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Analysis Of Henry Louis Jr's The Trials Of Phillis Wheatley

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Phillis Wheatley, once coined the mother of black literature, now, deemed an “imitation” is the sole focus of Henry Louis Jr’s, The Trials of Phillis Wheatley, in regards to the many perspectives and intrepations pertaining to her poetic works. In closing of the novel, in which he evaluates the various opinions offered, Gates suggests that readers should “...learn to read Wheatley anew, unblinkered by the anxieties of her time and ours. That’s the only way to let Phillis Wheatley take the stand. The challenge isn’t to read white or read black; it is to read”(Gates 89). Such is the stance he assumes and carries throughout his novel.
As his method of reading of reading suggests, Gates assumes an objective attitude when grasping and …show more content…

As does the former, Gate’s quote, “Jefferson reaches these conclusions, in some part, from his reading of Phillis Wheatley’s poetry. Yes, he conceded, she may very well have written these works, but they are derivative imitative, devoid of that marriage of reasoning and transport that is, in his view, the peculiar oestrum of the poet. By shifting the terms of authenticity—from the very possibility of her authorship to the quality of her authorship—Jefferson indicated her for a failure of a higher form of authenticity (Gates 49) demonstrates, Gates’, blatant objectivity. There is something underlying that is imperative to understanding just how impartial Gates is. Gates, himself is an African American man, yet he offers evidence that is unpopular, contradicts his beliefs and may well offend him, still, his opinions are (especially in his case) free of bias. This impartiality is indicated by phrases such as, “he conceded,” “Jefferson indicated,” and, “in his view.” “Authenticity,” is an important word as it is essential to Jefferson’s argument, which would subsequently make Wheatley’s “authorship” creditable. Yet again, Gates objectivity is shown as he presents the argument, “For wheatley’s critics, her sacrifices, nor courage, her humiliations, her trials would never be enough. And so we have come full circle: the sort of racist suspicious and anxieties that attended Wheatley’s writing are now directed at forms of black expression that seem

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