Analysis Of Forster 's ' Howards End Contracts On Relationships And Gender Roles

In society today, men are often in a position of power over women. Sometimes it even gets to the point where women no longer have the power to decide their own future. However, in the Scarlet Letter and The Crucible, the female characters place themselves in positions of power. Puritan society was very strict in their time, and was very controlling. In a way, the Puritan Society’s strict rules prompted the women to rebel and gain power for themselves, breaking away from their social standards.

While women are confined to the homestead and are wired to remain subservient to their husbands, Wilson does not explicitly demonstrate male authority over women. Rather, he has aimed at depicting the complete opposite.

John Steinbeck uses different methods to present Curley’s Wife and women in the 1930s. Throughout the novella Steinbeck represents women to be lower in society than men. In the novella women only have three different roles. A wife, an aunt and prostitutes. Steinbeck uses these roles to show the roles of women in society. Curley’s wife, Aunt Clara and Susy and Clara from the cathouse represent he microcosm of the women in American society.

Some skeptics such as Audre Lorde: may, argue that the focus of Larsen’s novella focused primarily on the juxtaposition of race and sexual identity of Black feminism in the early twentieth century. However, Larsen makes use of unstable identities that can been seen through the passage via Brian Redfield and John Bellew. The husbands’ envelope the extent of male privilege and contrarily shows their means of working against it. By exploring these men, it offers a more critical view to understanding Clare and Irene

Over the course of many years, women have struggled to expand their roles and rights in society, hoping to one day achieve complete equality with their male counterparts. Two women, Elizabeth Cady Stanton and Judy (Syfers) Brady, both recognized the patriarchal society in which women had to endure. They despised the way it heaped inequality and servitude upon women, and decided to assert their opinion on the issue in order to change the perceptions and imposed limitations on women. In Stanton’s speech, “Declaration of Sentiments”, and in Brady’s article, “I Want a Wife”, both women attempt to convince their audiences that females deserve complete equality with men by stating the submissive situations and obligations women find themselves immersed in. This is done to get their female audiences to reevaluate how they have been treated and give them a second chance at attaining equality. Both women employ various rhetorical techniques in their arguments to strengthen, as well as compel other women to oppose the ‘domesticated’ image of women. Elizabeth Cady Stanton and Judy (Syfers) Brady expressed their views in pursuance of forging a path to a revamped lifestyle for women.

Some critics have advanced the notion that one of the reasons there is such a paucity of women and of strong, beneficent women in particular within this story is due to what they represented in typical Victorian England society. Women were generally viewed as "a social force or a source of authority" which "reinforces this fiction of coherent male identity" (Doane and Hodges 63). This quotation suggests the fact that women were generally the keepers of morality and virtue within Victorian

The men’s word choice and tone when speaking to Mrs. Peters and Mrs. Hale comes across as demeaning and belittling. For example, when the men walk in on the women talking about Mrs. Wright’s quilt, the sheriff scoffs, “They wonder if she was going to quilt it or knot it!” (Glaspell 601). Although the men limit the women to the “trifles” of housework and childcare, they still continue to mock them for delighting in those few things they are allowed. By continuously ridiculing their character and intelligence, the men are creating an oppressive state for the women to live in. They abuse their roles in the lives of their wives and ultimately spoil the concept of a happy marriage, creating tension and conflict between the men and women of their

Throughout the Victorian Age, male dominance deprived women from freedom of choice. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. There are several male characters who control, humiliate, and abuse their power over Jane. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.

Additionally, gender roles affect Mrs. Wright’s (also known as Minnie) reaction to oppressive marriage. Before marriage, Minnie was a carefree independent woman who was active in her community. She always dressed in pretty clothes and was one of the town girls singing in the choir (Glaspell 1111). After marriage, Minnie’s life became sad and lonely due to the lack of children and the lack of empathy and warmth from her husband. Glaspell provides the reader glimpse of Mr. Wright’s character through Mrs. Hale’s description of him being honest and upright, but he was a “hard man” and not very amiable (1114). The Wright’s marriage is a perfect example of the effects of traditional gender roles. Mr. Wright represents the traditional role of male dominance in marriage by controlling Minnie’s life through isolation and removing anything that would bring her happiness. Although Minnie became submissive in order to conform to the demands of her husband, she took back control when she murdered her husband in the same fashion as he did to her pet canary (1116).

