Analysis Of Fun Home: A Family Tragicomic By Alison Bechdel

Growing up with parents who are immigrants can present many obstacles for the children of those immigrants. There are many problems people face that we do not even realize. Things happen behind closed doors that we might not even be aware of. Writers Sandra Cisneros and Amy Tan help us become aware of these problems. Both of these authors express those hardships in their stories about growing up with foreign parents. Although their most apparent hardships are about different struggles, both of their stories have a similar underlying theme.

An emphasis on family is one of the central facets of Native American culture. There is a sense of community between Native American. Louise Erdrich, a Chippewa Indian herself, writes a gripping bildungsroman about a thirteen year old boy named Joe who experiences all forms of family on the Native American Reserve where he lives. He learns to deal with the challenges of a blood family, witnesses toxic family relationships, and experiences a family-like love from the members of the community. In her book, The Round House, Louise Erdrich depicts three definitions of the word family and shows how these relationships affect Joe’s development into an adult.

Picking up the book Fun Home, one would imagine that the novel would embellish some sort of comical life story of a misunderstood teenager. Although the short comic-book structured novel does have its sarcastic humor, Alison Bechdel explains her firsthand account of growing up with the difficulty of living of finding her true identity. Alison was a teenager in college when she discovered that she was a lesbian, however, the shock came when she also discovered her father was homosexual. I feel that the most influencing panel in Fun Home is where Alison and her father are in the car alone together. Not only does this panel explain the entirety of the novel in a few short speech bubbles, but it is the defining scene that connects

Fun Home: A Family Tragicomic is an autobiography written by Alison Bechdel. The graphic novel takes its readers through Alison Bechdel’s childhood using engaging diction and detailed drawings. One of the big themes of Fun Home: A Family Tragicomic is the discovery of one’s sexual orientation. Over the course of her life, Alison Bechdel eventually comes to the realization that she is a lesbian. Ultimately, Alison Bechdel uses this novel to recount her experience of events that helped to shape her personal identity, which resulted in a transformation of the way she sees herself. In the end, Fun Home: A Family Tragicomic is a wonderful narrative that shows its readers the complexity of personal identity, and how things like love, the values of

I was born in a hot, humid day, when even time seemed to stand still, in my native town, Manila, Philippines on January 5th, 1996. I am the oldest of four children. I have three younger brothers who are a lot younger than me. My dad joined the army as soon as he graduated from high school and he met my mom in Korea, where he was station at the time. So my brothers and I grew up in a military household. My parents were really strict, growing up, I wasn’t allowed to do a lot of things and as I am the only girl my parents were a lot more stricter with me than they were with my brothers. I’m the oldest and also the only girl and I am also the first grandchild to my grandparents so I grew up really spoiled up until my brother was born when I was five years old, which did not sit well with me, I remember asking my parents back then if they could take the baby back to where he came from.

On the surface, Alison Bechdel’s Fun Home seems simply to be a memoir of her journey towards discovering her own identity, and in the process, uncovering her father’s. However, the novel is far more complex. The graphic novel is not linear in the least, and mimics memory as it moves backwards and forwards in time, or returns to specific situations repeatedly. This is layered with the numerous references to previous literary texts in an interesting manner; combined, it provides emotional and informative layers to the novel. Bechdel starts to especially question binaries and pushes the boundaries of what it means to be a female and male in a relatively patriarchal society with no middle ground around the rules; as the novel shows, this affects not only Bechdel’s own pursuit towards her identity but has a significant, and ultimately fatal, impact on her father, Bruce.

The first day in the United States is one of the best day and most thrilling days in my life. My father and my older sister move to Malaysia to get a job and support our family due to financial difficulty and lack of job opportunity in Burma. After a few years, my father and my sister were able to enter as immigrant and they were sent to the United States as immigrants through United Nation. After being apart with my father and my sister for more than a decade, my parents decide to move completely to America where more opportunities are available for a brighter future. My family faces many obstacles during the process of migrating to America. Despite all the struggle that are on our way, my family finally arrives in the United States and face major changes in life.

