In The Studio, 1880 By William Merritt Chase

The largest downfall in the lives a century ago was the spanish flu that started during the november of 1918. It infected one in every five people of u.s during the calamity and took the lives of 675,000 people, close to 10 times as many lives as from ww1, leaving a deep wound on to the history of U.S. the next difficulties faced by the people of U.S was their work difficulties. 85% of adult men were working for labors in many factories for an average of 55 hours a week. And they were not working in good A.C conditions. Instead their fatality rate at work was 30 times higher than present day. And you would think that they would get a bad for it right? Indeed they did get a bad pay for it. They had to spend half of their pay for feeding themselves.yeah. It was not good. Now unlike men who had to work hard, women were treated differently coz women.. Working… let's move on…. Ok im not being a feminist. Contrary to popular belief, i treat women and men equally.. Coz i beat people no matter their what their gender is. Next up is Art…. the tool to find yourself and lose yourself at the same time. Now there is only one thing i want to talk about in art and that is the rise in expressionism, or like I call it, the start of a disaster.*rage*. If there is one thing the future generation will make fun of, it is the fact that people buy these. Let's get to the conclusion before i kill all the expressionists in the world*tear the paper.*. In

-In the 1700’s a new middle class emerged. Mass print became a thing as well. Every day people started to purchase art works to display in their homes. It was a way for them to express their status and national patriotism. The diversity in patrons had a great impact on the arts of the 15th – 18th centuries. With new patrons and the demand for art work, artists were able to capture more than just religious scenes. They were able to create landscapes and everyday life in their work. Artists were commissioned by the new middle class to create art work that they were able to hang in their houses. For instance, artist Joseph Wright of Derby’s painting “A Philosopher Giving a Lecture at the Orrey (1765).”

(2005). In D. Bjelajac, American Art: A Cultural History (pp. 37-129). Upper Saddle River: Prentice Hall, Inc.

The First painting that I was drawn to in the special exhibit “America after the fall: Painting in the 1930s”, was American Gothic by Grant Wood. This was a work that I had seen all through out my life because it was the staple image to represent the steadfast American pioneer spirit. Seeing it in person, rather than reproductions or prints let me realize why it was such an iconic American painting. It was a twentieth century painting with nineteenth century characteristics. The work is in the style of a typical portrait painting in the nineteenth century.

Impressionism can be considered the first distinctly modern movement in painting. Developing in Paris in the 1860s, its influence spread throughout Europe and eventually the United States. Impressionism was a style of representational art that did not necessarily rely on realistic depictions. The Impressionists loosened their brushwork and lightened their palettes to include pure, intense colors.

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

Overall, the ideologies discussed within the articles Written In Blood: 20th Century Art by Stephanie Dudek and Estrangement As A Motif In Modern Painting by John Adkins Richardson address similarities and differences from various standpoints. Modernistic ideologies towards social, cultural and technological changes of the 20th century are demonstrated in both articles. The article by Stephanie Dudek emphasizes on the employment of radical and transgressive values by modern artists within their work to target cultural, and artistic principles that have persisted over many generations leading to a transformation within the subject of art (Dudek 105). Furthermore, modern art set out to obtain new visions of reality as witnessed within the Cubist

One of the most significant decades in 20th-century art, the 1960s saw the rise of Pop Art, Op Art, Minimalism, Conceptual Art, Performance Art, and Feminist Art, among countless other styles and movements. Artists began to notice that American culture was filled with commercial images: on television and billboards, and in magazines and newspapers, commercial art was used to sell everything from dish scrubbers to soup cans to cars to movie stars and their movies. Pop artists used commercial art techniques to create new artistic forms.

Coming to the United States in the early 1950’ and reaching its peak of activity in the 1960’s would be Pop art. This type of art was everywhere, billboards, commercial products, and celebrity images. You see this type of art mostly in comic strips. This type of art celebrates the everydays items that people used. Pop art was the start of a new art movement,

In the United States, the Arts and Crafts Movement took on a distinctively more bourgeois flavor. While the European movement tried to recreate the virtuous world of craft labor that was being destroyed by industrialization, Americans tried to establish a new source of virtue to replace heroic craft production: the tasteful middle-class home. They thought that the simple but refined aesthetics of Arts and Crafts decorative arts would ennoble the new experience of industrial consumerism, making individuals more rational and society more harmonious. In short, the American Arts and Crafts Movement was the aesthetic counterpart of its contemporary political movement: Progressivism.

Art has been a recurring part of history from the very beginning. As society changes so does the style of art. Each new style is known as a movement and one of the most prominent, long-lasting movements in recent centuries is known as Modernism. Modernism is characterized by its deviation from tradition. People who are a part of this movement found enjoyment in finding new mediums to use, creating art that revolves around feelings and emotions rather than reality. Abstract idealisms of modernism cause its viewers to need to think more critically about the art before them. In past movements, the meaning of the work was obvious as it was created to mimic reality.

The awareness of the idea of giving art its proper freedom of expression, only came into being in the 1900s. During the pre-Hispanic time pottery, tattoos, textiles, ornaments, etc. were the art works considered by most as art forms but were actually objects of utility and convenience. The creation of these objects was a way of life rather than just something made for the pleasure of viewing or admiring.

In order to discuss pop art I have chosen to examine the work and to some extent lives of Roy Lichtenstein and Andy Warhol who were two of the main forces behind the American movement. I intend to reflect the attitudes of the public and artists in America at this time, while examining the growing popularity of pop art from its rocky, abstract expressionist start in the 1950s through the height of consumer culture in the 60s and 70s to the present day.

At your request, I have compiled information on Eastman Kodak Co., so that you may come to an investment decision. The report will consider the company’s background (including Kodak’s areas of production), a past obstacle Kodak has had to face and overcome, and a financial snapshot of Kodak over the past five years.

During the early twentieth century, art education was seen as unproductive and more often not cost effective. However, in the 1950’s opinions about art education made a drastic change as Americans craved more self-expression. Art education began to flourish as the importance of art involvement became known (DeHoyas).