Analysis Of Honour Killing By Imtiaz Dharker

Another aspect of the veil is the identity value, many women from different countries affirmed they feel that the veil is part of them; it is so important for them that “many women […] feel self-conscious, vulnerable, and even naked when they first walked on a public street without the veil […] as if they were making a display of themselves” – paragraph 22

In the exposition we meet our protagonist who is a young women of Islam who wears the traditional veil that muslim women are advised to wear under the law of the Quran were it says, “And tell the believing women to reduce some of their vision and guard their private parts and not expose their adornment except that which necessarily

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

Abayas, shailas, burkas, and chadors: all are forms of veiling in the Middle East, and all are perceived as symbols of oppression and patriarchy by the West. The veil worn by a Middle Eastern woman is striking and beautiful in its simplicity and elegance. The hijab, the most common form of veiling, leaves only the face visible with the neck and hair completely covered. Onlookers are in awe at the mystery and symbolism associated with the many veils created out of fine, exotic silk. But such notions of oppression and patriarchy often associated with veiling are not only inherently biased and ironic – it would be interesting to explore the symbolism behind a mini-skirt or a pair of five-inch heels, no? – but they are also inaccurate. Although veiling has most definitely been used in the Middle East as a “mechanism in the service of patriarchy, a means of regulating and controlling women’s lives” (Hoodfar, 5), it has also been used as a mode for rebellion and self-expression. Marjane Satrapi, an Iranian woman who grew up during the Islamic revolution, resisted the regime and the universalizing nature of the veil in the hope that she could maintain her individual identity whilst communicating her political ideologies. By examining the way in which the veil is represented in Satrapi’s graphic memoir, Persepolis, while also considering the history of veiling in Iran, it will become evident that the veil is not just a political tool used by male chauvinists; it also presents an

In all areas of life and society the treatment and well being of women have always been challenged. In many religions the role and status of its women are usually overwhelmed by the actions and roles of its men this inequality of religions between male and female allows these feelings and ideology of which sex is superior or inferior to bleed into a society’s culture thus shaping their treatment of their men and women.

Looking into the explorational work of a highly regarded New Zealand poet and scholar, Selina Tusitala-Marsh, we truly get an insight of someone who goes against the traditional conventions of poetry. Her collection of poems called Dark Sparring is about “…the journey of Marsh’s feelings about her mother’s death – wars declared, lists made, a “Mantra” written, even a printed Ransom Note. Other poems explain how Marsh took to Muay Thai kickboxing to cope with her grief following the death of her mother” (APA). Looking closely at the poem Ransom Note, it gives the effects of using an excessive number of

In Khaled Hosseini’s novel, A Thousand Splendid Suns, women live in an oppressive, discriminatory Afghan society in which they are deemed useless and obtain little to no rights, yet still manage to endure the burden that falls upon them. After the immensely false interpretations of her father and the bitter fatality of her mother, Mariam’s father demands she marries a stranger considerably older than her at the age of fifteen. Rasheed prays daily in hopes for Laila to produce a male offspring and is exceedingly unappreciative and disrespectful when Laila produces a female instead. Rasheed and the Taliban claim it is extremely blasphemous and embarrassing for a married Afghan woman to look directly into a man’s eyes, wear makeup, or display her knees so Rasheed asserts Mariam and Laila wear burqas. Women’s diminished rights and limited input in society is evident when youthful Mariam unwillingly marries an outright stranger because her father and wives demands she do so.

The specific topic of this book is the oppression of women. Its overall purpose is to understand the women behind the veils and why the Muslim women take up the hijab. The purpose is also to show how

In this portrait, the artist has portrayed herself, wearing a black color dress that covers her completely only leaving her face uncovered. Moreover, a poem in Persian language is stated on her face, and a rifle is segregating her face into two components. The artist’s eyes gaze intensely towards the viewers from the both sides. She opted to portray herself as a muslim woman to shed light on her religion and to explain the distinction amongst Islam and western culture. According to Syre, the poem inscribed upon her face narrates the belief of many Iranian Muslim women in Islam. It is their believe that as per Islam, all men and women are equal, and the Chador that covers the woman body from head to feets, leaving her face naked prevents woman from becoming a sexual

Hosseini makes it very apparent that honour is extremely important to people in the Afghan culture and what others think of them means a lot. An Afghan would do anything to keep their honour, even if it means they are unhappy. In both novels, Hosseini shows a number of examples of dishonour and the negative impacts it can have to an individual’s well-being. According to the Honour Based Violence Network, In Afghanistan, ‘honour’ crimes remain very high along with many other forms of violence against women, and are increasing as attitudes fail to keep pace with economic and social changes.

Lynn Nottage’s Pulitzer Prize winning play Ruined takes place at Mama Nadi’s brothel in the Congo where a civil war is being waged and coltan is the new gold being mined from the earth. Mama Nadi reluctantly takes Sophie and Salima into her establishment to work alongside Josephine as entertainment for miners and soldiers. Before coming to Mama Nadi’s, Sophie, Josephine, Salima all experienced rape. The word rape is so common in our society that it has lost its intensity and heinousness to a person who has not experienced it. Rape is a general term to describe what the women experienced but it does not give any hint to the struggle that comes after the event. For example, what it does to a person’s mind, the lasting scars on someone’s body, and how it can change a person’s personality. Many critics assume that rape is the tragedy in the play, but Nottage’s use of the word “ruined” emphasizes that the real tragedy is the consequences of those soldier’s actions on these women 's lives and how it affected their interactions with society.

In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the

The main objective of this poem is to illustrate how woman within middle eastern countries (possibly more of the world) are kept down by certain aspects of society such as cultural aspects or religious aspects, Dharker wanted to bring this issue into the light through means of poetry. A concept which most people around the world want to have is patriotism as it shows loyalty to a country and also represents a home, however a rather large perception throughout the poem is a sense of wanting to strip away the patriotism. The first time Dharker represents the notion of wanting to be rid of a society’s expectations is in the line “I’m taking off this veil, this black veil of a faith” The woman who is speaking here is describing taking off her veil which in some middle eastern countries can be an offence to religious beliefs; the poem shows that women within these countries feel like they are being forced into situations which aren’t fair to them, for example honour killings. The way Dharker writes is to inform the audience of serious issues which are more than relevant in modern society, she wants to make the reader see how women are treated differently and how they need to strip away at their own beliefs just to feel like they can fit in when they should be able to fit in no matter where they are living. Individuality also plays a role in what

The veil for Najwa character acts as an arc for her independence. It is the proof of intersectionality, in a racist approach, some may consider it as a form of feminist oppression. However the site of the hijab becomes an articulation for identity. The protagonists transition from a lonely, uncertain powerless girl to a strong, certain, egoless woman, illuminates the importance of the veil. The transition to veil herself showcases her growth, the hijab which acts as a symbol to her liberation and self-claimed identity. It is her fight against her adversities. In spite of this, in this post 9/11 era, society has greatly criticizes the hijab, as it is denoted as a non-western ideal practice for woman, thus concluding its “backwardness” and

This is a significant aspect of the course because the article examines the strengths and weaknesses of femininity through a cultural Muslim perspective and the reading is a prime example of how ideologies regarding race affect those involved. In class we have discussed the significances of social constructs and how assumptions are made on the basis of physical characteristics. In this situation, identity is related to gender as Muslim women are categorized as both good/respectful and rebellious/evil individuals because they are apart of a culture where they are both oppressed and liberated simultaneously.