Analysis Of Fun Home By Alison Bechdel

- Characters: The main character is developed by what type of book the author is writing. My main character Sugar Mae Cole was developed because of the way she acts toward different characters in the book. And by her personality and sugars personality is sweet kinda like her name and she is polite. She is always trying to brighten the other characters up especially her mom Reba. She has a different personality that any of the other characters and connects with them in a different way that is what makes her the main character. she is cautious and also believes in people and things like her mom. Her mom Reba is about to give up but Sugar still believes in her and she believes she and her Mom will get a home and things will

The home as a place of comfort does not exist for the narrator; companionship with her husband is lost. Her only real conversations occur on paper, as no one else speaks to her of anything other than her condition. She is stripped of her role as a wife, robbed of her role as a mother, and is reduced to an object of her husband's.

Bechdel’s fight for her gender identity was a constant in Fun Home, as was Bruce’s attempts to force femininity onto her, driven by his need to express his gender identity vicariously through her. Bechdel’s writing explains the obvious expressions of gender identity such as page 14 when Bruce decorated Bechdel’s room femininely despite her protests, prompting her to claim that her house was going to be made of all metal. But the illustrations depict the less obvious manifestations of gender identity. On page 95, we see Bechdel calling herself a, “connoisseur of masculinity,” with a Western film playing while her father is in the background arranging flowers (Bechdel, 95).

The novel begins with a journey, both physical and emotional; the Brennans are physically moving houses and towns, but also moving into new, unfamiliar territory. The leaving of ‘home’ is synonymous with the leaving of what id known, familiar and comfortable, in a literal and metaphorical sense.

He finally realizes the truth about his daughter, which I believe eternally, hurts him. Why is Bruce so upset over this realization? Bruce does not want to see his daughter suffer through the same fate as he has encountered throughout the years. He has lived a life filled with lies; therefore, his life is filled with regret and unfulfillment. He wants what every father wants for his daughter, to be successful with a family of her own. For example, we can see throughout Fun Home that Bruce makes his daughter wear jewelry and feminine clothes, despite her complete distaste to the feminine style. There are three occurrences where Allison and her father are fighting about jewelry to wear (97). Allison refuses to wear pearls to the, but her father insists because there is an internal alarm going off in his head (99). As a child Bruce dressed himself as a girl, now as an adult he wants to prevent his daughter from cross dressing (221). Essentially when we arrive at the car scene Bruce was trying to prevent his daughter from becoming like him. The ultimate realization of his daughter’s sexuality unfolds and to him, he has failed his job of preventing this from happening. Understanding the movement and background we can understand the actual conversation between the two characters. This is crucial to understanding the larger predicament of the situation.

Fun Home: A Family Tragicomic is an autobiography written by Alison Bechdel. The graphic novel takes its readers through Alison Bechdel’s childhood using engaging diction and detailed drawings. One of the big themes of Fun Home: A Family Tragicomic is the discovery of one’s sexual orientation. Over the course of her life, Alison Bechdel eventually comes to the realization that she is a lesbian. Ultimately, Alison Bechdel uses this novel to recount her experience of events that helped to shape her personal identity, which resulted in a transformation of the way she sees herself. In the end, Fun Home: A Family Tragicomic is a wonderful narrative that shows its readers the complexity of personal identity, and how things like love, the values of

On the surface, Alison Bechdel’s Fun Home seems simply to be a memoir of her journey towards discovering her own identity, and in the process, uncovering her father’s. However, the novel is far more complex. The graphic novel is not linear in the least, and mimics memory as it moves backwards and forwards in time, or returns to specific situations repeatedly. This is layered with the numerous references to previous literary texts in an interesting manner; combined, it provides emotional and informative layers to the novel. Bechdel starts to especially question binaries and pushes the boundaries of what it means to be a female and male in a relatively patriarchal society with no middle ground around the rules; as the novel shows, this affects not only Bechdel’s own pursuit towards her identity but has a significant, and ultimately fatal, impact on her father, Bruce.

