Analysis Of Ip Man And Fist Of Legend

There’s no doubt that Star Wars is one of the most impactful films of all time, having changed the movie-making game ever since it premiered in 1977. It quickly became a global phenomenon and has accumulated some of the most passionate fans in the universe. Star Wars: Episode IV - A New Hope is a great example to use in order to illustrate the properties discussed throughout the course. In this paper, I will analyze the entire movie. To begin, I will start by giving some basic information about the motion picture, such as the director and type of film. Next, I will provide a brief summary of the film.

To continue, we will be analysing a sequence of Zhang Yimou’s Hero all whilst considering its mise en scene, cinematography, editing, sound and performance. This sequence is approximately 50 minutes into the film.

Perhaps, the powerful storyline of the Crouching Tiger, Hidden Dragon was what encouraged one of the greatest cinematic martial arts directors Ang Lee, to make a film out of the Chinese novel. In this film, Lee’s primary function is not only to portray skillfully choreographed fighting scenes, but also to connect powerful sequences of events that touches upon the emotional complex human condition that is associated with both the Taoist and Buddhist belief systems. By not allowing action to be the sole guiding force of the narrative of Crouching

Overall, the Why We Fight films reflect the strategic priorities of the U.S. government and focused primarily on the struggle in the West. A Japanese equivalent to this series is titled The Battle of China. This was an epic paean to the resistance of the Chinese people against Japan’s aggression. Through all of the destruction and devastation of the Japanese, they come with this counterpoint that was heightened by a commentary in which Japan’s rhetoric of “co-existence and co-prosperity” was recited while the screen showed the devastation of China’s cities and the mutilated corpses of its men, women, and children.

The humiliation caused by the defeat in the Sino-Japanese War of 1895 stirred up nationalism in China as well as resentment against European-powers. It was believed that the Europeans were driving China’s domestic and foreign policy and that is was important to reclaim China for the Chinese to return to Confucian values. In 1898, the situation escalated when a group called the “Boxers” (officially “Righteous Harmony Fists”) began a rebellion in north China in the Shantung Province. In this province, Germans dominated the rail lines, factories and coal mines

World War II was a devastating war, whether you were directly in the war zone, or away from the battlefield, you were impacted greatly. Flyboys is a book written by James Bradley, in this book Bradley tells stories of World War II using first-hand accounts. In chapter five, Bradley discusses “The Rape of China” which was a battle that took place in 1937 during the beginning of World War II. In this battle, the Japanese fight the Chinese and destroy China. Both Japan and China had very different moral beliefs on fighting in the war. China believed that the soldiers needed to “be courteous,” and to also be “neither selfish nor unjust” to civilians (Bradley 54). Meanwhile, the Japanese had totally opposite policies known as the “Three Alls” meaning

Bruce Lee’s appearance breaks the traditional western impression delicate oriental image, and kung fu movies in the West suddenly pop up. It can be said today, Bruce Lee still represented Chinese kung fu in American minds. For a long time, several Hollywood male stars are all based on Chinese martial arts action as a personal label. such as Jackie Chan, Jet Li, the action star Chow Yun Fat showing such a rigid cultural symbols.

Symbolism, or the representation of an object or word to signify a hidden meaning, is an inherent theme in Ishirō Honda’s 1962 film King Kong vs. Godzilla. By utilizing two of the most iconic monsters in cinematic history, Kong and Godzilla, Honda depicts the shift from one culture to another and the battle that ensued. Honda also shows the different cultures that King Kong and Godzilla represent; Kong is the embodiment of modern Japanese culture, while Godzilla represents the traditional Japanese culture. However, when comparing these two creatures, one must first look at their origins from two other supplemental sources: Merian Coopers’s 1933 film King Kong and Ishirō Honda’s 1954 film Godzilla. These films clearly reveal how each entity differs from Ishirō Honda’s 1962 film King Kong vs. Godzilla. Furthermore, by observing key elements shown throughout the movie, one will recognize the differences between the originals and the 1962 rendition.

This essay is based on films of the same story, told in different ways, with emphasis, themes, meaning and interpretation shaped or shaded by the situation of the storyteller; the cinematic mise-en-scene. Based on the same story, the films reveal and reflect the film-maker’s social norms and views, emerging from their different national contexts. While exploring the two films, this essay will examine elements of film language or semiotics: color saturation (or black and white), sound, setting, type of camera angles used; repetition of visual motifs (Metz, 1985). The two films explored were made in the 1960s. Neither film is American, yet both reveal influences and reflections on American cinema and American power; the Western film, adherence or detracting from Hollywood Classical cinema tropes, i.e. close-ups, shot-reverse-shot, POV, depth of field (Bazin, 1985: 128-9). The two films are Kurasawa’s Yojimbo (1961) and Leone’s Fistful of Dollars (1964), from Japan and Italy, respectively. How are they different; how similar? Why do they use the same plot,

Both Japan and China lie in the East of Asia. ‪To a certain extent，Japan and China own similar culture background, in the Confucian Cultural Circle. But when we look back into the modern history development, Japan and China made quite different decisions when facing the western countries’ aggression. China suffered the invasion in 1840 after the first Sino-British War. Japan was in a similar situation in the black boat incident in 1853, the Opium War made the West began to pay attention to East Asia. From then on, Japan began to face the western culture. ‬The reactions, as well as the result of Japan and China were quite disparate. This article wants to discuss what lead to the difference. ‬‬

movie had some flaws, it did closely represent the feelings of the era that was depicted. This paper intends to analyze and give

The movies under this category have attracted the attention of many reviewers because of some reasons. The films are widely appreciated because of their wider exposition of culture as well as sophisticated and rich subject matter. The show of culture and emotional expression that the movie contains has drastically changed the description of the category from action films to relationship film. Additionally, the movies

In subsequent years following the establishment of the People’s Republic of China came a revolutionary new approach to not only producing films, but also film’s very role in communist society. During this period the state gained complete control of the filmmaking industry, decreeing that the utilitarian functions of art and literature were to become a powerful weapon in serving the revolutionary struggle. In an otherwise artistically stifling period in which socialist realism pervaded all creative outlets, Xie Jin managed to retain some autonomy and emerged as one of the cleverest Chinese directors in the early 1960s. In his 1961 film Red Detachment of Women, Jin provides a classic revolutionary melodrama, yet also displays elements of formalism so that the viewer becomes conscious of the manipulations of his film technique. To analyze this film, I will use Mao Zedong’s 1942 “Talks at the Yan 'an Forum on Literature and Art,” clip #10 “Landmark 2,” and clip #6 “We are joining the red army” to elaborate on the major themes and cinematic style that distinguish Xie Jin’s work from his contemporaries.

Ang Lee’s Crouching tiger Hidden Dragon is probably one of the most successful foreign films to ever be screened in America. Being the number one film of the year in 2000. On the other hand it was reportedly considered a flop in China. While it was influenced by American film styles, it still kept true to many aspects of its Chinese film heritage. With very apparent love story, it lacked the Extreme amount of Kung Fu fight scenes eastern audiences have come to enjoy. This is a stunning love story between a monk and widow. While it does have its share of over the top fight scenes, when you start to dig deeper the films many social implications become apparent. With ties to subjects such as religion, martial arts, philosophy, love, and even gender issues. This film is a representation of the modern era and how long practiced traditions are being challenged. Each character and plot line allows a glimpse into the Social and Traditional understanding of a culture.

Due to the movie montage and some exaggerated shooting techniques, some foreigners have a deep misunderstanding of Chinese Kung-Fu (like Kung-Fu dodge and the internal strength).