Analysis Of Jhumpa Lahiri 's The Namesake The Question Raises

Imagine the pressure of being expected to follow your culture’s traditions even if you want to rebel and create your own identity. Carrying on traditions can be difficult for many young people who are searching for their identities as they grow up. Two texts, “Life in the age of the mimis” by Domingo Martinez and “El Olvido” by Judith Ortiz, tell about the struggles of losing one’s culture. One shows the reader that forgetting your own roots simply because of being ashamed or embarrassed can really harm you, while the other demonstrates that forgetting your culture for the sake of fame and fortune can also do the same damage.

In her essay “My Two Lives,” Jhumpa Lahiri, an Indian American, explains the balance between the identities of the two countries inside her heart, as well as her psychological struggle between her bicultural identities. She describes herself as an Indian-American because she moved with her family from India to the United States when she was very young. However, confused with her identity through her growth, she feels that she doesn’t belong to either of the two countries because of its completely different cultures. When she is at home, she deals with her parents in an Indian way, which is strange compared to the American way that she come across outside. She says that she has a distinctive identity in spite of her Indian appearance

Gogol grapples with his name throughout the majority of the novel, yet this tension was in the makings even before his birth. Ashoke and Ashima being immigrants set Gogol up to live in two different cultures, American and Bengali. Many children of immigrants may feel like Gogol, having one foot in each world. Gogol framed his struggle with cultural identity through something tangible, his name. In Jhumpa Lahiri’s novel, The Namesake, Gogol’s struggle with cultural identity is exposed most greatly by the name others call him and his reaction to it.

This book depicts the national and cultural status of the immigrant mother, who is able to preserve the traditions of her Indian heritage that connect her to her homeland. Ensuring a successful future for her American-born children is coordinated with the privilege of being an American citizen. Ashima yearns for her homeland and her family that she left behind when

Zitkala-Sa’s autobiography informs her readers of the damaging and traumatizing effects of assimilation by utilizing her life experiences as a narrative, demonstrating how living under an oppressive and dominant culture was an internal struggle between society's expectations and her own cultural identity. Sa’s experience is especially unique considering her mixed heritage as well.

Most people use the phrase,“ home is where the heart is” to describe a home, but without a heart in it you're lost in a world looking for it. In Jhumpa Lahiri’s novel, The Namesake, Gogol is a guy who’s divided between two worlds: his American life and fitting in like a regular everyday American guy, and his family's traditional heritage lifestyle. Along with ...While Gogol refers to home in more than one location along with his relationship with women are relevant to help him search what he is lacking in his life and finding the right place for him is where he wishes not to remember of Pemberton road.

A person has always been able to choose to what extent their cultural experiences affect their perspective. Amy Tan’s, “Two Kinds,” Bharati Mukherjee’s, “Two Ways to Belong in America,” and Robert Lake’s, “An Indian Father’s Plea,” all show how the main characters have chosen to let their experiences have an effect on their cultural identity. A person’s cultural experiences shape perception based on their own identifications and they may chose to assimilate to different cultures.

The American desire to culturally assimilate Native American people into establishing American customs went down in history during the 1700s. Famous author Zitkala-Sa, tells her brave experience of Americanization as a child through a series of stories in “Impressions of an Indian Childhood.” Zitkala-Sa, described her journey into an American missionary where they cleansed her of her identity. In “Impressions of an Indian Childhood,” Zitkala-Sa uses imagery in order to convey the cruel nature of early American cultural transformation among Indian individuals.

Jhumpa Lahiri in The Namesake illustrates the assimilation of Gogol as a second generation American immigrant, where Gogol faces the assimilation of becoming an American. Throughout the novel, Gogol has been struggling with his name. From kindergarten to college, Gogol has questioned the reason why he was called Nikhil when he was a child, to the reason why he was called Gogol when he was in college. Having a Russian name, Gogol often encounters questions from people around him, asking the reason of his name. Gogol was not given an Indian name from his Indian family or an American name from the fact that he was born in America, to emphasize that how hard an individual try to assimilate into a different

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

Forming a new identity in a foreign country is not an easy task. Immigrants usually face challenges to identify themselves. Identity formation is the development of one’s distinctive personality due to particular reasons such as new environment, new culture and conflicts. During the process, some characters from Jhumpa Lahiri’s The Namesake either create or deny the bond with their own culture; some undergo conflicts among generations. Those processes reflect significantly in Ashima and Gogol throughout the book. The degree of assimilations determines to what extent the characters have formed the new identity in the new culture.

In Mira Nair’s film, The Namesake, the disparate cultures of India and America affirms to the binary paradigm of “the one” and “the other”, manifesting the dominance of one from the other and its impact to influence and cause cultural and identity issues. The collision of the two cultures forms a process of trying to construct an identity and a destruction of an ethnic identity, with different factors to consider such as space and other sociocultural codes. This film about the Indian American also shows the concept of model-minority image, standards and expectations imposed to Asian Americans. The Namesake embodies the cultural and identity issues of an Asian American, particularly the Indian Americans, exemplifying the experiences of the

The trend of immigration brings out the issue of cultural identity. The controversy concerning tradition and cultural expectation is becoming increasingly fierce. Is it necessary to change one’s own cultural identity in order to fit the working environment and blend into the new society? How do people’s intrinsic cultural identities affect their new lives? Should the way of preserving cultural tradition be altered? How individuals’ cultural expectation influence their attitudes of redefining traditions? Will redefining tradition result in the loss of the value of the original culture? Andrew Marantz in his article, “My Summer at an Indian Call Center,” recounts his experience taking culture training that he was required to attend in order to work at one of the many call centers in India, discussing the reasons and the consequences of altering one’s own cultural identity. Meanwhile, Julia Alvarez uses the example of Quinceanera, a female coming-of-age tradition known among Hispanic communities, talks about the issue of redefining original tradition and cultural identity. In her article, “Selections from Once Upon a Quinceanera”, she touches on various aspects of Quinceanera, pointing out its pros and cons, extending the meaning of preserving cultures and redefining traditions. Changing cultural habits for certain purposes and redefining cultural traditions bring about the dilemma of cultural identifying. Although cultural assimilation is emerging in the trend of immigrants,

The Ganguli home is often filled with Bengali family and friends, and that provides a support system for Ashoke and Ashima. It makes the Ganguli’s feel like they did when they were in India, surrounded by family. Gogol receives some advice from his aunt before leaving for college. She tells him to have fun, but come home and marry a Bengali woman.

An article written by Kara Somerville in 2008 provides an interesting insight on the issue of transnational identity, and how different factors tend to affect it. Especially the paragraph about the Indo-Canadian immigrants' emotional connections to their both home's offers a good viewpoint on Anil's own process of forming her identity. (p.27) The people interviewed all bring up how