Analysis Of Joe Garland's 'In The Mood'

Throughout several years, numerous genres of music have been created and evolved, such as contemporary, country, pop, and more. One genre, in particular, has greatly influenced the world and still remains popular today. This renowned genre is jazz. Although jazz originated in the late 19th and early 20th century, the genre has continued to develop and influence other aspects of music. With its beginnings in African American communities, jazz features several distinguishing components and defining qualities. Along with jazz’s many influences and unique features, the genre also includes a variety of leading musicians.

For this analysis on Louis Armstrong’s West End Blues, I am going to concentrate on Louis Armstrong and how influential he was in the birth of Swing. He was extremely innovative in the way he played his instrument. Louis Armstrong had a brilliant trumpet sound. His power, range, and his rhythmic approach are all trademarks of his playing in the 1920s and 1930s. West End Blues is still considered one of the most influential and classic pieces in the Jazz Industry. I will explain why by breaking down the song utilizing the five elements of music; form, harmony, texture, melody, and rhythm.

Thesis: Although Jazz music was first introduced over 80 years ago, the genre still influences artists and the new music they make to this day.

In the film "Lean on Me", Joe Clark, a fictional version of the real Mr. Clark who was the principal at an inner-city high school in Paterson, New Jersey, is the ultimate example of an authoritarian leader. In the movie, Clark approaches his job at a decaying academic setting with single-minded goals: to clean up the school, physically and academically, in order to help the students who have potential to graduate and to get rid of the ones who are destined to fail, according to his perceptions. Clark 's leadership style has been both widely praised as successful and a model for similar such schools, and has also been criticized for its bullying tactics. This paper will discuss Clark 's methods of leadership, his style and tactics as

From its inception, Jazz has applied both innovative approaches in different degrees and boundless configuration. And has continually amplified, progress, and modify music through various distinctive episodes of growth. So, an all-encompassing denotation of jazz is likely vain. Additionally, jazz as a music whose prime attribute was “improvisation,” for example, revealed to be too regulated and chiefly false. Meanwhile composition, adaptation, and ensembles have also been imperative constituent of Jazz (for most of its backstory). Furthermore, “syncopation” and “swing,” often viewed as important and distinctive to jazz, are certainly lacking the genuineness of it, whether of the 1920s (or of later decades). However, the prolonged perception that swing could not transpire without syncopation was utterly refuted when trumpeter Louis Armstrong often produced vast swing while playing repeated, and unsyncopated quarter notes (Armstrong, L., Fitzgerald, E., & Middleton, V. (1988). Satchmo. Gong.)

Picture this: the year is 1926 and you are walking down the street in downtown Chicago. You pass a crowded club, where you hear the upbeat and speedy rhythms of music pouring out. The sound consumes you, fills you with joy, and persuades you to dance. You walk into the club to find numerous people swinging and tossing themselves around each other, enjoying the fast-paced and boisterous music. This is the appearance of jazz music, and in the early 20th century, jazz music swept the nation. With artists like Jelly Roll Morton, Joe King Oliver, Sidney Bichet , Louis Armstrong and Duke Ellington, jazz filled the souls of Americans, promoting a free and fun lifestyle. Although these artists had different beginnings,

I attended a Jazz Recital presented by faculty on March 9th 2016 in Marlboro Hall 1076. The recital was performed by Bobby Muncy, Gene D’Andrea, Shaun Jurek, Andrew Hare and Dr. Nakia Verner. The group performed the following songs, Donna Lee composed by Charlie Parker, Wave composed by Antonio Carlos Jobim, Misty composed by Erroll Garner, Another Song(For All The Pretty People) and Impressions composed by John Coltrane. In my essay I will discuss Impressions composed by John Coltrane.

During the early 1900’s, a new style of music began to take shape in the colorful city of New Orleans. People from all over the world came to exchange stories, conversation, and music. Although it is a very hard genre of music to define, it is said that Jazz is the combination of European and African music that was brought in via the ports. With mostly an African American population, the musicians shared their music in Storyville - a cultural melting pot, and began to spread the “New Orleans Sound”. They contributed to what would soon be known as Jazz in 1917. The spontaneous nature of Jazz’s syncopation and sound makes it a very humanistic style of music and makes every performance original. Every day we improvise, whether it is in conversation or spur of the moment decisions. These truly unique elements caused Jazz to become a symbol of America, and changed music forever.

