Analysis Of George Sand : A Desire Essay

In the beginning of the poem, the speaker states that women “milestone / [their] lives with oversights -- / living by the lights / of the loaf left / by the cash register…” The alliteration of the letter ‘l’ is used to emphasize the meaning of the statement. The statement insinuates that women are the ones who take care of food and cook, as shown by the word “loaf.” The speaker then informs of “the washing powder / paid for and wrapped, / the wash left wet.” The letter ‘w’ is used to emphasize

Hardy initially uses similes to illustrate the bleak landscape, referring to the “sun [as] white” and leaves as “grey”, to emphasise his sorrowful opinion of love. Specific diction of bleak words strongly communicates his message of love being hopeless and sorrowful. He also uses personification of “starving sod”, to allude that the earth is frozen and desiring nutrients which it lacks. This creates an undesirable setting and mood of despair and sorrow expressing how he perceives love. In contrast, Browning orientates an inviting, cheerful setting through the use of similes. The scene is vibrant with “little waves that leap” and “warm sea-scented beach[es]”, allowing the reader to perceive it as joyful. This illustrates how he regards love as an uplifting experience, which brings people together. He structures his poem with no stanzas, allowing for the reader to follow the radiant journey of love. In contrast, Hardy includes stanzas allowing him to express his message though new topics. They consist of the bleak setting, his former partners eyes, her bitter smile and his message of how all love disappoints. He includes an enclosed rhyme scheme, presenting the entrapment of love, expressing no freedom and joy in relationships. In opposition, Browning uses anaphora of “and” to express how the speaker’s mind is not in the moment, looking ahead to the future where they reunite with their lover. It is evident that Hardy conveys his message of love as sorrowful and full of despair, in contrast Browning message reveals love as gracious and

non-fiction. From her wide array of published works this critical analysis will be focused on her

Despite the achievements of women in many different fields, society still attempts to limit women to certain roles. Furthermore, in the poem, women “… are defined […] by what [they] never will be,” (lines 19 - 21); once again, the author claims that women are defined by what they are unable to do because of gender bias. Instead of being given the chance to be influential, they are continually limited to staying at home or doing jobs “meant for women.” Finally, Boland tells the tutor that women “…were never on the scene of crime,” (lines 27 - 28). This serves as a metaphor for how women are never allowed to do important jobs; instead, they are left at the sidelines due to the repeatedly ignored restrictions placed on women by our gender-biased society.

4. Do you assume the mason/carpenter/wood-cutter is a man or a woman? How come? In my opinion, they were all probably men because the poem was written in 1860 and during this time not many women could be seen doing these kind of jobs. Women would oftentimes sew, wash clothes, cook, and take care of the family. It also says the word “his” after introducing them.

Like a template. Every family had to have one of these. Families during this time did not bond or grow up together, but had been brought and constructed. Another example of sexism can be found in stanza five, as Dawe says, ‘’… and then it was goodbye stars and the soft/ cry in the corner when no one was looking…’’ This shows the audience that in this society, during this time period, men were also stereotyped as they were not allowed to cry. They DO NOT cry.

The poem introduces a wealthy woman and she’s not happy with her life. She has all she needs except happiness. The setting takes place in the Kensington Gardens. Around the garden are non wealthy people. Ezra Pound presents a simile in the first line, “Like a skein of loose silk blown against a wall (Pound 2)”, this refers to the woman to a length of silk (WordPress 5). “En robe de parade. Samain (Pound 1)” In English, “dress to impress”. Ezra Pound is referring to Samain a French philosopher (Genius 1). “She walks by the railing path in Kensington Gardens (Pound 3).” Ezra Pound uses, “railing”, to tell the reader that the woman uses the railing because she is solitude (Genius 3). “In her is the end of breeding (Pound 9).” The woman doesn’t see any hope for her future. She compares her life and the poorer children around her (Genius 9). “Money cannot buy happiness.” Money may buy your needs, but money cannot buy or fix how you or others

and Femininity. The poem is mainly about motherhood in a way as previously discussed. She

This poem was set in Renaissance Italy and women were denied all political rights and considered legally subject to their husbands. Women of all classes were expected to perform, first and foremost, the duties of housewife: sewing, cooking, and entertaining, among others. It is obvious from the historical context that Browning’s poem was

wrote about the different points of females and males. She had the passion of love. She

The finest woks of Browning endeavor to explain the mechanics of human psychology. The motions of love, hate, passion, instinct, violence, desire, poverty, violence, and sex and sensuousness are raised from the dead in his poetry with a striking virility and some are even introduced with a remarkable brilliance.

The two Browning poems, ‘Porphyria’s Lover’ and ‘My Last Duchess’ were written to convey to the reader how women were treated in that era; as possession, as assets. Both of these poems can be read from different points of view and they also both are what is

Both of these works contain the unique ability, as portrayed by Browning, to create a deep fictional psyche that displays the strange relationship between man and woman. This relationship is displayed as one full of pain, jealousy, rejection and happiness, the majority of these emotion are contained in love and marriage. From this the reader can infer the nature of love being the conquering of class distinction and marriage involves sexist male inhibitions. Insecurities are seen in both poems and are evident in the perspective voices of the male protagonists, who are seen as incapable to handle their aggressive and possessive natures when it comes to love and marriage. Browning seems to be demonstrating the side of relationships avoided previously by Romantics and in doing so shows the negative implication on seemingly unruly

In The Sand Child, Tahar Ben Jelloun composes a multi-layered tale about Ahmed, a woman socialized as a man, who struggles to reclaim her sexuality. Ben Jelloun contrasts gender and sexual orientation to suggest that a person’s characteristics can be shaped and changed by will, but his sexuality is predisposed and will be the deciding factor of how he will act and identify himself within his community.

Understanding her own purpose in writing, Barrett set out to perfectly portray it to others. This search for clarity in vocabulary is what drove her to create such complicated poetry that, unfortunately, more often than not, perplexed her critical contemporaries. Barrett characterizes her process of writing as being "thought-tied"