The essence of mystery in a story often makes a book more interesting and engaging for readers. In the novel, Indian Killer, author Sherman Alexie takes this idea of a storyline thrill to the next level. Alexie intended for the identity of the killer in his book to remain anonymous, however, there are a copious amount of theories about who or what the killer may be. Throughout the storyline, there is an abundance of evidence brought up against one person in particular. Reggie Polatkin is the mysterious murderer because of his troubled life and violent nature. Reggie Polatkin arguably had a profoundly tragic childhood that shaped him to be the heartless and cruel person that he becomes. From the very beginning of his life, Reggie struggled to form a healthy connection with his white father, Bird. His father had his own firm idea of what the “appropriate kind of Indian” was and tried to mold his son to be that way (Alexie 92). When Reggie would not perform or act the perceived correct way, Bird would abuse him, oftentimes calling him a “stupid, dirty Indian” (94). One could argue that the physical and emotional torment inflicted upon him by his father, caused Reggie to become such a violent person himself. The Indian Killer uses his own rage to stab, scalp, gouge out the eyes, and eat the hearts of his victims. Only a person of such violent nature, like Reggie, could do such terrible things. While it is evident that he could not connect with his abusive white father, Reggie could also never connect with his timid Indian mother. His mother, Martha, married Bird solely as a way to get off of the Indian reservation. Martha’s materialistic desires of a “big house [and] a nice car” were so strong that she put up with Bird, no matter how callous and cruel he acted (92). She knew of Bird’s harsh stance on Indians, yet she still stayed with and had a child with him. Through this, it is painstakingly clear that Martha was not proud of her culture or secure in her identity. As he grew up, Reggie became more and more aware of this negative stigma against being Indian. Reggie was never given the opportunity to embrace his heritage, so he consequently buried “his Indian identity so successfully that he’d become invisible”
The subject of the book “The Midnight Assassin” by Skip Hollandsworth is focused on uncovering the truth behind who is truly at fault for the murders of Mollie Smith and, several other victims. The murders occurred in Austin, Texas during the 19th century. Based on the first three chapters, three prominent characters have been introduced. All three characters are currently prime suspects. At the time, Austin was a prestigious town, equipped with the finest law enforcement made first hand by god himself, the Texas Rangers. When the young yellow skinned slave Mollie Smith was murdered, terror truly struck Austin. News reporters from all over Texas came to cover the story, thus creating conspiracies about each suspect. Evaluation of each suspect and their motives to perpetrate such a gruesome murder-Walter Spencer, a hardworking slave, who had never done any harm; Tom Chalmers, the brother of the land owner where the murder took place; Lastly, Dr. Ralph Steiner, the esteemed doctor.
Ritual Murder is a play by Tom Dent in 1967 and it is considered a hopeless tragedy because it depicts New Orleans as one of the most violent cities in the United States, especially amongst the poor African-Americans. It is about murder. It is a ritual murder because “it happens all the time in our race on Saturday nights (Dixon 474). More specifically, Ritual Murder is about Joe Brown Jr. who killed his best friend, James Roberts, on a summer Saturday night. It is a heartbreaking, chilling, and violent crime in New Orleans considering it's with black-on-black-- black people killing black people. Sadly, the problem Dent recognized decades ago in Ritual Murder portrays is still ongoing with us today (473). This paper will explain Dent’s Ritual Murder phenomenon of black urban crime by delving into the victims and perpetrators, as well as reasons that lead to the murder.
In the book Indian Killer by Sherman Alexie the readers may have a difficult time identifying who the Indian killer was. The book creates a sense of desperation and peculiar self accomplishment by the killer, although falling short of their ambition. In everyone’s impermanence the killer did not last long after the chaos and sporadic murders in Seattle. In the Indian Killer by Sherman Alexie, John and Marie are both responsible for the killings because of their shared desire to kill a white man.
“Discrimination is a disease” that will never be cured (Staubach). Charlie by Lee Maracle is about a young Native American who has to abandon his roots to go to a catholic school. While leaving the school to get outside Charlie faces the brutal chill of winter and dies from the cold. One, two, three little Indians is about a family of native Americans whom have to work for the white men. They go through heartbreak and bigotry, but in the end there’s nothing they can do to save their family.
The Man I Killed is the story of the man that Tim O’Brien killed. However, this story is not true. He later mentions that he did not in fact kill the man, yet he was present and that was enough. This story, according to him, is told to show the reader how he feels, because O’Brien feels as though the truth is that by doing nothing, he killed the man, so in his story, he does kill the man. Imagery is the biggest literary device seen in this story, but diction also helps make the story seem more true, it helps the reader to truly believe that O’Brien did in fact throw the grenade that killed the man. This story is told from O’Brien’s point of view, which would be first person, despite the fact that the word “I” is
Education —an institution for success, opportunity, and progress — is itself steeped in racism. In Sherman Alexie’s short story “Indian Education” from his book The Longer Ranger and Tonto Fistfight in Heaven is set in two places, the Spokane Indian Reservation and a farm town nearby the reservation. The story is written in a list of formative events chronologize Victor’s youth by depicting the most potent moment from each year he is in school. Alexie addresses the issue of racism in education by examining examples of injustice and discrimination over twelve years in a boy’s life. Victor faces his initial injustice in first grade when he is bullied by bigger kids, but his understanding of injustice becomes much more complex in grades two through twelve as he experiences discrimination against his American Indian identity. Familial experiences of a Native woman, Alexie’s style and humor, and Victor’s awareness of discrimination from grade one to twelve all reveal the grim reality of growing up and being schooled on an American Indian reservation.
