Analysis Of Georgia O ' Keefe 's Painting Summer Days

Georgia O’Keefe was born on a small family farm near Sun Prairie, Wisconsin on November 15, 1887 as the second child of seven. Daughter of Francis Calyxtus O'Keeffe, Sr. and Ida Ten Totto; Sister of Francis Calyxtus O'Keeffe, Ida Ten Eyck O'Keeffe, Anita Ten Eyck Young, Alexis "Tex" Wyckoff O'Keeffe, Catherine Blanche O'Keeffe; and Claudia Ruth O'Keeffe. At a young age, she was encouraged to take art lessons from Sara Mann, a local artist, who taught her how to use watercolours. She married her mentor, Alfred Stieglitz in 1924. They lived in New York, though O’Keefe frequently visited New Mexico to paint the landscape. She took up permanent residence in Taos, New Mexico after her husband’s death in 1924. When she got older, she had a rapid

Georgia O'Keeffe is one of the most influential artists there is today. Her works are valued highly and are quite beautiful and unique. As a prominent

When discussing how one should look at art, paintings, or even sculptures to understand it for its full meaning Patrick Frank’s Prebles’ Artforms categorizes it in five ways; commentary, worship and ritual, commemoration, persuasion, and self-expression (Frank 23-34). I believe that these five categories can really help you when looking at any type of artwork because you can distinguish what message the artist is trying to convey and a deeper understanding of the work.

Art History is the study of objects of art in their historical development and stylistic contexts. The history of art, we feel, can sometimes be confused with art criticism. However, Art History is concerned with finding the value of the artistic piece in respect with others in the same category of art or movement, and art criticism is more of an evaluation of art. The art examined best represents the culture during the time period, visions the artist imagined, and history behind an event. It also represents society in a specific area, beliefs the people may have, writing that tells a story, the natural world and environment, conflict between people and areas, and the human body. With these representations, artwork overall represents the life in which we live (d). Each piece has its own genre, design, format and style to it. This makes each piece extremely different, yet pleasing to the eye. They also vary between paintings, sculptures and architecture. These different types also make a variety of artwork to be seen by all people. The art pieces that I chose, Jar, Bottle and Glass by Juan Gris, The Persistence of Memory by Salvador Dalí, and Starry Night by Vincent Van Gogh, seemed interesting to me and I believe to best represent the context in which they were created, along with the major artistic movements of the time. I went on to research them more thoroughly to better understand the history behind them,

Georgia O’Keeffe was born to the parents of Francis Calyxtus O’Keeffe and Ida (Totto) O’Keeffe on November 15, 1887 near Wisconsin. Georgia was the second oldest child and by the age of ten she knew she wanted to become an artist someday. Her first aspiration was doing abstracts. She was selective about what she painted, but often times she would paint to please others and not herself. Her paintings were thought of as sexual paintings because of the way they were drawn and painted in which she would say is one’s own opinion. Georgia O’Keeffe was best known for her flower canvas and southwestern landscapes. Her husband who is a famous photographer by the name of Alfred Stieglitz used to paint nice portraits of her. She was very fond of him, they both liked what each other did as far as how they were making ends meet, and he just didn’t want her to sell any of her paintings. He would often times tell people “No” so they wouldn’t buy any of her paintings because he wanted them all to himself. She had an interest in nature and used bright colors in her paintings.

Georgia O’Keefe was born November 15, 1887 where she was the second child out of seven in her family. She spent most of her time growing up on a farm in Sun Prairie, Wisconsin. O’Keeffe when to an art institute in Chicago and New York wear she learned the lifestyle of realist painting. O’Keefe started mailing some of her drawings to a friend that lived in New York but her friends saw the talent that O’Keefe had and sent them to a guy named Alfred Stieglitz (art dealer) where he would soon become O’Keefe’s husband. In 1915 Georgia O’Keeffe taught art school in South Carolina and in Texas. At this time O’Keefe was trying to figure herself out on what kind of artist she wanted to be which led her to charcoal drawing. O’Keeffe’s charcoal drawings made her one of the first

Though another way one can embrace their individual identities is by expressing themselves onto art. An example is the artist, Georgia O’Keefe, who was an American Modernist. During the early years of the nineteenth century Freudian ideas caused what could considered a sexually revolution. The ideas of repression made some women change their thought. In Black Iris III Georgia O’Keefe represents these ideas and at the same time embraces her individual identity not only as an artist but as a woman. The painting is a close up of a black iris. The flower itself takes up the entire painting

