Analysis Of Gilman 's ' The Yellow Wallpaper '

  “The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison.  Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world.  The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality.  This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.

In Charlotte Perkins Gilman's “The Yellow Wallpaper” we are introduced to a woman who enjoys writing. Gilman does not give the reader the name of the women who narrates the story through her stream of consciousness. She shares that she has a nervous depression condition. John, the narrator’s husband feels it is “a slight hysterical tendency” (266). She has been treated for some nervous habits that she feels are legitimately causing harm to her way of life. However she feels her husband, a physician, and her doctor believe that she is embellishing her condition. The woman shares with the reader early in the story that she is defensive of how others around her perceive her emotional state. This causes a small abrasion of animosity that

Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,

Charlotte Perkins Gilman uses her short story “The Yellow Wall-Paper” to show how women undergo oppression by gender roles. Gilman does so by taking the reader through the terrors of one woman’s changes in mental state. The narrator in this story becomes so oppressed by her husband that she actually goes insane. The act of oppression is very obvious within the story “The Yellow Wall-Paper” and shows how it changes one’s life forever.

In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.

Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.

            “The Yellow Wallpaper” by Charlotte Perkins Gilman is an example of how stories and the symbolism to which they are related can influence the perspective of its readers and alternate their point of view. In the “Yellow Wall-Paper”, the unknown narrator gets so influenced by her surroundings that she starts showing signs of mental disorder, creating through many years several controversies on trying to find the real causes of her decease.

In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

It was commonly casted that women during the 19th century were not to go beyond their domestic spheres. If a woman were to go beyond the norms and partake in a “male” activity and not assign to “womanly” duties, it were to take an ill effect on her, because she was designed to act merely as a mother, wife, and homemaker. The short story “The Yellow Wallpaper”, by Charlotte Perkins Gilman, demonstrates the status of women in the 19th century within society, revealing that madness in this story stems from the oppressive control of gender on woman. A woman who is trying to escape from confinement may result in madness. The use of madness characterizes women as victims of society, suffering the effects of isolation brought on by oppression driving

“The Yellow Wallpaper,” by Charlotte Perkins Gilman, depicts a young woman’s gradual descent into insanity due to her entrapment, both mentally and physically, in the restrictive cult of domesticity. Through the narrator’s creeping spiral into madness, Gilman seeks to shed light upon the torturous and constraining societal conditions in which women are expected to live, that permeates throughout all aspects of their lives. At first glance to an average reader unfamiliar with Gilman’s history, “The Yellow Wallpaper” seems to just provide a tale about the oppressive relationship between the man and the woman in a domestic environment, however, once Gilman’s own personal life is uncovered, the story takes on a new level of depth.

“An atheist may be simply one whose faith and love are concentrated on the impersonal aspects of God” (Weil, n.d.). Just like the narrator’s husband, who believes in facts and not in faith. His faithless actions cause him to isolate and imprison his wife. By isolating and imprisoning his wife, she finds a means of escape by using her imagination and obsesses over the yellow wallpaper. In the “Yellow Wall-paper,” Gilman use characterization to suggest that when a depressed wife is isolated and imprisoned by her faithless husband, her only way of escape is her obsessive imagination towards the wallpaper.

In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story.  “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.

“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.

In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her