Analysis Of Ivan O 'MahoneyGo Back To Where You Came From'

The nature of discovery is highly impactful when one is confronted with multiple worlds; enabling a physical and spiritual connection to places, ideals and society, transforming one’s perception over-time. Australian poet Robert Gray‘s ‘The Meatworks’, confronts an individual’s beliefs to influence their standpoint on a desensitized society. ‘Journey, North Coast’ introduces the idea that re-awakened realities emancipate one’s connection of the natural world. and Director Daniel Sousa’s ‘Feral’ explores into how being taken into an unfamiliar reality leads to discovering one’s natural world. It is within these poems that uncover the highly impactful nature of discovery.

The hostel is depicted as a place of insecurity where the individual identity has been removed and replaced with anonymity and insignificance ‘no one kept count of all the comings and goings’ and ‘arrivals of newcomers in busloads’. The poet also highlights the migrants need to seek out the familiar in people with the same nationality or culture, in search of a place to belong and a link to their former identities by connecting with other migrants, ‘ Nationalities sought each other out instinctively’.

The text chosen for this unit id the book Refuge by prominent Australian writer Jackie French (2013). Refuge follows the story of Faris, a young refugee feeling from his homeland with his grandmother to Australia. On the dangerous boat journey from Indonesia to Australia, they encounter a terrible storm where Faris falls unconscious and wakes up living his dream life in Australia. However, he has no recollection of how he got there. Whilst on the beach, he meets a strange group of children all from different times and places. Faris soon discovers that each child is like him, a migrant who travelled to Australia searching for a better place. Each child is living in their own ‘dream’ Australia and the beach provides a sort of ‘refuge’ from reality for them. Eventually, Faris has to make the decision to either continue living in this dream land or face his reality. This book is interesting as unlike other refugee texts, this novel serves to tell the multicultural history of Australian immigration. French relays the more than 60 000 year old history of people travelling to Australia by boat and makes the statement that all immigrants and refugees need to be treated with empathy and understanding.

As a result of discovery, individuals are opened to the opportunity to transform and in doing so, renew perceptions of themselves and those around them. In having renewed perceptions, individuals are automatically exposed to new experiences and perspectives, and as a result undergo personal growth. Change is an aspect of discovery that is enabled by past experiences and in this, transformation is achieved. Through Jane Harrison’s Rainbow’s End, a 1950’s play about three generations of an Aboriginal family, and Gwen Harwood’s Father and Child, a poem exploring the transformation of a child we are able to explore the way change is inflicted through experiences of discovery and the responses we find as a result of this. Maturation and

During this essay written by Walker Percy, it is clear that his overall opinion of experiencing new things is in the eye of the beholder and/or the hands of those around them and their social status. Percy uses many examples in his writing including that of an explorer, tourist, and local all seeing things for the first time either literally or in a new different light. In this essay, I will play on both sides of regaining experiences, seeing things on a different level then before or the first time. Regaining experiences is a valid argument brought up by Percy as it is achievable. While criticizing each side of the argument, I will also answer questions as to the validity of Percy's argument,

Go Back To Where You Came From is an Australian documentary/reality show in which participants are given the opportunity to experience what the life of refugee and asylum seeker can be like, albeit edited and packaged for an audience. During the course of the three hour long series, the six individuals not only have the chance to get under the skin of a refugee in terms of achieving a greater degree of insight into what being a refugee really means, but also to get on the viewing audiences nerves in perhaps all or any of the of the first three senses described above. Moreover the refugees participating in the series may ‘get under the skin’ of the programme participants and the

There are many different views about refugees in Australian society, where illegal boat people and over flowing detention centres are a controversial problem today. Go Back To Where You Came From is a documentary directed by Ivan O’Mahoney about a social experiment that challenges the dominant views of six Australians about refugees and asylum seekers. These six Australians are taken on a 25 day journey where they are placed into the troubled “worlds” of refugees. For a few of the Australians it is their first time overseas but, for all of them it is the most challenging and confronting experience of their lives. This essay will discuss

The process of discovery refers to the perception created upon experiencing the unfamiliar and redefining what is familiar. Discovery can be achieved through unexpected means or deliberate expeditionary, whether it be tangible or a fragment of our thoughts/imagination/emotions. Poems ‘The Tiger’ and ‘Young Girl At A Window’ by Rosemary Dobson and poem ‘Invictus’ by William Ernest Henley thoroughly explore this concept via their ideology of human nature and its effect on discovery.

