Analysis Of Henry James's 'What Maisie Loved'

Parents cling to their children wanting them to stay young forever, wanting endless memories and nothing to change, yet they must be able to part from these feelings to allow the child to grow. In the story “A Private Talk with Holly”, the author, Henry Felsen, uses symbolism to convey the central idea that if you love someone you have to let them go. When Holly, the main character of the story, talks to her Dad about changing her plans, he is faced with a difficult decision, but in the end he allows Holly to chase her dreams for her own good.

Johnson provides a brief account of the novella 's plot, together with his own perspective on the fact that so much of literature and literary analysis concentrates on the relationships that the characters have. In this case, the author examines the family as composed of children of ineffectual parents. While this writer does not know this with certainty, it is possible that many cases requiring family therapy are due to this very cause. The author then goes on to discuss the family in the context of the greater social system.

In his ironically titled story, “Devotion,” Adam Haslett introduces Owen, a middle-aged man who lives with his sister in their deceased parents’ home in England, and as they both prepare for a visit from a special friend, his hidden fears and emotions are awakened. As the author reveals the intricacies of the bond between the siblings it is clear their relationship isn’t as loving and healthy as it could seem, but is instead a harmful relationship that keeps them away from a normal life in a larger world. Relying on flashbacks, letters, and symbolism to unravel the reasons Owen and Hillary live together in their parents’ home, Haslett also conveys how fear of being alone can make a person selfish and cause them to inadvertently ruin someone

In any genuine friendship there are the differences between the people that spark curiosity, yet, it is similarities that draw two together to form a tight bond. This is evident in the friendship that starts between Vivian and Molly. Vivian, from outward show, does not display the slightest similarity with Molly. It is not until one examines the often tragic back stories of both that striking parallels begin to be made clear. By the time all is uncovered, the likenesses shared between Vivian and Molly far outweigh any disparities. In examining the relationship between Vivian and Molly, a perfect balance is struck in Orphan Train by Christina Baker Kline.

The memoir of Jeannette Walls had several characters, important people in her life. But, there was one specific character, her dad, that she had a close relationship with. Jeannette Walls grew up in poverty and always moved around. Her family was close, but Jeannette was closest to her father over anyone else. She loved and admired her father and defended him too. Her memoir, “The Glass Castle” is very popular. She is a grown-up now and cares about her parents. She offers to help them out of poverty, but they resist. Jeannette certainly cares for both parents, but her father has a special place in her heart. Jeannette has a special relationship with her father because she admired his heroicness, she got to pick Venus as her star, and he helped her and distracted her from being scared and in pain.

In Jeannette Walls’s memoir, The Glass Castle, Jeannette and her siblings are constantly plagued with various accidents and injuries, more so than “typical” children would be. Her parents have a carefree and lenient approach to parenting, oftentimes leaving the children to fend for themselves or in perilous situations. In The Glass Castle, Jeannette recounts some of the injuries she and her siblings suffer, the reaction her parents have to those injuries, and the parallel episodes they refer to.

Few relationships are as deep as those between child and parent. While circumstance and biology can shape the exact nature of the bond, a child’s caretaker is the first to introduce them to the world. And as they grow and begin to branch out, children look to their parents as a model for how to interact with the various new situations. Through allusion, potent imagery, and nostalgic diction, Natasha Trethewey constructs an idolized image of a father guiding their child through life’s challenges only to convey the speaker’s despair when they are faced with their father’s mortality in “Mythmaker.”

The hard-working ranch father loved his son but also lived by a realist unlike his son, “Last chance son, you had better pick a horse that you have some hope of riding one day” (Harrison 500). Kenneth’s mother Nell was very supportive to her son’s dreams and hopes of owning a colt. An author of New York times Rebecca Mead states, “We see private bedroom conversations between Rob and Nell, in which the mother, who recognizes her son’s dreaminess as an admirable sensitivity, not as an irritating handicap, challenges her stubborn husband’s rulings”. This support for her son is shown when the little filly is injured and Ken’s mother makes a poultice for the injury every

Willa Cather’s My Antonia and Mary Austin’s The Land of Little Rain are two literary works that effectively recreate the landscape of the stories they are telling. Their writing styles have a few similar characteristics, such as their word choice and their usage of visual elements; however, they take advantage of various writing elements that make their writing styles distinct, such as the use of figurative language, emotion, and rhetorical questioning.

When families are torn apart, the pain it causes can be devastating and last a lifetime.  When children are removed from a home, they can’t always comprehend why they are being taken.   The children may think they did something wrong.  They may not realize that it is for their own good. In this case, Buddy wants to stay with his mother, even though their living conditions are rudimentary.  Louise Erdrich’s short story “American Horse” shows how a bond between a mother and her child can be present in less than ideal circumstances.°  This is shown when Buddy hugs Albertine like a gorilla, when he feels the satin roses, and the emergency chocolate bar.*

"You think because I am her mother I have a key, or that in some way you could use me as a key? She has lived for nineteen years. Over and over, we are told of the limitations on choice--"it was the only way"; "They persuaded me" and verbs of necessity recur for descriptions of both the mother's and Emily's behavior. " In such statements as "my wisdom ! came too late," the story verges on becoming an analysis of parental guilt. With the narrator, we construct an image of the mother's own development: her difficulties as a young mother alone with her daughter and barely surviving during the early years of the depression; her painful months of enforced separation from her daughter; her gradual and partial relaxation in response to a new husband and a new family as more children follow; her increasingly complex anxieties about her first child; and finally her sense of family balance which surrounds but does not quite include the early memories of herself and Emily in the grips of survival needs. In doing so she has neither trivialized nor romanticized the experience of motherhood; she has indicated the wealth of experience yet to be explored in the story’s possibilities of experiences, like motherhood, which have rarely been granted serious literary consideration. Rather she is searching for

The bond between a mother and child is often spoken of as being unlike any other. Yet there are always exceptions to the rule where this connection isn 't as impenetrable as one might assume. This book is an example of this bond gradually becoming weaker over time. It shows how it affects the child, Bone, and leaves her vulnerable to the abuse of her step-father. Bone’s mother, Anney, had fallen in love with a man who abused her which at first, she’s unaware but eventually comes to realize but still chooses to stay with him. Throughout the book there are instances of Anney’s negligence in recognizing her daughter’s abuse and being of aid to her but wasn 't. In having to deal with her

As cultural critic Edward Said once wrote, “[Exile’s] essential sadness can never be surmounted.” Mariam, the daughter of an affair between a wealthy businessman and a lowly servant, is exiled from her home of fifteen years into a marriage with someone who she has never met. She is left heartbroken, melancholic, and feeling alienated. Before her forced marriage, Mariam is huddled into her father’s house where she spends a few weeks coping with her mother’s death. The narrator describes the events leading up to her temporary residency with her father Jalil, “Two days before, Mariam has slept on the sidewalk waiting for him. Two days before--when

The tone of this story is one of fear, regret, and guilt. The story first leaves the reader with impression that it may be a recount of the life of a daughter who was lost due to neglect. Soon it is evident

The Love Scene between George and Maire from Translations This scene, in my opinion is the dramatic centre of Translations. The scene displays that George and Maire have fallen in love as they return from the dance together; the pair find it hard to communicate, and exhaust every method of communication before reciting place names to one another. The common language of the place names increases the tension between George and Maire until, finally, they kiss. The kiss is witnessed by Sarah who uses her new found talent of speech to tell Manus.