Analysis Of Jealous Extremaduran And Deceitful Marriage

In Spain and the Spanish colonies in South America in the late sixteenth and early seventeenth centuries, gender roles were distinct and the opportunity gap was enormous. Catalina de Erauso compares the two roles through her memoir, “Lieutenant Nun,” where she recounts her life as a transvestite in both the new and old world. Through having experienced the structured life of a woman as well as the freedom involved in being a man, de Erauso formed an identity for herself that crossed the boundaries of both genders. Catalina de Erauso’s life demonstrates the gap in freedom and opportunity for women, as compared to men, in the areas of culture, politics and economy, and religion.

In this essay, female oppression in La Casa de Bernarda Alba will be discussed and analyzed. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s.

“I dreamed that a woman was coming into the room with a little girl in her arms, and that the child was chewing without stopping to take a breath, and that half-chewed kernels of corn were falling into the woman’s brassiere. The woman said to me: ‘She crunches like a nutty nuthatch, kind of sloppy, kind of slurpy.’ Suddenly I felt the anxious fingers that were undoing the buttons of my shirt, and I caught the dangerous smell of the beast of love lying on my back, and I felt myself sinking into the delights of quicksand of her tenderness.” (89-90).

In “Lieutenant Nun: Memoir of a Transvestite in the New World” by Catalina de Erauso, a female-born transvestite conquers the Spanish World on her journey to disguise herself as a man and inflicts violence both on and off the battlefield. Catalina discovers her hidden role in society as she compares herself to her brothers advantage in life, as they are granted money and freedom in living their own lives. Erauso decides to take action of this act of inequality by forming a rebellion, as she pledges to threaten the social order.The gender roles allotted to both men and women in the Spanish world represent the significance of societal expectations in order to identify the importance of gender in determining one’s position in the social order in the Spanish World.

Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go

In the short story “The Cask of Amontillado”, the author Edgar Allan Poe allow the reader to be a participant in the story. The story is told by Montresor who shows a rancor against Fortunato for a displeasure that is never textualized defined. Montresor leads an intoxicated Fortunato into a series of halls under his palazzo with the promise of a taste of Amontillado. Throughout the story the, the author uses the first-person point of view to describe Montresor surroundings and show us his thinking, and his feelings.

Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these

Throughout the text, Tormes openly criticizes the church. He discusses the faults within the Spanish nobles when it comes to the notion of honour they are expected to have. Tormes expresses his subversion towards Spain and the Church in the subtlest of ways. He is a man who pushed himself to become better than what he was thought to be in order to destroy the way of thinking of those higher than him. He pushes boundaries like no other. Further on, this text also includes recurring folk and mythical elements – this is another stereotypical type of subversive literature. The Life of Lazarillo De Tormes shows how, even though being in a time where he was seen as inferior due to his social status as well as being a time of oppression that was controlled by a religious hierarchy, it doesn’t conform. It shows how Tormes was not accepting of the “exempla” genre that held popularity and approval. This shows a way were Tormes is literally subversive towards the society he was placed in. Through the text, we experience, on multiple occasions, the thoughts and feeling Tormes holds on the society and land he lives in. Tormes utilizes euphemism in order to throw in subtle comments and hints on how he resents the noble system and the church control over Spain. This subtleness allows Tormes to convey his disdain emotions towards the system in way that wouldn’t be view as excessively unorthodox.

Horacio Quiroga and Edgar Allan Poe are two of the most influential writers in history. They both wrote disturbing stories that are based upon their similarly rough lives. In fact, Quiroga has been referred to as “The Poe of Latin America” (Niece 1). However, it is important to note that although these authors have many similarities, they also have several significant differences, both in their writing and in their personal life stories.

The Life of Lazarillo De Tormes was written in 1554. This novel was an inspiring and great representation of a segment in the 16th century Spanish society. Even though the Author is unknown, it was translated by W.S. Merwin and introduced by Juan Goytisolo. The Life of Lazarillo De Tormes is centered on a young boy who has to adept in the world daily struggles for existence and goes through many experiences along the way ,becoming a servant for many different masters. He also discovers the world’s injustices, and adapts to what he has to go through in his journey to survive. Throughout the novel The Life of Lazarillo De Tormes shows how the fictional literature plays a huge part in social criticism, the Spanish economy has a big effect, and how the squire and other characters reflect upon the novel.

Edgar Allan Poe practices literature within use of the intrinsic qualities that possess the many definitions assigned to the word ‘literature’. Poe is an artist of words. He uses aesthetic, creative works of fiction to tell stories of drama and often horror. Poe’s’ literary genius is translated most commonly through his ingenious poetry and short stories. Consequently, it is his tendency to lace parts of his own personal life and views into his story-telling that causes critics to downplay the true art of the work by Poe. In this essay, the short story “The Cask of Amontillado,” will be analysed to make the argument that Poe is a serious writer through his use of proper literary aspects.

In this essay I am going to discuss whether or not we can consider Lazarillo de Tormes as a subversive text and the reasons behind why or why not we may believe it to be so. To accomplish this, I will explore the background behind Lazarillo, the different methods and literary devices used to convey dual meaning and give the text an undertone of subversion.

Edgar Allan Poe’s short stories always attract our attention by the images of murders, terrors, madmen, and mysteries. “The Cast of Amontillado” is Poe’s famous short story, which presents us a cold-blooded murder and two persons with personality flaws. This essay will make a contrast between the two characters by analyzing their characteristics and their psychological changes as the plot develops in order to understand the theme of this story.

Miguel Cervantes’ Don Quixote is a masterpiece in many senses of the word: at the time of its conception, it was hailed as a revolutionary work of literature that defined a genre, in later centuries regarded as an acerbic social commentary, a slightly misshapen romantic tragedy, and even as a synthesis of existentialist and post-modernist features. At the centre of this Spanish satirical chronicle is the perplexing character Don Quixote. Don Quixote’s personality and perspective is rapidly established fromsince the beginning of the novel, revealing unabashedly to readers that he is mad. The source of his madness lies in the extent to which Don Quixote acts on his delusions and projections unto reality as he saunters through Cervantes’ Andalusia. Don Quixote’s delusions have two primary functions in the novel: demonstrating the reality and tragedy of Cervantes’ manifestation of idyllic themes of love and chivalry, and revealing certain characteristics about narration.

There was a frequent reference to “a poet” whose work was widely respected in this novel. The Count de Satigny (who was Esteban Trueba’s ‘suitable’ choice of a husband for Blanca) referred to the work of the poet as “the best poetry ever written, and nothing could compare to it”. When Jaime and Nicholas became adults, the poet became more widely accepted as Clara had formerly predicted the first time she heard him recite in his ‘telluric voice’ in one of her literary soireés. It was evident that the poet lived and wrote about the right of the citizens to live their lives the way they wanted to, making their own decisions and expressing their own opinions without being controlled. For this reason, the funeral of such a poet became “the symbolic burial of freedom”.