Analysis Of Homer 's The Iliad

Achilles views as demonstrated before, clearly shows the change that has taken place in him, where once he would leaped at an opportunity to battle for glory and honor, now he shows reservation. Achilles is reluctant to risk his life on a fool's errand, for glory and honor. He is disenchanted about honor and all life effort to gain honor no matter how great it might be. He felt they were nothing but the personal honor and glory of others. But, of course, Achilles never actually leaves, although he threatens

“As is the generation of leaves, so is that of humanity. The wind scatters the leaves on the ground, but the live timber burgeons with leaves again in the season of spring returning. So one generation of men will grow while another dies” (6.146-50)

In the Epic, “The Odyssey", spoken by Homer, conveys a heroic tale of an epic hero named, Odysseus, who faces many challenges as he sails to get home. One of the tasks Odysseus faces is, "The Sirens", who challenge Odysseus 's will power. Another challenge Odysseus encounters is, “The Cyclops", who torments and slaughters some of Odysseus 's men due to his curiosity. One of the hardest threats he had to confront was, “The Land of Dead" which tested his self-restraint, and revealed his human weaknesses of sorrow. The Epic Hero, Odysseus, struggles with many challenges such as, the taunting Sirens, the brutish and cruel Cyclops, and one of the arduous territories Odysseus has ever crossed, The Land of the Dead.

The notion of honor is prevalent throughout the Iliad and Antigone. Both texts demonstrate that honor is essential to Greek heroes because honor is the foundation of the society and family. Homer and Sophocles clearly show that honor guides people’s actions and responses and decides the fate of themselves and others. Both authors also place emphasis on the importance of proper burial because it is a strong indication of honor to the deceased and the deceased’s family. As can be seen in the Iliad and Antigone, the aim of every Greek hero is to gain everlasting honor because it ensures his place in the social memory of his society resounding even after death.

The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.

King Agamemnon has demanded Achilles give up his maiden to him after Apollo has forced him to give up his own prize (Homer 5). Achilles feels shamed that Agamemnon would demand such a thing but eventually does give up his prize (Homer 6). It makes him seem inferior. Because of this, he refuses to participate in battle because he is returning home (Homer 172). Refusing to fight is a shameful thing that brings honor to nobody. He can fight and seem inferior to Agamemnon or he can sit out and let his comrades die. There is no honor in this.

In the “Odyssey”, Odysseus goes through obstacles throughout the book that a normal man couldn’t subside. One example is in book 9, his main obstacle that he is trying to face is to escape from being held hostage in a cave by a Cyclops better known as Polyphemus. Odysseus is a archetypal hero, he is also a role model, with an ambition to get to his homeland Ithaca. He goes through resisting temptation and using his intellect and physical strength to get him there, no matter the obstacle nor the negative flaws that he faces. Odysseus put himself and his men in that situation by being curious and wanting to know what kind of land his ship and the winds led him to. This was selfish of him because it cost him some of his men, but a leader and hero has to play that role and some lives will be dealt with on the way. Odysseus says, “The rest of you will stay here while I go with my ship and crew on reconnaissance. I want to find out what those men are like, Wild savages with no sense of right or wrong Or hospitable folk who fear the gods” (Homer 429). Saying this quote alone makes Odysseus a humble man due to the fact that not even a piece of land is going to slow him down on his journey back home.

The importance of honor is shown when characters in the Illiad have chosen the glory of fighting, over their own lives. Two main examples are shown in Hektor and Achilles. Hektor is displayed

In Homer’s epic, Iliad, Achilles is one of the main figures of the Trojan War. Achilles’ beliefs that he defines throughout the passage are influenced by the manipulations of war that he encounters, along with a focus on what the idea of glory entails and the effects that it has on one’s honor. They are two separate concepts, he recognizes, and during the Trojan War he knew that he could not have both. In the selected passage from Book Nine, it is clear that Achilles, the Greek warrior, questions and reevaluates the idea of honor and glory, as he believes honor and glory are inherently incompatible, thus causing him to sacrifice one in order to have the other. This reevaluation emphasizes the abnormal attitude from a once fierce warrior and

Homer’s epic, The Iliad, highlights the influence and jurisdiction that beauty provides. The prizes and glory a man accumulates from war measure his power, while beauty measures a woman’s power. Since conquering a woman is the ultimate prize to a man, her beauty represents ultimate power. Though the beauty of mortal women has the power to turn men against each other, mortal women have no influence over this power and are instead objectified by men. Immortal women, however, have authority over their beauty and are able to control men with their power. Helen, on the other hand, though mortal, has the beauty of a goddess. Yet, Helen is bound by her fate to Paris, making her power obsolete. By presenting Helen’s hopeless power and supplying the reader with insight on her suffering through her thoughts, Helen is portrayed as a tragic hero.

