Analysis Of Jessie J Wfiles 'Sorry To Interrupt'

Artists that in the song Juke Jam are The creator Chance the Rapper featuring Justin Bieber and Towkio. Chance The Rapper is a ???. Justin Bieber sings Tenor and Towkio sings….

This creates a beautiful blending of the two parts together and shows that this song was written to showcase the vocals.

Rubin Carter and a couple of friends are drivin' around" (lines 19 and 20). There was no

The hand clapping is always on the off beat, yet still accented, and the bass line is constantly on the beat. These layers of rhythm being played simultaneously create juxtaposition. This gives the atmosphere of energy in the piece.

The song opens with a heavily gated bass line, this was done live many times before the recording, but it was the new gating technology that was mentioned earlier that allowed them to get the tick tock

She is given another chance, she knows that she has to remember who she is and how people think of her. She made it through the hard parts of life, and is now seeing the better parts; this makes her feel good about herself. In the second verse, Macklemore sings, “En garde, things are just things/ They don’t make you who you are/ Can't pack up a

It's always interesting to hear an R&B artist makes a late night R&B song or what I like to call "Yam Jams," because I like to see how they go about making the song standout. Is it the beat that attracts us? Does the singer's voice gain our attention? Will the creativity in the lyrics be the reason it's in my "Yam Jam" playlist? These are things that I personally look for when deciding if I like a new late night R&B song. They also happened to be the reason why I like R&B singer Devoni Jacob's new single "AFTER12" feat hip hop artist KUR.

When SWV decided to sample Pastorious’ song, they had to find a way to keep certain components of the song, while making it slightly different from the original piece. Jaco Pastorious’ song has no lyrics; therefore, there no vocalist singing or adding sounds to his song.

Beginning at 0:09 in “My Name is”, Eminem uses sample appeared at 2:31 in “I Got the…” as a major rhythm for the whole song. Sampling is one of the most common elements in the hip-hop music. Sampling is the act of using recordings of other music in making new music. In the hip-hop music history, sampling is always a controversial topic legally and musically since sampling relates to the issue of the copyright of the music. Does sampling violate the other musicians’ copyright? Does sampling threaten the innovation of the music? Those questions are the most sensitive debates about sampling. Sampling begins in mid-1970s, when DJs mixed between particular parts of records, especially the breakdowns, to inspire dancers in the party. The technique, such as spinning and scratching the record while it played, can be considered as an early form of sampling in hip-hop music. In the mid-1980s, the primary use of “sampling” as a basis of the beat is a main shift in production. “La Di Da Di” produced by Slick Rick and Doug E Fresh is probably the most sampled song in hip-hop. Sampling has three “layers”, which are the sound, the reference and the intertextuality. The artist may use sampling to refer the older piece’s context or refer to other people’s use of the same sample. There are some famous cases regarding sampling in the hip-hop history. For example, “Pretty Women” produced by 2 Live Crew was sued for using Roy Orbison’s song. As a result, 2 Live Crew won on the basis

According to Merriam Webster’s Dictionary the definition of voice is “the ability to sing.” This is probably the most important criterion because an audience doesn’t want to listen to a song that contains a horrible voice. This song is a perfect example of two amazing voices. Drake, a famous hip-hop and rap artist, and Rhianna, another famous hip-hop artist, sing this song as a duet. Their voices fit perfectly in this song because they both have a serious tone in their voice to relate with the situation the song is addressing. For example, this song couldn’t be sang by two singers that have a high pitch happy voices because the message that is being portrayed is more of a serious tone rather than a happy tone; therefore, these two singers voices fit the part very well.

New York, NY - Wow! It's been nearly 2 years since we were last introduced to the women of T.T.Y.L (The Talented Young Ladies)! JoJo, Rone' & Chelsea have arrived with a brand new anthem, "I Can", a sassy high energy tune that begs for an encore! The single is slowly making its way coast to coast, leaving a lasting impression on program directors and new fans, alike. With the co-sign of their founder, the Legendary Coko from the hit group SWV, T.T.Y.L. is ready to make a major imprint on the World.

Beginning with a steady, and slow build of electrical magic, mimicking a visual representation of lights flicking across one's eyes, "When The Smoke Clears" foundation begins. The track's layers and precise timing of the smallest of sounds is appreciated, heard clearly as the transition from electronic to the psychedelic installment flourishes. Hints of musical delights are trickled towards each build. Bass riffs pulls both vocals into an unexpected groove, noting Rosen's soothing vocals that softens each blow.

Darlene, played in a happy upbeat major key opens with a “one, two, three, four” allegro tempo count-in from John Bonham, which gives the song quadruple meter. Very similar to the take that eventually surfaced on “Coda”, it pummels along in friendly conjunct legato form, live in the studio style. This is clearly a consonant harmony, exemplifying verse and chorus form. Robert Plant’s vocal mix set can be detected after the “Pink carnation and a pick up truck” line. From that point he accompanies Jimmy Page’s delightful fortissimo solo adding, “I don’t care what they say, I love you anyway, I’ll drive you wild .” Like most of these Polar mixes, instead of fading out; the homophonic track grinds to a halt with a tinkling of John Paul Jones’ electric piano played mezzo forte.

R ‘n’ B soul pianist, singer, and mom-to-be (twice-over!) Alicia Keys has just released a new music video for her single “We Are Here.” Just yesterday, she posted a teaser for the new single, as well as Tweets enticing fans to give the song a preview listen and to purchase it off of iTunes in anticipation of her upcoming 2015 album release. Today, she made the music video for the new single public, and will be performing it live for the first time on the The Tonight Show Starring Jimmy Fallon this evening at 11:30pm. The single is a unifying anthem addressing all the negative happenings in the world right now, from Baghdad, to Gaza, to Israel, to Nigeria, to the Chinatowns and Harlems of the world.

Miami based artist, Jeano, has us jumping off with his latest single "Paradise Train." The lyric video is a constant emission of love, while couples and friends, blissfully dance, crooning to the one they love. By the end of the track the video will have filled up your heart 3 times its normal size.