Similarily examined in GBTWYCF, the participant’s genuine “refugee experience” allows them to identify social understanding about the fact of other people’s lifestyles and how they withstand the most severe of individual adversities. An extensive structure taken of Raye weeping followed by a remote taken of the moon enhances her concern towards Maisara “I’ve had issues holding child birth through…I do know where she’s arriving from…” examines how by your same circumstances as others, people are able to empathise.

Life requires us to move to new stages, each with its own set of obstacles and challenges which, if successfully overcome, can enrich one’s experience. A significant role in this process is played by familial and social values and external interventions. Stephen Daldry’s film ‘Billy Elliot’ (2000) depicts the protagonist’s growth as he discovers a passion for ballet which drives him to break free from traditional masculine stereotypes in his mining hometown. This similar drive traces the quest of the Brennan Family in the Australian Documentary “Proof of life”, when their son Nigel, a war photojournalist, is captured and held hostage in Somalia for ransom. Both texts illustrate the importance of determination, persistence and tenacity in

Discovery is a paradoxical process which allows individuals to explore concealed and indefinite ideas, enabling a broader understanding of their world and its surroundings. This dichotomous process often occurs at the intersection of exploration and introspection, catalysing a social awakening that enlightens and positions individuals to consider new conceptions. The Logie Award-winning television show “Go Back to Where You Came From” directed by Ivan O’Mahony documents an intimidating refugee journey that was undertaken by six uniquely-characterised individuals representing the myriad perspectives of Australians, consequently challenging the antipathy and intolerance that has become the major characteristic of the wider refugee debate. Resonating with the historical Moreover, Shaun Tan’s post-colonialist picture book “The Rabbits” explores the devastating and demoralizing consequences of the discovery, depicting the obliteration of spiritual, emotional and cultural bonds underpinned by the hegemony imposed by British imperialism.

Eric Tang’s Unsettled is an ethnographic account of Cambodian refugees in the Bronx, New York that evokes a nuanced understanding of the refugee experience. Unlike many other ethnographies, Tang’s work centers around one individual named Ra Pronh, a fifty year old woman who survived the Cambodian genocide and has lived as a refugee for most of her life. The bulk of his work draws upon two main sources: Tang’s notes that are gathered from his work as a community organizer in refugee neighborhoods and his interviews with Ra Pronh over a three year time period. Throughout his interviews with Ra, Tang often encountered a language barrier with her. There were times where Ra’s children would translate her words from Khmer to English for Tang to

The documentary, “Go Back to Where You Came From” plunges six Australians participants into the intense fear and desperate situations that forces them to confront their attitudes towards the refugee seeking experience. In such a powerful social experiment, using the “Survivor” and “Big Brother” modes of reality television, powerful emotions erupt. The documentary mixes “real life” with constructed situations to produce emotional breaking points around an audience’s attitudes, especially in the heartfelt interactions with refugee families thus privileging immigrants. An audience experience the “borderline” minds’ of the participants and the unstable world of refugees for themselves. They get caught up in the turbulent emotions and crises that are inflicted by the documentary through the clever use of evidence, rhetorical questions, inclusive language and sensationalism. The author rebuts the prevailing misrepresentation of immigrants as freeloaders by providing living testimonies of so called once, “boat people” now living in Australia who are not only grateful but are willing to relinquish all they have for Australia’s sake because of the act of benevolence Australia has showed to them and their families. This is evident in the following quotes of Andrew, “They came here to be more effective in the society…. Amar without a doubt is the kind of refugee we want” and in Amar’s quotes, “If they want to go fight, to protect Australia, I will go……Australia gives us a lot, so easy

The film begins with loud voices of a foreign language, images of a crowded refugee camp in Hong Kong, and a caged young girl. A man struggles to articulate his age in English. A woman rejects his application. The camera lingers on his disappointment. The voice of the documentary begins its commentary on the number of displaced people in the world and asks “What does it take to come to Canada?” The voice is not critical but puts the question and the information to the viewer for their own criticisms to be drawn.

Discovery inhibits the ability to embrace new beginnings and accept a sense of change whether it is found or forced upon an individual. The places you travel and the people you meet can emotionally revolutionize a self-discovery through unexpected but anticipated terms evoked from curiosity. ‘Swallow The Air’ written by Tara June Winch and ‘The Thing Around Your Neck’ written by Chimamanda Ngozi Adichie break the inhibitions of vulnerability, as their ideas represented through cultural contexts and values, lead to an overall self-discovery.