In the short story “Indian Education” by Sherman Alexie the theme that is represented in each grade is racism. Throughout Alexie’s life he experiences more and more accounts of racism in school. Also, Alexie experiences levels of hardship as he gets older. Thus, the story’s theme statement could be summarized that racism enables hardship in one's life.
Of the 93% of women that were murdered by men that they knew, 63% were an intimate acquaintance (Wyman). Throughout the podcast called “Serial”, producer Sarah Koenig gives her take on the murder of Hae Min Lee. She was murdered on January 13, 1999 in Baltimore, Maryland. Adnan Syed was convicted of murder and is currently serving a life sentence. Now, Adnan is receiving a retrial. Jay, an acquaintance of Adnan’s, testifies that Adnan is guilty allowing him to not receive a sentence. Jay’s knowledge of the location of Hae’s car is further supported by Adnan’s lack of recognition of events on the day Hae was murdered, which shows Adnan killed Hae
There are so many different definitions of the word racism, but how does each peron define it? One individual, Richard Henry Pratt, clearly knew how to thoroughly define the word, “Segregating any class or race of people apart from the rest of the people kills the progress of the segregated people or makes their growth very slow” (Howard 2016). Unfortunately, we are still living in the repercussion of Pratt’s word. The United States’ history is full of examples that have led to the ethnocentric development of the country. One of the most remote examples of this ethnocentric belief is displayed with the construction of off-reservation boarding schools for Native Americans first started in Carlisle, Pennsylvania, by former general, Richard Henry Pratt. The purpose of the schools was to strip Native Americans of their cultural traditions and teach them the skills necessary to function in American Society. Pratt keyed this belief with the saying “Kill the Indian, save the man,” in order to justify his reasons to assimilate the Indians to the white culture. However, were the American Indians really forced to assimilate because society wanted to help them, or because they wanted America to be solely made of true Americans with American culture? How was the assimilation of the Indians satisfactory when it created cultural genocide? Having assimilated the Indian man did not save him, it merely replaced him.
Leslie Marmon Silko’s novel, Ceremony, reveals how the crossing of cultures was feared, ridiculed, and shunned in various Native American tribes. The fear of change is a common and overwhelming fear everyone faces at some point in their life. The fear of the unknown, the fear of letting go, and the fear of forgetting all play a part in why people struggle with change. In Ceremony the crossing of cultures creates “half-breeds,” usually bringing disgrace to their family’s name. In Jodi Lundgren’s discourse, “Being a Half-breed”, is about how a girl who struggles with understanding what cultural group she fits into since she is a “half-breed.” Elizabeth Evasdaughter’s essay, “Leslie Marmon Silko’s “Ceremony”: Healing Ethnic Hatred by
Plot is defined as, "the authors arrangement of incidents in a story it is the organizing principle that controls the controls the order of events (Meyer,64)." The element of plot is heavily relied on in the short story, "The Killings" by Andre Dubus. The plot which is completely made inside the imagination of an author (Meyer,64), gives the audience important insight to people, places, and events in the story (Meyer,64) . "The Killings" provides a somewhat conventional plot pattern, where the character is confronted with a problem and is then led into a climax, which late leads to the resolution of the story (Meyer,65). The conventional plot is easy to follow and serves as a basis for movies and other
The examination of black women's need to keep their powerful heritage and identity is important to the protagonist in “Everyday Use.” Walker uses the mother’s voice to show the trials and tribulations of a small African American family located in the South. She speaks on multiple levels, voicing the necessity and strength of being true to one's roots and past; that heritage is not just something to talk about, but to live and enjoy in order for someone to fully understand themselves. Unlike Kincaid, Walker gives her black female character’s an identity of their own, each in their own right, and observes the internal conflicts of each mother and daughters struggle with identity. The mother represents a simple content way of life where identity and heritage are valued for both its usefulness, as well as its personal significance. In order to illustrate how the mother viewed identity versus her daughters, Walker quickly acknowledges that the mother has inherited many customs and traditions from her ancestors. She describes herself as a large big-boned woman with rough man-working hands (485). She also describes here various abilities including, killing and cleaning a hog as mercilessly as a man. Being able to work hard and not care about being such a lady, is how the mother defines identity at this point. On the other hand, the two daughters each have opposing views on the value and worth of the different items
Thomas King’s The Inconvenient Indian tells the story of Indigenous people in Canada and the United States, it challenges the narrative on how Indigenous history is taught and explains why Indigenous people continue to feel frustrated. King’s seeks to educate the reader as he provides a detailed accounts of the horrific massacres Indigenous people endured, yet he simultaneously inserts humorous moments which balances out the depressing content and enhances his story. The books highlights the neglect and assimilation that Indigenous were subjected to and how their survival was seen as an inconvenience to western culture. King directs his message at a Euro-centric audience to offer an accurate explanation of Indigenous culture and
In the short story, “A Red Girl’s Reasoning” by Pauline Johnson, Charlie and Christie’s cultural differences and personality flaws act as a catalyst towards the sudden downfall of their relationship. This is demonstrated through Christie’s excessive pride, Charlie’s self-absorption, and his lack of open-mindedness regarding his wife’s Indigenous culture and perspective. To begin, Christie’s stubborn and prideful nature is exhibited throughout the story. This is evident when she defends her parents’ marriage to Charlie’s colleagues, Mrs. Stuart and Captain Logan, exclaiming, “‘What do you [Captain Logan] dare to mean? […] Do you for one instant dare to question that my parents were not as legally-’”
Jackson’s Indian identity is embodied in his grandmother who, in Jackson’s perspective, was taken away from him by the West. Thus, Jackson continually opposes Western cultural ideals such as innovation, industriousness, and capitalism throughout his journey to reclaim Agnes, the very symbol of his Indian background.