Analysis Of Housewife By Anne Sexton

The object of examining gender roles is to answer the question why should women and men be equal and "Are there populations in which men and women are absolutely equal? Are there societies in which women dominate men?" (Gender 238) By understanding the culture in which this piece of literature is written, the gender roles and the rules of behavior for a woman, then the relationships between genders can be realized. The general myth about women and their gender role in the American society is that the mother works in the home and supports her man in every way. For each relationship, the people in that relationship must decide the particular roles that they will play. In the literary work "Girl", Kincaid shows clearly that the woman's role in this work was to serve the family and to work mainly in the house. The mother writing this story tells her daughter that "this is how you iron your father's khaki shirt so that it doesn't have a crease" (Kincaid 489). In this marriage, it is understood that the wife is to do the laundry for the husband. Today's society does not always provide these clear roles since many women work a full time job and the house chores are a responsibility for both to handle. Though the woman is still mainly held responsible for the home. There should be a constant search for equality in gender roles. Kincaid explains how the man is working to bring home the money and the wife supports

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

The home as a place of comfort does not exist for the narrator; companionship with her husband is lost. Her only real conversations occur on paper, as no one else speaks to her of anything other than her condition. She is stripped of her role as a wife, robbed of her role as a mother, and is reduced to an object of her husband's.

In Judy Brady’s essay, “I Want a Wife,” she examines why she would like to have a wife. Brady believes that a wife performs all house chores and the husband does nothing, but to expect the wife to do everything for him. Brady tries to persuade the reader to look at a husband viewpoint of what a wife should be. The essay was written during the early 1960’s, during the second wave of the feminist movement in America. Brady is pushed by certain reasons to write, “I Want a Wife” to show the humanist humor.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

Women in history stood best known for a less ascendant sex in the mid-nineteen centuries. Since times have gone by women had fought for their equal rights and freedom. There had been many stereotypes, where the women were considered as a slave to the men’s because the women’s position was to be the homemakers and a mother to their children, while the men’s are out socializing with others. If they were not happy with the marriage, they cannot just walk out or complain because a women role is to endure all these pains without a word coming out of their mouths. Two out of the ordinary short stories, “The Yellow Wallpaper” and “The Story of An Hour,” mostly focused on a women’s dilemma that they faced near the 19th century. The two main characters in the short stories show some resemblances in some ways, but both characters portrayed them in different ways of how they dealt their sorrows in their marriages.

In both stories, each woman was put into a stereotypical role of being housewives. This was popular in history because women did not have much choice or option rather then stay home and cook, clean, take care of their children, etc. Both women were married but instead of appreciating their lives in a joyful perspective, they were oppressed by their living conditions. In both stories, there is a window scene mentioned. The window seems to have symbolism of freedom which is ironic, because in reality they were both trapped in unhappiness. Each time the characters looked through their windows, the outside view is described through the characters perspective in a optimistic and desirable tune, while staying

Despite differing story lines, Charlotte Gilman’s The Yellow Wallpaper, John Steinbeck’s The Chrysanthemums and Kate Chopin’s The Awakening, depict the same suffering; the isolation that women have been forced to endure throughout history. In the time period that all three characters were placed, it was culturally acceptable for wives to be dominated by their husbands; their responsibility revolving around the needs of their children and those of their spouse. Most women simply did not have a means or an idea of how to rebel against their husbands. The women in all three stories are protagonists who have poor relationships of emotional attachment with their spouses. While the main character of Gilman’s story endures multiple psychotic

Most women in America nowadays are lucky enough to consider themselves to be an independent individual, but females were not always guaranteed their freedoms. Throughout the early 1900’s, authors would characterize husbands to be controlling figures. In “The Yellow Wallpaper,” Charlotte Perkins demonstrates just how possessive the husband is to his wife in their marriage. This short story shows just how miserable the woman is to be in a marriage with John because John, thinks it would be best that his wife is isolated to get over her postpartum depression.“The Yellow Wallpaper” demonstrates how a male dominated society leads to the woman not being their own individual by using characterization, narrator perspective, and conflict between women and society.