One of the greatest tragedies in the 20th century can be seen in the debasing of the Jazz genre as a unworthy equal to it's predecessor, European Classical music. This can be seen in various statements about Jazz, such as Boris Gibalin commit, "The "Jazz Mania" has taken on the character of a lingering illness and must be cured by means of forceful intervention."1 This conflict can be traced through out the history of Jazz, as Classical composers have relatively disregarded this new type of music. Before Duke Ellington's Cotton Club performances, Jazz play on the radio was delegated for late night audience only. This sub-culture treatment has led many critics to disregard the Jazz movement as a dance craze, or unsuccessful recreations

One of the most iconic happenings in this age was the creation of jazz. Jazz had always been popular in night clubs in the south but during the great migration, jazz was brought to the north. After just a few weeks, jazz was the new fad and everyone was playing it. “Jazz flouted many musical conventions with its syncopated rhythms and improvised instrumental solos…improvisation meant that no two performances would ever be the same…” (The Decade That Roared, page

Ellington had the ability to take the genre of Jazz to another level. This was a popular genre in 1920. It was a style of music that was consisted of an upbeat rhythm. A verse of the song says “It don’t mean a thing if It doesn’t got that swing.” This appeared to have a hidden message. Swing is sometimes interchangeable with Jazz. This song became popular in the swing era. It was clear that his band selection was not something Ellington to for granted. His band was in sync with his vision. They played at the proper tempo, the musical structure flowed with the lyrics. The melody of it don’t mean a thing is moving. It is a hand-clapping and toe tapping melody. The skips and leaps in the melody were in sync. As a listener, it felt like the sound of swing music. There was clarity in the musical dynamics. There was never a monotonous

During the time of the bustling 1920’s a new movement in American culture was booming. As the great migration was rapidly growing, new ways of expressing emotions were blossoming into a revolutionary movement. This movement of the “New Negro,” also known as the “Harlem Renaissance” was quickly coming into the light of society, exploding in the Harlem neighborhoods of New York City as artistic ideas took turns that nobody could ever imagine. Among these new creations of artistic creativity the most prominent was the clear transformation that music went through during this time. Boundaries were beginning to break in society as well as in music as rules were being broken and new forms of music were simmering, thus, Jazz was born.

Jazz is consider one of the most influential types of music an America History. Some of the greatest artist in the world have contribute to the success jazz have had not only on America History but throughout the world. This paper will explain the history of jazz, where it all came from and the effect it has had on the America Culture.

The mystery of Jazz and its powerful impact on the music community can be explained largely by the context of it’s creation. Jazz was born in the United States, and because of this, many have referred to Jazz as “America’s music.” Like America, Jazz has a balance between structure and spontaneity. It capitalizes on the fluidity of the musicians, having several different instruments with independent spirits, coming together as one to form a great piece of music. Unlike other styles of music, Jazz has a certain way about it that makes it stand-alone in the world of genres. It improvises, moves, and transforms itself in a moment’s notice based on the musician’s intuition. Just as America harbors democracy, so too does a jazz ensemble, showing both the responsibility to a larger group, yet still allowing room for individual freedom. It all comes down to how well others can respect the overall framework and structure of the jingle.

One of the most important components for the movie is aesthetic. The reason is that aesthetic can create atmosphere and mood. Especially, one of the most famous Hong kong director Wong Kar Wai, who direct In the mood for Love (2000) put many elements of Aesthetic such as Mise en scene, sounds and cinematography. Aesthetic is an essential factor to construct a character, and create mood. Especially Wong Kar Wai has unique aesthetic to elicit emotion. “” Those components can bring audience to the movie. In this essay, I will argue that the subject of heartrending but romantic narrative has been depicted through the two components which are mise en scene, cinematography and sound. This will be done by analyzing every scene, followed by analyzing each element of the film aesthetic.