Additionally, in “A Jury of Her Peers,” women and men have distinctly different gender roles and the story demonstrates the different opportunities available to both men and women in terms of the division of labor and in society. The men control this world because social rules restrict women’s ability to move about, to choose their own interests, or to exist as separate beings from their husbands. Minnie Wright and Martha Hale are continuously defined as housekeepers. The responsibilities of caring for a house, and a kitchen, are in line with women. Martha Hale still thinks of Minnie Wright as Minnie Foster, underlining the identity change each woman experiences when she marries and takes her husband’s name as her own, when she becomes distinct from her husband’s identity and her own separate personality is lost. One aspect of this social subjugation of women in the story is the loneliness that results from being stuck in their homes. Men have each other’s company, but women must remain at the house by themselves. The women don’t often get out much. “Women are used to worrying over trifles.” (572) A childless woman, like Minnie Wright, would’ve felt this loneliness even more emotionally. The subjugation of women in the story is not confining to the economic and the social. The male characters contribute to these social rules and expectations with a more personal form of oppression: by belittling

(Forster 181). As a sister looking out for what’s best, I understand that this announcement of his proposal may come as a shock and Helen suggests he does not really truly love her. Helen fears that Margaret will start to be like Mrs. Wilcox and become “gruffer, more downright, and inclined to patronize the more foolish virgin” (Forster 160). Here, we see the true feelings of Helen as she becomes disconnected with her sister and feels anger towards her sister’s fiancé, Henry. Helen punishes her sister by disconnecting herself from Margaret’s life and moving far away; out of sight, out of mind. Unsatisfied with the way things were left after telling Helen about the engagement and their continuous arguments on the subject, Margaret asks to meet up at Howard’s End where they start reminiscing about all the strong family bonding experiences they had years ago. By talking and laughing about the good old days, the sisters were able to reunite and rebuild that family connection they had lost. It is evident in this realistic example between to loving sisters’ causes family bonds and connections to forever remain. Although they may be damaged due to disagreements, these close relationships can never be broke. John Colmer mentions in his critique, “Marriage and Personal Relationships in Forster’s Fiction, that, “Personal relationships triumph between the two Schelgel sisters,

In many modern societies, a common belief is that women should have equal standing with men politically, socially, and in the workforce (Alesina, Guiliano, and Nunn 1). This support is generally associated with feminism, which advocates for equality between all genders (Issist). In other societies, women are unable to seek opportunities past traditional gender roles, such as domestication and childbearing (Alesina, Guiliano, and Nunn 1). This ideology is often referred to as patriarchy, which expects women to conform to stereotypes that are based on assumptions about femininity and maternal instinct. The influences of traditional gender roles revolve around conditioning, restraint, and submissive characteristics, which can result in women living in boredom and misery (Yildirim 47). To reveal the corrupt nature of the customary expectations of women living during the 1800s, the author illustrates Hedda’s marriage to George Tesman, as the husband expects his wife to devote her life solely to the wellbeing of her household and family. If Hedda decides to conform to the traditional gender roles of the Victorian era, she will not be able to express her individuality or intelligence. The only purpose that she will serve in society will be to raise children and attend to the needs of her husband. This imposes limitations on her basic human rights, as her society views her as inferior and

In the Victorian era, the status of women in society was extremely oppressive and, by modern standards, atrocious. Women had few rights, in or outside of the home. Married women in this period relied on men almost completely as they had few rights or independence. With this mindset in focus,

Through the Victorian Age, male dominance deprived women from a certain freedom. In Charlotte Brontë’s novel, Jane Eyre, Jane Eyre repeatedly struggles to become an independent young lady due to the troublesome men in the story. John Reed controls Jane, Mr. Brocklehurst humiliates Jane, and Mr. Rochester sees women, in general, as objects. The author manages to depict patriarchal dominance through the characterization of John Reed, Mr. Brocklehurst, and Mr. Rochester.

The novel demonstrates both popular and familiar gender roles in the 19th century. Catherine Earnshaw, breaks through the stereotypes, and has a mesh of both feminine and masculine qualities. In the Victorian Era, men are seemed as superior to women. Her gender roles are beyond the social norm, as well as her husband Edgar, who is portrayed as more feminine. Catherine holds many masculine qualities such as being adventurous, extroverted, and determined.