Whether it is the past or the present, there have always been gender roles in society. In most homes, it is the woman’s responsibility to take care of the house. This includes cleaning, meal preparations, raising and taking care of the children as well as the husband. Compared to the men who take care of the more physical activities, such as yard work. It was known throughout many years that it was a woman’s responsibility to stay in the house while the man would go out and look for work to provide money for his family. Although the intensity of gender roles has changed, it still exists.

A house is not a home if no one lives there. During the nineteenth century, the same could be said about a woman concerning her role within both society and marriage. The ideology of the Cult of Domesticity, especially prevalent during the late 1800’s, emphasized the notion that a woman’s role falls within the domestic sphere and that females must act in submission to males. One of the expected jobs of a woman included bearing children, despite the fact that new mothers frequently experienced post-partum depression. If a woman were sterile, her purposefulness diminished. While the Cult of Domesticity intended to create obliging and competent wives, women frequently reported feeling trapped or imprisoned within the home and within societal

In the short stories Hell-Heaven by Jhumpa Lahiri and The Yellow Wallpaper by Charlotte Perkins Gilman both stories convey similar theme. Gilman’s short story, The Yellow Wallpaper, tells a story of a mentally unstable wife, while Lahiri’s short story, Hell-Heaven, informs us about a mother and daughters story from the perspective of her daughter. The characters from both stories come from different cultures but one thing they both have in common is their roles. They marry with the purpose of serving for household duties such as cooking, cleaning, laundry, and taking care of children if they have any. Also lets not forget another job they have is keeping the husband satisfied and happy! In both stories the marriages are in a way similar to

Every author, poet, playwright has a subtle message that they would like present to their audience. It may be a lifelong struggle that they have put into words, or a multiple page book that took a lifetime to write. A poet by the name of Anne Sexton sought out to challenge society’s views of women by writing “Her Kind”. A poet, a playwright, and an author of children’s books, Anne Sexton writes about the conflicts of a social outcast living in modern times. She voices the hardships she faces through three different speakers in her poem. At the end of the poem, the woman is not ashamed nor afraid of whom she is and is ready to die in peace. In Anne Sexton’s poem “Her Kind”, the main idea the speaker is depicting is the multiple stereotypes placed on a woman, by society. Sexton’s vivid use of imagery paints a picture of the witch, house wife, and mother cliché, while also implying the poem is autobiographical as Sexton went through her own personal struggles during her life.

For centuries, women have had the role of being the perfect and typical house wife; needs to stay home and watch the children, cook for husbands, tend to the laundry and chores around the house. In her short story “Girl”, Jamaica Kincaid provides a long one sentence short story about a mother giving specific instructions to her daughter but with one question towards the end, with the daughter’s mother telling her daughter if she had done all the instructions to become a so called “perfect” woman, every man would want her. Kincaid’s structuring in “Girl,” captures a demanding and commanding tone. This short story relates to feminist perspectives. The mother expects a great deal from her daughter to have a certain potential and she does not hesitate to let her daughter understand that. As a matter of fact, the story is about two pages long, made into one long sentence - almost the whole time the mother is giving her daughter directions to follow - conveys a message to the reader that the mother demands and expects great potential in her daughter. The daughter is forced to listen and learn from what her mother is telling her to do to become the perfect housewife. Throughout the story, Kincaid uses the symbols of the house and clothing, benna and food to represent the meanings of becoming a young girl to a woman and being treated like one in society. Women are portrayed to appeal to a man to become the ideal woman in society, while men can do anything they please.

It is evident that "The Young Housewife" is a very sexually charged poem. Through its subject matter, its language, its imagery, and even its use of phrasing, Williams accentuates the young housewife's seductive and almost unrestrained nature. For instance, He describes her moving about behind closed doors, dressed in negligee, or going to the curb un-corseted to call ice-man, or allowing her hair to hang freely, only periodically tucking it in. All of these images suggest strongly that the young housewife is a natural and unrestrained character. She is free any imposed social constraints that has the power to squelch her pristine and almost wild nature.