Honor is defined as a high respect given to an individual that brings credit. To receive honor is paralleled to being crowned with jewels and being regarded as a role model to all. The society that the Iliad portrays is “centered on the battlefield of achievement and its rewards” (Homer, xxi). The figures in Homer’s epic poem, the Iliad, partake in events that will allow them to “receive more honor and more material rewards” even if it means that they must indulge themselves in heightened risks that could end in death (xxiii). Hector, one of the most pivotal characters in the poem, illustrates the lust for glory and ignorance of everything else that holds just as much importance. As his character is strengthened, it can be seen that every

Warriors of ancient Greece were considered heroes by following the Heroic Code of excellence. They achieved this by acquiring a kleos; establishing fame, glory and a positive reputation. It was not an easy task to become a Grecian hero. Building and maintaining kleos meant that a warrior must be brave and strong, be “a speaker of words and a doer of deeds.” The solider had to protect his friends and harm his enemies, respect the gods and his elders, and most of all value his honor over his life. To die in battle, and be spoken of after death was the most important act of honor for a hero. The Greek tragedy, Iliad, attributed to Homer, portrays Achilles as the most gallant hero of the Athenian army. The story tells of Achilles, who develops into the greatest hero of the Trojan War. While the end of the end of the poem does portray Achilles as the solider that the story foretells throughout the poem he does not act like that. Many times in the story Achilles actions are perceived as unheroic but ultimately they shape the course of the few weeks of the Trojan Wars described in the Iliad, the Achaean’s final victory at Troy and his emergence as a hero.

The theme of honor can be found in many great works of literature. It is a theme that often plays into who a character is and how they act. This is especially prevalent in the play Henry IV, Part 1 by Shakespeare and the epic The Iliad by Homer. In these two works, there are characters who are completely different concerning honor. The characters Falstaff, from Henry IV, Part 1, and Achilles, from The Iliad, can be contrasted using the theme of honor.

The Iliad ranks as one of the most important and most influential works in terms of world literatures since its establishment. Between the underlying standard to which the Iliad offers us as audience members, along with the plethora of writers that have followed in the footsteps to which Homer’s Iliad paved, the impact that the Iliad has played is remarkable in itself. While the Iliad can be credited for much of present day literature we study today, Hollywood can be created for the plethora of world-class films and replication of iconic works of literature over its time as well. Wolfgang Petersons Troy is a prime example of a world-renowned poetic being transformed into a Hollywood production. While the 2004 American epic adventure war film, Troy was a huge hit in the box office, and full of world-class actors such as Brad Pitt and Orlando Bloom; it does lack many critical events and characters that play a key role in Homer’s Iliad.

For thousands of years the Trojan War, spoken of in Homer 's epic poem the Iliad, has been believed to have been a legend made up by Homer rather than a poem based on historical fact. It was only in 1865 that archeologists began digging up Hissarlik, the supposed site of Troy based on the Iliad, situated in Troad in the North-West of the Asian Minor. The first archeologist at this site, Frank Calvert, was convinced that Hissarlik was the site of the ancient city of Troy. After numerous archeological digs there appeared to be more Hittite evidence that indicated Troy was in fact a city which the Hittites called Wilusia, as stated on their historical tablets. Despite, after many years of excavation, the proof of the existence of Troy became evident. However, evidence for a war between the Trojans and the Greeks took a lot longer. In the Iliad it is said that the Greeks fought the Trojans for ten years in a battle lead by the king of Mycenae, Agamemnon. There is significant proof in Mycenae being the political power house during the time of the late Bronze Age when the Trojan War was fought, providing evidence that the Mycenaeans did fight against the Trojans. The Hittites records of the war appear to be accurate when compared to all other existing evidence. Indeed, their records do clearly mention the majority of wars that were fought in their region and specifically a long war in Wilusia, against the Mycenaeans. This unexpected evidence from all around the region during the