Analysis Of Harvey Fierstein's On Tidy Endings

In Colson Whitehead’s thought-provoking piece The Loser Edit, the author introduces the contrasting ideas of “loser edits” and “winner edits”, names given to the processes used by TV producers in order to make winners and losers make sense to the audience. Particularly in paragraphs seven through twenty, Whitehead’s usage of rhetorical strategies--namely rhetorical questions and syntax-- effectively establishes and develops his position on both “edits”. By using the aforestated rhetorical tools, Colson Whitehead competently creates a compelling essay.

It is no secret that when Alison Bechdel was a child, homosexuality was not exactly met with open arms. Due to the unpleasant views many heterosexuals had in regards to homosexuality, Alison Bechdel was at first quite cautious when it came to being open about her newfound sexual orientation; however, she eventually opened herself up to her family, friends, and the world about who she is and did not let the political prejudices of others stop her. This is evident when Bechdel writes, “It was in that tremulous state that I determined to tell my parents. Keeping it from them had started to seem ludicrous anyway” (76). Here, Bechdel decides to come out to her parents, deciding that it was absurd not to tell them. Evidently, the prejudices of society could not keep Alison Bechdel down, and this resulted in her personality being shaped by the courage of being oneself, which is hardly an easy thing to

Throughout the 1950’s, the United States belonged to the Leave It To Beaver era. Families were structured around a strong, hard working father and a wonderful homemaker mother. Children were brought up with solid ideologies on what society expects from them and were warned about living a different and dangerous life. Only one-year separates Tennessee William’s Cat on a Hot Tin Roof and James Baldwin’s Giovanni’s Room from there publishing dates during this decade of unwavering beliefs. These texts were seen as extremely controversial during their time due to their themes of homosexuality. Sexual orientation was an awkward topic during such a “to the book” time period and these texts pushed the limits, making them remarkable and memorable works. Both Tennessee Williams and James Baldwin explore the panic men experience while trying to comprehend what sexual orientation they belong to and highlight the masculine gay man. These texts also examine the woman’s role in the mist of it all.

Now, there’s probably been that one time in your life that you hoped for the best, but the outcome wasn’t the way you wanted it to turn out. Roland, one of the characters in Neal Shusterman’s Unwind, had the same intentions. In fact, Shusterman creates a setting that gets the characters to see what actually were Roland’s intentions. In Chapter 24, the characters are preparing for dinner as Risa goes to wash-up, in the bathroom, which gives Roland the opportunity to go for what he wants. A possible theme for this chapter could be, “Plans don’t always go they way you want them to,”or for life in general LIFE doesn’t always go they way you want it.”

Both parts of Tony Kushner's play Angels in America paint a painfully truthful picture of what gay men go through. In most cases, they suffer either inner anguish or public torment. Sometimes they must endure both. Being homosexual in America is a double-edged sword. If you publicly announce that you are gay, you suffer ridicule and are mocked by the ignorant of society; but if you keep your homosexuality a secret, you are condemned to personal turmoil. Kushner's work attempts to make America take a close look at itself and hopefully change its ways. The fear of public scrutiny forces many gay men into a life of denial and secrecy.

The poem “Faith”, written by Mark Doty in 1995, works to destigmatize Acquired Immune Deficiency Syndrome (AIDS) through his relationship with his partner, Wally. Since this poem was written in the mid-1990s, it is a progressive piece that focuses on normalizing homosexuality and raising awareness for AIDS. His writing focuses on combatting the largely-held belief that AIDS only affects homosexual men. There was also the idea that there were “good gays” and “bad gays”. “Bad gays” were the ones who had the misfortune to contract HIV (human immunodeficiency virus) and “good gays” did not contract HIV. Additionally, he describes the profound effect that a terminal disease can have on a relationship. Doty’s poem represents the idea that true love provides mankind with the ability to conquer fears. The main purpose of his poem is to show his love for his significant other and show the effect that AIDS had on their relationship, strengthening it, while making it more fragile at the same time. Doty’s poem is important because it opens up a non-judgmental conversation about AIDS, which was unique for that time.

