapped and domesticated, a “domestic - bliss love”, mocking the common societal beliefs that are placed on women (32). Similarly, the road presents itself as a challenge to Tomato granted she is a bisexual,Chicano woman on the road. In previous road novels the road is a place for white hetero-men having an adventure. As a atypical woman on the road she is transgressing heteronormativity, reshaping the relation between mobility and masculinity. Through her disparagement, she also critiques the traditional American culture of the role of women in

The period between Reconstruction and World War I was a time of tremendous social, economic, and cultural change in the United States. The end of the Civil War, the shrinking of the frontier, the rise of immigration, and the rapid growth of industry that characterized this time period brought many issues of race, class, and status to the forefront of politics. Many different opinions came to light about what it means to be an American and the dynamic between the American individual and American society. The differing answers to these questions created both divisions and unification of political and social thought made apparent by the rise of new labor unions, political parties, and schools of thought. Through careful analysis of historical

The novel Across a Hundred Mountains by Reyna Grande is a story about two young girls and their struggling journey to find happiness between two conflicting and distinct worlds: the United States and Mexico. Juana on one side wants to get to the United States, or “el otro lado” as mentioned in the novel, to find her father who abandoned her and her mother after leaving to find work in the US. On the other hand Adelina escapes from her house in California to follow her lover to Mexico. The girls form a bond in the most unexpected of places, a Tijuana jail, and quickly form a friendship that will connect them for the rest of their lives.

A life in the city of Seguin, Texas was not as easy as Cleofilas, the protagonist of the story thought it would be. The author, Cisneros describes the life women went through as a Latino wife through Cleofilas. Luckily, Cisneros is a Mexican-American herself and had provided the opportunity to see what life is like from two window of the different cultures. Also, it allowed her to write the story from a woman’s point of view, painting a vision of the types of problems many women went through as a Latino housewife. This allows readers to analyze the characters and events using a feminist critical view. In the short story “Women Hollering Creek” Sandra Cineros portrays the theme of expectation versus reality not only through cleofilas’s thoughts but also through her marriage and television in order to display how the hardship of women in a patriarchal society can destroy a woman’s life.

“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.