Analysis Of Honour Killing By Imtiaz Dharker

Even the youngest women are resisting to wear the veil, and is a great example of how western influence is victimizing women that are oppressed and are categorized into a suppressive group by wearing the veil. Satrapi was stuck in two mind sets which were the liberal-minded world of her parents and her religiosity. Another crucial moment of the chapter is where she says, “I really didn’t know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde” (6.1). Satrapi had an important role when this big change happened. She was an individual who had a strong character as a child. Her family sees being religious while not wearing a veil compatible, the government believes the opposite. Satrapi foreshadows how at the end of the story she leaves Iran but never escapes her homeland Iran.

In the exposition we meet our protagonist who is a young women of Islam who wears the traditional veil that muslim women are advised to wear under the law of the Quran were it says, “And tell the believing women to reduce some of their vision and guard their private parts and not expose their adornment except that which necessarily

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

Growing up and living in Afghanistan as a woman has its challenges. Parents choose who can marry you and they choose everything for you. In this book, Laila and Mariam both show the struggles it is to be a girl, and how much disrespect they get in Afghanistan. Both Mariam and Laila are married to the same man, and he is abusive to both of them. They also live under Taliban rule, and the rules that they set are very unfair for women. In Khaled Hosseni’s novel, he has many different themes but the most prevalent one is of woman inequality, and that is shown through multiple accounts of abuse, disrespect, and unfairness.

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

Abayas, shailas, burkas, and chadors: all are forms of veiling in the Middle East, and all are perceived as symbols of oppression and patriarchy by the West. The veil worn by a Middle Eastern woman is striking and beautiful in its simplicity and elegance. The hijab, the most common form of veiling, leaves only the face visible with the neck and hair completely covered. Onlookers are in awe at the mystery and symbolism associated with the many veils created out of fine, exotic silk. But such notions of oppression and patriarchy often associated with veiling are not only inherently biased and ironic – it would be interesting to explore the symbolism behind a mini-skirt or a pair of five-inch heels, no? – but they are also inaccurate. Although veiling has most definitely been used in the Middle East as a “mechanism in the service of patriarchy, a means of regulating and controlling women’s lives” (Hoodfar, 5), it has also been used as a mode for rebellion and self-expression. Marjane Satrapi, an Iranian woman who grew up during the Islamic revolution, resisted the regime and the universalizing nature of the veil in the hope that she could maintain her individual identity whilst communicating her political ideologies. By examining the way in which the veil is represented in Satrapi’s graphic memoir, Persepolis, while also considering the history of veiling in Iran, it will become evident that the veil is not just a political tool used by male chauvinists; it also presents an

For a woman living in Afghanistan in the late twentieth century, following the rules is essential to staying alive. Mariam is used to following the rules in her life, starting as a small child listening to her mother, Nana. The forced obedience she adopts because of Nana follows her throughout her whole life, all the way through her arranged and abusive marriage to Rasheed. Eventually, the abuse from Rasheed grows to be overwhelming, and Mariam breaks an ultimate law: she commits murder. Mariam lives nearly her entire life abiding by rules set for her by her mother and her husband, but when she goes against them she is able to briefly experience freedom.

The specific topic of this book is the oppression of women. Its overall purpose is to understand the women behind the veils and why the Muslim women take up the hijab. The purpose is also to show how

The American Anthropological Association (AAA) has seen their share of criticism regarding their view of cultures. The Ayaan Hirsi Ali (AHA) Foundation has taken up a stance to do anything within their power to fight for the rights of women worldwide, specifically pertaining to honor violence. There seems to be serious philosophical tension between the AAA and the AHA. In this paper, I will set out to discuss this tension in three ways. The first thing I will do is to try and present the AAA’s position with as much accuracy and charitability as I can. The second thing I will try to do is to apply the AAA’s stance specifically to honor violence. Lastly, I will argue for my view of the AAA’s position. Hopefully, I will offer a compelling case

The article by Meetoo and Miraz define extreme forms of domestic violence, which often lead to the death of a woman at the hands of her loved ones or community. Interestingly, "honour" only arises as a motivation for murder when religion or ethnic communities are involved. In the article, the author asserts that ethicized women (women of colour and other minorities) who are victims of honour killings are unrecognized in both multicultural discussion and domestic violence discussion. Since 9/11, these women have become much more visible, but unfortunately this increased recognition is due to a heightened sense of fear and danger associated with the idea of a "Muslim alien 'other'". By employing an approach focused more on human rights, people

Throughout Khaled Hosseini’s novel, The Kite Runner, the reader observes many injustices committed due to the presence of the Taliban and cultural conflict in Afghanistan. One of the most concerning issues in Afghanistan is the mistreatment and inequality that women face on a daily basis due to Taliban mandates. Women in Afghanistan are treated as inferior beings to men and are unable to stand up for themselves due the laws the Taliban enforces. Hosseini uses the wives of Amir and Hassan, Soraya and Farzana, to represent the injustices to which women in Afghanistan are subjected.

Hosseini makes it very apparent that honour is extremely important to people in the Afghan culture and what others think of them means a lot. An Afghan would do anything to keep their honour, even if it means they are unhappy. In both novels, Hosseini shows a number of examples of dishonour and the negative impacts it can have to an individual’s well-being. According to the Honour Based Violence Network, In Afghanistan, ‘honour’ crimes remain very high along with many other forms of violence against women, and are increasing as attitudes fail to keep pace with economic and social changes.

The author, Naheed Mustafa, starts out with two points of view others have of her, a “Muslim terrorist” or an oppressed woman (Mustafa 1). However, with these two points of view, Mustafa is suggesting that people only view her in these two ways because in their eyes a Muslim woman cannot be more. Then she introduces the hijab, a scarf which covers her neck, head, and throat, but explains that young Muslim women like her are “reinterpreting” the purpose of the hijab: give women absolute control over their bodies. According to Mustafa, the hijab does not only give women absolute control but freedom. Yet, others do not understand this concept or why a young woman who was born in a land that is free and full of opportunities like North America

In the book, Women in the Middle East, a Saudi Arabian proverb states, "A girl possesses nothing but a veil and a tomb" (Harik and Marston 83). The key words, "veil" and "tomb" lend evidence to the fact that many Middle Eastern women lack identity symbolized by the “veil” and lack the right of ownership except for their veil and the tomb. This statement further enforces the notion that many women in the Middle East are expected to serve and tolerate the oppression of the men in their lives throughout their lives on this earth. Moreover, it confirms that many of these women do not get the opportunity to obtain education, join the work force, and even participate in the political affairs of the country. This arrangement further helps the

The veil for Najwa character acts as an arc for her independence. It is the proof of intersectionality, in a racist approach, some may consider it as a form of feminist oppression. However the site of the hijab becomes an articulation for identity. The protagonists transition from a lonely, uncertain powerless girl to a strong, certain, egoless woman, illuminates the importance of the veil. The transition to veil herself showcases her growth, the hijab which acts as a symbol to her liberation and self-claimed identity. It is her fight against her adversities. In spite of this, in this post 9/11 era, society has greatly criticizes the hijab, as it is denoted as a non-western ideal practice for woman, thus concluding its “backwardness” and