Since the beginning of time, artists have labored extensively to find innovative ways to convey sentiment, passion, and feeling. Telling stories and trying to unlock the minds of people through different avenues of artistic labors. Art touches and affects people in unique ways; it can have special or unusual meaning on the person depending on how one views it. Artists’ rendering of their art is interpreted in numerous ways by others who view it unless it is explained by the artist on its meaning giving a clear example of what they are portraying. Two people looking at the same painting, sculpture, portrait, or photo may come to different views on the arts meaning even though they are looking

Georgia O’Keefe is a famous American painter who painted beautiful flowers and landscapes. But she painted these images in such a way that many people believed she was portraying sexual imagery. “O’Keefe’s depictions of flowers in strict frontality and enlarged to giant scale were entirely original in character . . . the view into the open blossoms evoked an image of the female psyche and invited erotic associations.” (Joachimides 47) O’Keefe denies these allegations and says that she “magnified the scale of the flower only to ensure people would notice them.” (Haskell 203) O’Keefe’s artwork was misinterpreted because of cultural prejudice, her non-traditional lifestyle, and

Georgia Totto O’Keeffe was born on November 15, 1887 in Sun Prairie, Wisconsin. Throughout her long career, O’Keefe covered a wide range of subjects including landscapes, flowers, bones and skyscrapers using different medias such as charcoal, watercolor and oil paint. Having contributed many pieces of iconic and original artwork, she is considered by many to be the “Mother of American Modernism”.

Georgia O'Keeffe was a famous American artist who was born on November 17, 1887 in Sun Praire, Wisconsin. She studied at many art schools, including the Art Institute of Chicago, before dramatically changing her art style from representational to abstraction in 1915. Her highly abstract paintings were shown to her future husband, Alfred Stieglitz, and they were put on display at his world famous 291 gallery in New York City the next year. By the mid-twenties, she was one of America's most important artists. Over seven decades of her career in the American arts she made over 900 paintings, including landscapes and flowers, but her most popular paintings were based on her multiple trips to New Mexico. They were paintings of animal skulls, such as Cow’s Skull: Red, White, and Blue and Ram's Head with Hollyhock. Georgia O'Keeffe's said that the skulls were painted to represent the beauty of the desert more than death. (metmuesum.org) It was this perspective and her unique style of abstract painting that added

Just like everything else in life, art has its critics. Art criticism is the expression used to describe the act of making selective judgments, both positive and negative, about an art piece. Just as art is so diversely expressed and interpreted, those who critique it also have various methods and use various standards when criticizing an art piece. There are many theories critics use to evaluate art but there are three basic theories most commonly put to use by professionals. The three basic theories are: formal theories, contextual theories, and expressive theories. Formal theories focus on the formalities of art. Critics using formal theories pay close attention to the making of a piece, how each section of the art piece works to form a visual experience that may or may not attract the attention of those who come across it. Formalists’ attention is centered on the formal organization rather than the themes, which they deem irrelevant. Contextualists, on the other hand, value the theme and its relevance to the times in which the artwork was created. The contextual theories deal with the context in which an art piece is used; what it symbolizes concerning the culture and values of the environment. Lastly, there are the expressive theories. Expressionists are more concerned with the artist and the personal expression put into the work. Also, because art is a method of communication, expressive theories

The most important trait in defining art is its beauty. As complex as the term “art” can be, the term “beauty” is nearly just as complicated. In order to understand art more clearly it is important to understand beauty. “We label an object beautiful because it promotes an internal harmony or ‘free play’ of our mental faculties; we call something ‘beautiful’ when it elicits this pleasure.” (Freeland 8). As defined above, beauty is not a direct message. It is something that subconsciously allows man to feel good and pleasurable. There is “an internal harmony” when we observe something beautiful that allows us to take away a deeper understanding of a work of art regardless of it being “nice looking” or “ugly”.

I think that the end result is truthfulness. Every artist must be sincere and truthful if he wants to be a great and true artist over and over again art is predictable to request and bond with human being feelings. Art can awaken aesthetic or ethical feelings. The amount of skillfulness that the artist has will influence over the capability they have so they can to generate an emotional response and by this means make available new insights. Art tends to smooth the progress of spontaneous slightly than coherent thoughtfulness, and frequently it is knowingly shaped with this purpose. Art calculatedly serves no other function. As a result of this forward motion, works of art are hard to pin down, refractive to attempts at arrangement, for the reason that they can be respected in more than one way, and are often vulnerable to many dissimilar interpretations. Even art that to every appearance depicts a commonplace proceedings or items may encourage manifestation upon prominent themes. Conventionally, the uppermost achievements of art make obvious a high intensity of ability or fluency within a medium. This characteristic might be considered a point of contention, since many contemporary artists (particularly, theoretical artists) do not themselves produce the moving parts they envisage, or do not even produce the labor in a straight, affectionate wisdom. Art has a capacity of transforming: predominantly confers

“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.