We are all living in a society that is filled with social expectations of gender. From our early age, we seem to be able to response to these expectations accordingly. For example, we notice Barbies are for girls while robots and cars are for boys only. In the “Performative Gender”, “Doing Gender”, and “Nerd Box”, authors all indicate gender is learned instead of inherited. They bring out their insightful observation and critical personal experience to illustrate how the social expectations with punitive effects construct our gender unconsciously. These articles provide a great lens for us to understand the mental state and behaviors of the main characters in Fun Home: A Family Tragicomic. In Fun Home, Alison Bechdel portrays how living in Beech Creek, Pennsylvania during the 1930s not only repressed both her father, Bruce, and her from coming out as a homosexual and genderqueer, but also trapped her mother, Helen, in her “women box”. Through the graphic memoir, Fun Home is able to present the struggling process that one may need to go through before admitting one’s unusual gender identity and sexual orientation.

The details on how my family arrived in America have been passed down by various members of my family. The accuracy and detail of these memories have diminished with every retelling. Some of my family arrived in America so long ago that all that remains of their experiences are rumors and stretched truths. As a story gets retold over and over it loses much of its accuracy. While much of my family history relies on this kind of storytelling, there are some in my family who were alive and experienced the challenges faced by immigrants. Though born in the United States, my maternal grandfather, Sebastian Passantino, was very familiar with the hardships of being an immigrant.

Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship

Alison Bechdel’s Fun Home uses intellectually developed language against cartoon images that are comparatively minimal to convey what her life was like as a child and young adult as she coped with her father’s suicide. By using both of these narrative forms, Bechdel essentially gives herself two different voices in the novel: her childhood self who is the main character of the book and her current self who is the author. This is meaningful because since the novel is a memoir, the author’s voice is a reflection of what she has become as a result of the events of her childhood. That contrast between young Alison and older, wiser Alison adds a new dimension to the story as the reader begins to notice how

Fun Home is a retelling of Alison Bechdel’s life through the lens of her relationship with her father. However, because of what she considers to have been his suicide, Alison is left with an incomplete picture of who he was in life. By calling Fun Home an autobiography, Bechdel enters an autobiographical pact with the reader that ensures that what Bechdel is telling us is the truth. However, elements out of her control leave Bechdel unable to provide certain objective facts necessary to her narrative. As an attempt to remedy these absences and in turn maintain the validity of her story, Bechdel uses intertextuality to fill in the gaps of in her retelling. By overlaying masterplots of fictional narratives over her own, the reader is able to get at an understanding of the kind of person Alison’s father was. In this way Bechdel is able to reveal things about her father that she can 't prove to be true, but are reflective enough of his life to become true.

As my parents grew further apart, my siblings and I grew closer together. Having grown up in a rural community, my father was greatly supported emotionally, as our family and friends could see how the pressures of being the sole-provider weighed on him.

The book “Fun Home: A FAMILY TRAGICOMIC” is a captivating autobiography that entertains readers as well as engages audiences. The content provided in the book challenges views on normative stereotypes while offering a unique perspective. The book impresses upon readers a stir of emotions while conveying messages effortlessly. The memoir focuses upon uncomfortable subjects such as death, homosexuality, and coming of age offering a candid look into aspects of the Bechdel’s life. The book is an interesting read, the subject matter produced is relatable to readers and unique in its format. Additionally, the content produced in the book relies on her relationship with her father, which aids in entertaining audiences because of their strange kinship.

It was October 13, 1995 when my little brother Christopher was born. He was an odd looking little thing and I wanted nothing more than to return him, but my mom said that was not possible. We were stuck with him. It was a tough transition, going from an old child to having to share everything with Chris. He demanded so much attention and that bothered me greatly. Family came from far and close to see him when before visits were exclusive to seeing me. My dad, working as a commercial fisherman, couldn’t wait to take little Chris to the boats when he was old enough. My mom, a once working woman, now devoted all her time to taking care of Chris. She had quit her job once she found out Chris was on his way. Now that he was here, she spent her days at home taking care of Chris and on her free time she would read Miss America by Howard Stern which was the