Analysis Of Irigaray In The Allegory Of The Cave

women have made an exceedingly great impact on the world’s economical, social, and political spectrum. However, women are still deemed inferior to men in past and present cultures. The inferiority of women has been portrayed through various avenues such as literature and written works. The Virgil’s Aeneid and Ovid’s Metamorphoses’ women characters are three perfect depictions of how women in today’s society are dominated, disregarded, and discredited.

The two publications that best contextualize gender are the Lowell Offering and the Godey’s Lady Book periodicals as the articles found in both magazines depict traditional gender roles for males and females. For the Lowell Offering, this is best seen in the article entitled, “Woman’s Proper Sphere”, which focuses on the thoughts associated with oppression like, “Is it ambitious wish to shine as man’s equal, in the same scenes in which he mingles” or “Does she wish for a more extensive influence, than that which emanates from a woman’s home?” Yet these progressive questions are met with answers like “How necessary, then, that she should understand these pursuits (of men), that she may truly sympathize with and encourage those, with whom she may be associated. In this way…her influence must and

The women in Lysistrata are portrayed as strong and confident. This is seen in the form of the main character of the play, Lysistrata; who is the first one to propose the idea of withholding sex as a measure to stop the war. She demonstrates the qualities of a true leader as she has a well-planned strategy to get her way: “if we would compel our husbands to make peace, we must refrain”. At first this idea is instantly rejected by the women, but Lysistrata manages to convince them with her words of wisdom. This indicates how strong and perseverant Lysistrata is, and this is displayed by her idea of giving up sex. This is likely to be appreciated by the contemporary Greek audiences, as sex is described as the “most beautiful thing in the world” and Lysistrata is giving it up.

It was seen as irrational to the men that women withheld sex, that their own wives abandon their vice to be heard in a society where there was not a part in democracy for women. Moreover, this situation depicts how serious the women were about having a voice in their government, because a three-decade long war was excessive. Luckily, Lysistrata did not back down from the men and was determined to find a voice amongst the men, in that society, a woman did not belong in the government, because a woman is a housewife and a sex tool. (ADD MORE)

3)depicts that Female derives from the word “Famina” which meant “lacking in faith” (Roberts, p.4) therefore, depicting women as feebler in both mind and body towards the temptation that the devil put forward, which was labelled as “carnal lust” , creating a legitimized reason to find suspicion in every woman and therefore resulting in legitimized massacre.(Roberts, p.5)

The narrow futures of adult women shown in the novel are one way the author portrays female plight. The limitations characters face indicate the constructs of their unforgiving patriarchal environment. Adult women share the feeling of being trapped in their own marriages. The author represents isolation from the outside world in a metaphorical sense as, “waiting by the window” (Cisneros 11). Rafaela, a woman with an extremely controlling husband, illustrates how women in the novel are

While he waits “at a traffic light,” he “catches his eye [on] a tall girl in a black leather skirt” (Coetzee 194). She is mere stranger on the road, yet he is confident in being able to immediately hook up with her. The way he looks at women, reflects how they are displayed as animals and sexual bodies waiting for someone to catch them and because this occurs frequently, the idea of female bodies being dominated and constructed through male ideology becomes naturalized and accepted as a norm in society. It is evident that though all women do not become prostitutes because they enjoy the idea of it, there is this acceptance of the gender binary, where women choose to transform themselves into this sexualized character that seeks attention and is submissive to the man. Monique Wittig highlights the idea of categories in her text, “One is Not Born a Woman.” She agrees with Coetzee’s representation of the male and female roles and says that “for “woman” does not exist for [them]: it is only an imaginary formation” created by men (Wittig 15). Wittig explains that the category of “women” goes beyond the biological genes and outer appearance. It is something that is created not to make women feel good about themselves or to give them certain types of privileges, but it is a socially constructed idea that subject’s women into a certain type of character that benefits men. She goes on to say that “Once the class “men” disappears, “woman” as a class will disappear as well, for there are no slaves without masters” (Wittig 15). Consequently, the class of “women” is created in response to “men,” where if the category of “men” did not exist, then women would not be so restricted in the things that they are allowed to do and they would not have to live a life trying to satisfy men in order to

