Analysis Of ' House Of The Seven Gables ' Essay

In “The Oval Portrait”, Edgar Allan Poe creates a setting in an abandoned castle where the main character and his valet are forced to take shelter in after

For it is only within the context of this nightmare that one can explain why “Usher,” occupies such an important place in the 19th century development of the Gothic genre. With great attention to economy of expression and unity of effect, this pattern would be revisited by countless other Gothic stylists” (Dougherty 6). This means that Poe used the fantasy of impending doom in “The Fall of the House of Usher” to change it from being just an upper class dream, to a tale of horror which brought together some of the political situations in the nineteenth century such as those of race and class. Hawthorne and Poe successfully incorporated gothic elements in their writing which provides greater insight to the meaning and interpretation of their works.

Poe’s ‘The Fall of The House of Usher’ express gothic completely immersed in madness and darkness while ‘The Yellow Wallpaper’ limits the decent madness of woman but shows the depression and gloominess of the character.

Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.

Contemporaries Edgar Alan Poe and Nathaniel Hawthorne published their respective short stories The Tell-Tale Heart and The Birth-Mark only a couple of months apart. The Tell-Tale Heart is the personal account of a young man’s descent into madness as he becomes increasingly fixated on the eye of an older man, presumably his father. Similarly, The Birth-Mark narrates the story of a young couple, Aylmer and Georgiana, and how the latter’s birthmark becomes the obsession of the former. Poe and Hawthorne’s literary genre of Dark Romanticism opposes human perfectibility, and both writers employ symbolism, irony, similar characters and plot to convey the theme that obsessions will inevitably lead to destruction.

Why does Holden continuously judge people based on their physical appearance? Could this be a projection of his insecurities or a reflection of his mental health?

While reading “Young Goodman Brown” by Nathaniel Hawthorne, I couldn’t help but feel a constant overwhelming sense of dread. The root of this could have come from the story’s dark setting deep within an “haunted forest” or from Brown’s mysterious “Devil”-esque companion. While I read, another story came into my mind; the story of the “Fall of the House of Usher” by Edgar Allan Poe. In Poe’s tale the same heart pounding emotion can be felt as he describes the reunion of two friends within “the House of Usher.” With the manors “eye-like windows” and “sorrowful impression,” Poe wastes no time in setting the Gothic mood. Through their distinct writing styles Hawthorne and Poe establish a common Gothic theme within their stories.

The main themes of Edgar Allan Poe’s works are death, perversity, revenge and destruction. The settings he employed in the given short stories, especially in The Fall of the House of Usher and The Black Cat are Gothic. Therefore, naturally the mood of these stories would be dark and sepulchral. However, this is not a trivial employment undertaken to put the reader in a certain kind of zone.

The novel The House of Seven Gables conveys its messages through the usage of images, which is done through inanimate object or places. This can be seen in the house of the seven gables and the daguerreotype of judge Pyncheon. Hawthorne present these images in such a manner, that their original meaning in the novel is no longer applicable. While many see his writing style as a tedious form, such writing has made the images created by Nathanial Hawthorne. Nathanial Hawthorne may be seen as a writer with a tedious writing style, such as the long descriptions of the images in the novel. Nevertheless it’s an effective manner to use allegory in a novel.

Holden is in a cab on his way to Ernie’s and after he asks the driver with Holden. When Holden asks why he is “sore” about it, the cab driver denies being upset. Holden seems to constantly anger people throughout the story due to his blunt way of addressing topics and his inability to see the positive side of things. The cab driver on the other hand, is clearly upset, but is instead choosing to be passive aggressive by denying his anger. I do not like when people are passive aggressive. I would much rather someone talk to me directly and maturely if they are upset.

“The Oval Portrait” and “The Devil and Tom Walker” both take place in an eerie forlorn setting isolated from society. The setting in “The Oval Portrait” sets the tone and mood of the whole story as it takes place in an “abandoned” and “remote turret of the building” with a “flicking candle”(Poe). The setting described by Poe adds to the ambiguity of the story. The dark and mysterious tone contrast with the beautiful painting and passion of the artist. Similarly, Tom and his wife “lived in a forlorn looking house that stood alone” in a “thickly wooded swamp”(Irving). Words like “alone” and “forlorn” set the tone as isolated whereas

     American literature reflects life and the struggles faced during existence. Symbols are an eloquent way for an author to create a more fully developed work of art. The stories themselves tell a tale; however, an author also uses symbols to relay his message in a more subtle manner. Nathaniel Hawthorne was one of the earliest authors to use symbols as an integral part of his plots. This is clearly seen in both The Scarlet Letter and in The House of the Seven Gables. The use of symbols causes an "association psychology" to enter into the story, making it more intriguing.1 In Nathaniel Hawthorne's romance The House of the Seven Gables, symbolism is used eloquently to enhance the story

Edgar Allan Poe, renowned as the foremost master of the short-story form of writing, chiefly tales of the mysterious and macabre, has established his short stories as leading proponents of “Gothic” literature. Although the term “Gothic” originally referred only to literature set in the Gothic (or medieval) period, its meaning has since been extended to include a particular style of writing. In order for literature to be “Gothic,” it must fulfill some specific requirements. Firstly, it must set a tone that is dark, somber, and foreboding. Next, throughout the development of the story, the events that occur must be strange, melodramatic, or often sinister. Poe’s short stories are

Most readers are appalled at the cold-hearted and cruel ways of Estella, but any criticism directed at her is largely undeserved. She was simply raised in a controlled environment where she was, in essence, brainwashed by Miss Havisham. Nonetheless, her demeanor might lead one to suspect that she was a girl with a heart of ice. Estella is scornful from the moment she is introduced, when she remarks on Pip's coarse hands and thick boots. However, her beauty soon captivates Pip and she is instilled as the focal point of his thoughts for much of the remainder of the novel. The fact that Pip becomes infatuated with her is also not Estella's fault. By no means is there any evidence that she loved him. She does not flirt with

The term gothic serves as the ideal backdrop for a literary era of suspense, mystery, and terror. A haunted mansion bursting with secrets, a naïve helpless heroine, and the male hero that saves the day are all quintessentially gothic. When Ellen Moers first coined the term “Female Gothic” in her 1976 book, Literary Women, she defined it as “the work that women writers have done in the literary mode that, since the eighteenth century have been termed Gothic” (Moers). Her argument that Female Gothic literature is a code for women’s fear of domestic entrapment, especially within their own bodies as was mainly experienced in childbirth and motherhood, was quite influential. Anne Williams, in her book The Art of Darkness: A Poetics of Gothic, argues that Female Gothic can be further dissected to include its intention to criticize the patriarchy while educating and socializing its female readers with an affirmation of absolute independence and strength. The Female Gothic is often pursued and haunted by a villainous patriarchal figure, but finds salvation on her own accord and more importantly, within herself. Another element of Female gothic is madness and monstrosity as an explanation for why the female would deviate from the conventional norm.