Analysis Of Jia Chien 's Influence On The International Market

There is a linguistic gap between the mothers, who are the first generation of Chinese immigrants, and their American-born daughters. The mothers speak only fragments of English and their daughters speak little or no Chinese at all. So the communication often becomes a matter of translations and leads to misunderstandings. The first misunderstanding with translation is shown when Jing-mei tries to explain the significance of the club’s name,

To many Westerners, the parenting of a Chinese figure would largely be considered as tiger parenting because of it’s growing fame in the media. This style of parenting is generally defined as a child having absolute obedience while being forced to excel in any field of the parent’s choosing. Many would think that tiger parenting is a common practice in Chinese households because of the seemingly successful Asian community. However, not all Chinese homes are centered primarily around academics and instruments. Large works that attribute to giving the Chinese community this dreadful connotation are Amy Tan’s The Joy Luck Club and Amy Chua’s “Why Chinese Mothers Are Superior”. Both the novel and article damages the reputation of Chinese

Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her

“Two kinds” is a story, a Chinese girl whose life is influenced by her mother. Her mother came to America after losing everything in China. Jing-Mei’s mother was immigrated early to America from China who has “American dream”. Her mother had high expectations on her daughter and did not care how it could affect her. It made Jing-Mei become a stubborn and rebellious person. “In the years that followed, I failed her so many times, each time asserting my own will, … for unlike my mother, I did not believe I could be anything I wanted to be, I could only be me. (104) She expressed her anger by going against her mother's expectations in ‘who I am’, it inferred that such tendency come from her childhood experiences. Jing-Mei was frustrated because she could not satisfy her mother.

Over there nobody will look down on her, because I will make her speak only perfect American English.  And over there she will always be too full to swallow any sorrow!  She will know my meaning because I will give her this swan- a creature that became more than what was hoped for.”  (Tan 1)  The culture in China the mothers of Joy Luck dealt with was unlike anything their daughters could ever imagine or appreciate. Between the mothers Lindo, Suyuan, An-mei and Ying-ying, the Chinese culture forced them into being married by a matchmaker, giving up babies, witness desperate attempts to save loved ones, and having an abortion.  In many ways the Chinese culture scared each woman, although they were proud of their heritage, their daughters deserved better.  These four mothers had very high hopes for the better lives that they wanted to give their daughters by raising them in America.  They didn’t like or want to have their daughters looked down upon, just because they were Chinese women.  From each of their own experiences, they learned that they wanted to improve the lives of their following generation.

The story is around an American-conceived Chinese lady, Jing-mei, who goes to China to meet her twin stepsisters that her mom was compelled to relinquish numerous prior years. Since her mom had passed away just a couple of months prior, the meeting is full of vulnerability and bitterness. Jing-mei battles with self-character issues and what it truly intends to be Chinese. En route, she takes in reality about the reasons her mom deserted her sisters and the significance behind their names. At last, she at last associates with her sisters and makes the passionate association with her Chinese legacy.

In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American,

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

The biographical connection that the author “Amy Tan” draws in her short story “Two Kinds” with her main character Jing-mei, crosses in more than one side. First of all, they both are Chinese American whose struggle in their identities with their Chinese immigrant mothers. “Due to a cultural conflict and lack of proper understanding of each other’s perceptions” (Priya 1), and as a big gap developed between the two daughters and their two mothers, in which resulted a complex relationship between them.

Helen declares that “Chinese people don’t do such things” and suggests that neither the woman nor Old Chao are actually Chinese (168). For the Chang family, their nationality and identity is so intertwined. Theresa’s family’s misconceptions are a catalyst for Theresa giving in to her own yearnings. This is a turning point for Theresa because “the censure of her family was like a hard shell under which she found a certain freedom” (173). No longer does Theresa censor herself to appease her family and live up to their expectations.

“Rice Husband” is one example were the influence of a new and different culture can change the perspective of a situation. This chapter let us see the struggle that one of our character Lena St. Clair is trying to hide her mother the future divorce that she has to face. In her mother belief she sees this a dishonor and bad luck for the family. The past, also have a main part in this book, Suyuan Woo is a perfect example of this.

Because of her inability to answer this question, June feels a sense of guilt for constantly pushing her mother away and refusing to accept her into her life. By pushing away her mother, she metaphorically suppresses her Chinese identity and culture as well. Eventually, June accepts the task through a simple statement, “I will tell them everything” (Tan 41). By deciding to travel to China in her mother’s place, June can apologize for her past behaviors through the act of completing her mother’s grandest and final

This education, seen from the other side of the cultural gap, is what makes Lena see her mother as a weak person. Lena has a job, an American husband, she lives an American life, unlike her mother, who is attached to weird old disused Chinese traditions. But she herself is not happy, as her mother can see. Her husband is not as good as he might be: he exploits her, paying her a too low wage, never recognizes her contribution to their success as architects,... On the other hand, Ying- Ying marriage, although imperfect, is based on firmer grounds of respect and goodness towards each other than that of Lena.

Many issues are addressed in Shanghai Girls. The main one is the social and political conditions of Chinese people at the time (1930-50’s) living in the United States, and how difficult it was for them, especially for women, to find their place. Another important issue is the importance of the family, more precisely the role each member plays and how they must obey the patriarch.

The parallel of being successful and famous is symbolized in the character Shirley Temple, a 1960’s white television child that became popular from her acting and cute appearance (ENG 114). The pianist to Mrs. Woo becomes the perfect representation of her American dream and assurance that it is possible for immigrants to become prosperous. Jing-mei is seen in the story rebelling against her mother by invoking her “own will, [and] right to fall short of expectations” (240). This characterization is equivalent to American individualism that employs the principle of favoring freedom of action for the individual over the collective, or in this case for Mrs. Woo. These opposing values continuously clash and create distance within the mother and daughter relationship. The immigrant expectations of success for a better life in America coupled with American values of freedom and individuality provokes and sustains the rift in the family’s bond.