In book five of Plato’s Republic, Socrates argues that in the ideal city of Kallipolis, both men and women will serve as guardians and auxiliaries. Consequently, Plato appears to endorse feminist ideologies. Firs,t I will define proto-traditional feminism, and modern feminism. I will then argue that Plato presents Socrates, and thereby himself, as an advocate for feminism. However, I will show that Plato is only a feminist under the proto-traditional definition of feminism. He fails to fit the modern definition of feminism, as this definition is contingent on equality and equity. Furthermore, I will consider the objection that Plato cannot be a feminist due to his motivation for equality. Although Plato endorses some feminist ideologies,

The feminist approach is based on finding and exposing negative attitudes toward women in literature. Feminists are interested in exposing the undervaluing of women in literature that has long been accepted as the norm by both men and women. Women characters in both Metamorphosis and Oedipus the King have different and similar characteristics based on the general norms so that they can be exposed by the feminist approach. In Metamorphosis and Oedipus the King, feminist approach is through the description of women about the traditional gender values of women, women’s inequality of power and importance, and women’s effect to the whole society.

Women’s rights movements have made incredible progress in recent times. Although there are many countries around the world where women are facing political and social unjustness, the social class of women in ancient Greece of 5th century BCE was solely grounded by patriarchal ideologies. The Greek playwright Euripides creates a persistent character Medea, in his classic tragedy Medea. Today, scholars study this relentless protagonist who has become an eternal and timeless symbol of femininity and womenfolk revolt. Whilst many themes such as passion, vengeance, and exile are present within Euripides’ Medea, the theme of women and femininity is critically manifested throughout the interactions of its central

In Book V he states "it's small minded and womanish to regard the body as your enemy" (469d my emphasis). Plato's Republic is ambiguous and inconsistent in its treatment of woman; misogynist content contrasted with claims that both sexes have identical natures.

The feminist criticism approach evaluates how sexual identity impacts the creation and perception of literary pieces of art. It was originally an offshoot of the feminist movements but has currently employed certain approaches, such as the Masculinity approach, which is advocated by Robert Bly. Feminist criticism takes a primary role in articulating the patriarchal perceptions that have dominated the Western thought. The perceptions have consciously or unconsciously resulted in literature which is full of raw male-advocated assumptions. The current analysis aims at providing a feminist criticism of Sophocles "Antigone", with an objective to achieve an informed position.

In Christina Rossetti’s poem Goblin Market, Laura is saved from death through the bond of Sisterhood: a female power that embodies both traditionally feminine and masculine characteristics and values. Ross Murfin’s essay “What is Feminist Criticism?” feminist criticism, in the study of literature, is described as a criticism that examines how the values and attitudes of patriarchal societies affect the portrayal and expression of women in text (186-194). French feminists have focused on analyzing the way meaning is produced and have concluded that a gender binary is formed by language (186-187). Meaning is created by what a thing is not; for example, men are men because they are not women. The gender binary determines what things are masculine and what are feminine. This essay will adopt a feminist perspective and examine the gender roles (the behaviours, expectations, characteristics and values assigned to each gender by a society’s gender binary) depicted in Goblin Market. The primary focus will be on how gender roles affect the actions and decisions made by Laura and Lizzie throughout the poem and how sisterhood, a construct that blurs the gender binary, is the means that saves Laura’s life.

Lysistrata has challenged male authority in a bold way. This is a complete turnaround from the place in which Greek women were said to hold in their society. In this case, women stereotypes are proven wrong as women are shown as the opposite of being submissive and flaccid, the opposite is true as women are shown to be defiant.

With the speaker’s use of metaphors and Greek allusions, the idea of constancy in failed relationships is reworked to combat the misogynistic conception of female inconstancy. In Joan Kelly’s “Early Feminist Theory and the ‘Querelle des Femmes,’ 1400–1789,” she claims that female querelle writers “reject[ed] the distorted image of women” (Kelly 20) in religious texts and amatory poetry because women were often depicted as capricious “creatures” that men could not trust to be