It is expected for arguments to arise when writing about controversial topics. Many times the meaning of a book is not as obvious as the author intended, which may lead to problems. Other times, books are challenged because they contain sexual or inappropriate material. When Kurt Vonnegut released Slaughterhouse-Five critics were quick to judge his peculiar way of writing. Although Kurt Vonnegut’s book Slaughterhouse-Five was oftentimes misunderstood, interpreted as inappropriate, and judged for the peculiar point of view, critics seem to appreciate and accept one aspect of it: the structure of the book.

“The Haunting of Emile Griffith” by Bob Herbert, presents Emile Griffith as an average individual, briefly describes the Paret v.s. Griffith fight in vivid imagery, and tackles society’s twisted view of homosexuality. Considering the article was printed approximately 40 years after the big fight, tensions have calmed down and people can analyze the surrounding circumstances with logic and rationality rather than emotion. Ultimately, the texts main purpose is to emphasize society’s distorted view of homosexuality and to present Griffith as a victim through the use of tone, diction, and credibility.

Within modern society when a character strays away from what society depicts as morally right, the individual is frowned upon as if he or she doesn't belong. In “Angels in America” a gay fantasia on National themes, characters struggle to be themselves upon fear of whether or not society will accept them as an individual. The characters not only struggles with whether or not society will accept them, but they also struggle with their inner demons, and ultimately the question of what is truly good or evil. In this paper several characters will be analyzed and discussed from several different viewpoints.

Happy Endings by author Margaret Atwood is a prime example of the literary device known as “a story within a story”. This short story has six different stories within itself. Due to the broadness of each story within the main story, Happy Endings can be classified as flash fiction. The two main characters, Mary and John have six different scenarios which are labeled A-F.

The movie Silver Lining playbook is an award winning movie that exposes some social disorders that the community as a whole as engaged in for years. “A word-of-mouth hit in 2012, David O. Russell’s Silver Linings Playbook has been popularly discussed as successfully targeting an adult audience under-served in contemporary Hollywood, as “authentically” reflecting the parenting challenges of its star and director, and as portraying a “modern” romance about a sympathetic, deeply damaged protagonist couple” (Nadel P1.).

Instead, a fluffier fairytale ending is added. Connie is saved from her fated murder and returned to her family. Despite the alterations Joyce Carol Oates commented that she thought, “the film was extremely well done”.

Whether it be due the malleable minds of children, or the turbulent world around them, dramatic changes in life are an absolute certainty. Young, naïve children are highly impressionable. Their parents teach them one thing, their friends another, and society, yet something else. Fickle, they morph in and out of the plethora of ideologies and mindsets laid out in front of them. This leads to a disorienting and rather confusing child-to-young-adult life, one without a clear sense of morality. The lack of focus upon what is right and wrong, inherently subjective terms, continues into our early adult hood and, for better or worse, seemingly defines the child for the rest of his or her life. This universal theme has been explored for many years through films aptly called “coming-of-age” stories, recently, and perhaps most effectively in Wes Anderson’s Moonrise Kingdom (2012). This film revolves around Sam and Suzy, two recently pubescent kids, their romantic affair, and their effects on the world around them. The film not only captures the youthful dynamic between the two protagonists, but explores the “coming-of-age” theme through Anderson’s signature flat perspective and through the actors’ portrayals of these characters.

In the story “Happy Endings” the author Margaret Atwood gives 6 scenarios in alphabetical order from A to F of how a couples life could play out over the span of their lives. In these six scenarios Atwood uses satire to emphasize how interchangeable and simple each couples life is. In this story Atwood uses character, style, and point of view to chastise the desire for the everyday common life and the concern for only the “whats” in life and not “how or why”.

Leaves of Grass is Walt Whitman’s life legacy and at the same time the most praised and condemned book of poetry. Although fearful of social scorn, there are several poems in Leaves of Grass that are more explicit in showing the homoerotic imagery, whereas there are several subtle – should I say “implicit” – images woven into the fabric of the book. It is not strange, then, that he created many different identities in order to remain safe. What Whitman faced in writing his poetry was the difficulty in describing and resonating manly and homosexual love. He was to find another voice of his, a rhetoric device, and his effort took two forms: simplified, and subverted word play.