Analysis Of Fyodor Dostoyevsky's Crime And Punishment

Raskolnikov’s brusque affectation eventually yields to his predilection for salvation and redemption. He ultimately comes to the realization that he is not worthy of being “extraordinary” because of the crippling guilt that followed his murder of the pawnbroker. Raskolnikov reflects upon the implications of his crime on his psyche, “I murdered myself, not her! I crushed myself once for all,

In Crime and Punishment, Dostoevsky creates a psychological thriller, in which he reimagines his own life through the eyes of Raskolnikov. Whereas the Russian government sentences Dostoevsky to Siberia as punishment for sedition, Siberia serves a means of atonement for Raskolnikov. This type of religious undertone reinforces the novel’s existentialistic messages that emphasizes individual existence, freedom and choice. It holds the view that humans define their own meaning in life, and try to make rational decisions despite existing in an irrational universe. Thus, humans create their own purpose in life and their choices define who they are. Dostoevsky utilizes figurative language, specifically biblical allusions, as a way of conveying and clarifying these themes to the reader. By connecting to Bible, the author universalizes the intention, allowing the reader to apply the text to their own lives, and granting the audience further insight into the novel. Thus, biblical allusions help enrich the themes of Crime and Punishment while also cementing the central message of salvation- anyone, even murderers, have the potential to redeem themselves.

In the novel “Crime and Punishment”, the author, Fyodor Dostoevsky gives the reader a glimpse into the mind of a tormented criminal, by his guilt of a murder. Dostoevsky’s main focal point of the novel doesn’t lie within the crime nor the punishment but within the self-conflicting battle of a man and his guilty conscience. The author portrays tone by mood manipulation and with the use of descriptive diction to better express his perspective in the story, bringing the reader into the mind of the murderer.

It shall not be, so long as I am alive, it shall not, it shall not! I won’t accept it!” (Part 1. 4.). Raskolnikov begins to alienate himself from his ex-colleague, Razumikhin, although at points it is Razumikhin who supports Raskolnikov the most. It forces Razumikhin to replace Raskolnikov in situations that should have been left to his authority. In a situation where Raskolnikov should have reassured Dounia and Pulcheria of their safety “he waved his hand weakly to Razumikhin to cut short the flow of warm and incoherent consolations he was addressing to his mother and sister” (Part 3. 1). As Raskolnikov began to slowly move away from any form of comfortable socialization and a growing poverty situation, his stubbornness to contain his pride and dignity eventually builds up to the brutal murder of Alyona.

Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.

The protagonist, Rodion Romanovich Raskolnikov, a former student, decides to murder and rob an old pawn broker, Alyona Ivanovna, not due to his desperate need of money, but due to a theory he wants to test. Raskolnikov leaves no evidence which would lead the investigation to him; however, the police lieutenant in charge of the case, Porfiry Petrovich, a meticulous thinker, understands Raskolnikov’s theory and has a big role in influencing the student to confess. Between the murder and the confession, Raskolnikov undergoes a long and painful process of thought. His friend, Razumikhin Prokofych, along with a prostitute and his future significant other, Sonia Semyonovna Marmeladova, are part of the protagonist’s path. In the end, Sonia turns out to be Raskolnikov’s salvation as she helps him find redemption and start living

In Fyodor Dostoevsky book Crime and Punishment, women at this time in Russia were not the equals of men in terms of education and power. In Crime and Punishment the women in the story were self-sacrificing in their actions, which in return paid off for the women. Majority of women, in Crime and Punishment, such as Sonya were selfless in their actions. The women in this story play a motherly role towards the men. Women in this story may have lived in a male dominated society, but it seemed that the words the women spoke in this story were very strong in influencing the men. Sonya plays a major role in Raskolnikov's life, being the person Raskolnikov relies on while he was in and out of prison. Raskolnikov felt a heavy connection with Sonya

Dostoevsky’s beliefs and philosophies are reflections of the Russian philosophies from his era. He incorporates many of his own opinions and beliefs into his work in Crime and Punishment. Dostoevsky’s insight affects the novel as he integrates his views into his characters.