On page 134 of Fun Home, Bechdel writes, “It was a vicious circle, though. The more gratification we found in our own geniuses, the more isolated we grew.” Illustrated along with this text is a large panel presenting the Bechdel household with circular panels drawn on the side of the house to detail the separate goings on inside each room. Each figure is also painted in a silhouetted form, creating a dissociated and an impersonal impression for which to view the Bechdel family. “While Bruce Bechdel is shown to have an explosive temper and be prone to the occasional violent outburst, it is the distance he creates in the household that seems to cause the most harm.” (Helvie) The separate, circular and interior panels could be representing

The poem "Where Children Live" by Naomi Shihab Nye contrasts the effects and interests of adults to children by using visual imagery. Children have positive effects on a home because they have a “pleasant rumpledness” (line 1). The imperfections that result from children are endearing. In adulthood, there are no "lost shoes blooming under bushes" or "chipped trucks in the drive" (lines 8-9). The house is described as taking on a new face that is serious and "dignified" (line 7). The freedoms of childhood are lost when one matures; adults prefer routines, relaxation, and “slow-motion back and forth” instead of constant rushing like children (line 10). Children’s hearts are “dressed in the coat with a hood” while adults’ hearts take on “gloves

In Fun Home: A Family Tragicomic, Alison Bechdel composes a graphic memoir to inform readers about her journey of coming out as a lesbian to her parents. To add to this note, Bechdel also gives details about her family and how she discovers her father’s true sexuality – he is attracted to males. She builds the story around the tragic event of her father’s mysterious death.

Poetry. A seemingly simple word to the eye, but is one of the most fundamental and interesting concepts of English. The beauty of poetry is that each one of us in this room could have a different perception on any poem. It can make you angry, sad or happy, It depends on how you interpret the words. Today I’ll be breaking down the elements included in Gwen Harwood’s ‘In the Park’ and how women are viewed. Generally, women can be depicted as poor or wealthy, nasty and aggressive or compassionate and affectionate, intelligent or dumbfounded, loyal or unfaithful. Roles of women include Mothers, daughters, Aunties or housewives just to name a few.

Gwen Harwood explores through many of her poems the role of women in society in which reflects the challenges of the changing nature of Australian society and expectations of women. Harwood highlights the stultifying world of domesticity and the importance of identity in relation to motherhood, by challenging dominant values and mainstream beliefs. Harwood criticizes the male dominated society and channels the zeitgeist of 1960s feminism, by depicting the entrapment of motherhood in a domestic life and reinforcing of loss of identity within her poems. In both of Harwood's poems 'suburban Sonnet' and 'In the Park', the common themes of motherhood and loss of identity is enforced using a wide variety of literally techniques to portray the inner pain and anguish felt by Harwood in a patriarchal society.

Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship

In Fun Home, Alison Bechdel demonstrates how myth and stereotyping contribute to the construction of prejudice. Alison’s father, Bruce Bechdel, lived a false life by denying his sexual orientation and created the illusion of a “normal” family life. By marrying a female and creating offspring, he perpetuated the public illusion that he had the perfect home and family. Despite this myth of perfect domestication, the true private life of the Bechdel family could be described as dysfunctional. Bechdel “witnessed only two gestures of action between” (Bechdel 68) her parents, which consisted of her father giving her mother “a chaste peck before leaving on a weekend trip” (Bechdel 68) and one time when her mother “put her hand on his back” (Bechdel 68) as they watched television. Bechdel writes how on both occasions, she “was astonished and discomforted” (Bechdel 68) and suggests that both her mother and father preferred “fiction to reality” (Bechdel 85). Both Bruce Bechdel and his wife, lived in a world where they did not acknowledge reality; it was easier for them to live a lie then to come to terms with Bruce’s homosexual identity. The conflict within the family could be attributed to Bruce’s suppression of his sexuality, which in turn, could be attributed to growing up in a time period when it was

Home is about a Korean War veteran named Frank Money who needs to save his sister from dying. The story starts with Frank describing a scene from his childhood with his sister. They were in a field with horses he describes the horses being beautiful and brutal, but on the other side some men were burying a dead African American in a hole. When Frank becomes an adult he is soon committed to a mental hospital after his time in the war. Frank soon gets a letter stating that his sister was in danger and could die if he did not hurry to save her. Then he remembers his family being evicted and not being able to take any possessions. Frank then escapes the bastion of the