One theme of Christianity is that redemption is achieved through suffering. Jesus himself believed in the method and even told Saint Faustina that she could “save more souls through prayer and suffering than will a missionary through his teachings and sermons alone" (Diary 1767). Evidently, the idea of redemptive suffering worked its way strongly into his novel Crime and Punishment. The protagonist, Rodion Romanovich Raskolnikov, was an impoverished former student who lived in St. Petersburg. Raskolnikov believed that he could make the world a better place by murdering a crooked pawnbroker and taking her money to help the needy; Raskolnikov ends up murdering the pawnbroker as well as her innocent sister. Through Raskolnikov and Katerina’s journey to redemption Dostoevsky is able to convey that redemption is possible but only through a great amount of suffering.

A Study of the literary techniques used by Fyodor Dostoyevsky in Crime and Punishment to convey the downfall and subsequent rise of the main character. "Crime and Punishment" by Fyodor Dostoyevsky is the story of a young student Raskolnikov and his need to murder an old woman to prove one of his many philosophies. The book begins with the murder, but the primary focus is on his reasoning and reactions before and after the act. It is set in St Petersburg where the main character, Raskolnikov, appears to be an ex-student living, in poverty, a life of lethargy.

After the murder, his restless conscience tortures him, leading him into madness. Throughout the novel, Dostoevsky describes Raskolnikov as “delirious” and “fanatical,” likening him to a madman. Stemming from his guilt, this condition, remarked upon by his friend Razumihkin, the doctor Zossimov, the inspector Porfiry Petrovich, and others, consumes him and manifests as a physical disease. By portraying him as diseased, Dostoevsky links his murder with corruption – a corruption so great that it infects both his mind and body.

The title of Feodor Dostoevsky’s work, Crime and Punishment, leads the mind to think that the book will focus on a great punishment set by enforcers of the law that a criminal will have to endure, but the book does not really focus on any physical repercussions of the crimes of the main character, Rodion Romanovich Raskolnikov.

There can be comparisons to the suffering of Svidrigailov and the suffering of life is suicide. Raskolnikov did not avoid suffering, he was able to conquer it. Before his crime he asked the question, “Will this crime serve a noble purpose”, (p. 75) he also asks “do I dare commit this murder and therefore prove myself to be a man by proving that my will is strong?” (p. 76) It is after this that he commits the crime that the suffering begins. Unlike Svidrigailov, Rodya overcomes his pain through salvation with the help of Sonia. Rodya suffers because he is not

Crime and Punishment, written by Fyodor Mikhailovich Dostoevsky; is a philosophical crime fiction novel. The story is very powerful in that it goes beyond the book and into the lives of the audience; making the audience feel some type of relation between themselves and the story. Dostoevsky was brilliant in creating a fictional world where the characters seem to be found within the audience, transitioning from a fictional story to a self-help book. He employes many life lessons in the story, which give the audience a new perspective on themselves.

Therefore Amoia notes that, "as the implications of the deed unfold in his conscience, Raskolnikov attempts to jusitfy his actions as a 'rational' crime" (53). Though he understands that he will be able to escape the physical punishement for the crime, he has yet to comprehend the burden that comes with such an unethical action. Even when Porfiry suggests that the criminal who murdered the pawnbroker may run away but, "psychologically he won't escape" (287), Raskolnikov becomes infuriated and accuses Porfiry of trying to scare him. However, Raskolnikov fails to understand the meaning behind Porfiry's words perhaps because he still chooses not to rely on his conscience and confess to the crime.While the superiority complex sets him apart from the society in the beginning, his piercing conscience distances him from people later on in the novel. He refuses to speak to Razumuikhin or to his family. It only before he goes to jail, that he decides to see his mother. Even when he does so, he is relieved that Dunya is not in the room. He later admits to Dunya that he doesn't, "even remember why [I] even went" to meet his mother. His conscience does not allow him to face his loved ones and eventually, he tries to isolate himself from society. While Raskolnikov tries to alienate himself from his own conscience, he is alienating himself from humanity in general.