Analysis Of John Donne 's ' Batter My Heart, Three Person I God '

— It is Christianity To Do Good always — even to those who do evil to us. It is Christianity to love our neighbour as ourself, and to do to all men as we would have them Do to us. It is Christianity to be gentle, merciful, and forgiving, and to keep those qualities quiet in our own hearts, and never make a boast of them, or of our prayers or of our love of God, but always to shew that we love Him by humbly trying to do right in everything. If we do this, and remember the life and lessons of Our Lord Jesus Christ, and try to act up to them, we may confidently hope that God will forgive us our sins and mistakes, and enable us to live and die in Peace. [The Life of Our Lord, Ch. 11, p. 474 of The Everyman

Christian ought to examine himself and seek to bear his own sins. As motivation to do good, Paul

God has become angry with his people. He complains in the fifteenth century English play Everyman about humans and their obsession with material items, riches, and wealth. Men and women, he feels, have taken for granted their blessings. God wants to reprimand Everyman for his sinful life and sends Death to summon him. At the beginning of the allegorical work where figures and actions symbolize general truths, a messenger shares God’s concerns. The messenger tells the audience to watch and listen closely to the morality play so they can learn a lesson about life. Everyman fears Death, and he desires to know what one must do to earn salvation and enter heaven. The writer then implies that the way to achieve salvation is by doing good works.

Believers should leave behind further thought about Christ and to instead, focus on his teachings of good morals. “He bound the strong man, and set free the weak, and endowed His own handiwork with salvation, by destroying sin, [pg.

To this day John Donne is still considered to be one of the greatest love poets from England. He was born to a Elizabeth Heywood and John Donne, some time between January 24th and June 19th in 1572. His mother Elizabeth Heywood was the youngest of her siblings and the grand-niece to the Catholic Martyr Thomas More. His father John Donne was a prosperous London merchant, but his actual father died when Donne was only four and was believed to be a descendant from an ancient family in Wales. The family was Roman Catholic and this was a very anti-catholic period in England and this would greatly affect Donne in many ways throughout his life.

In his first quatrain, Donne approaches “Death” as if it was standing in front of him. In a defiant tone, he tells him “Death be not be proud…” (1). He builds his defiance by telling “Death” that, in spite of what others may have told him, he isn’t “mighty” (2) or “dreadful” (2). The sarcasm climaxes as Donne tells “Death” the reality that those whom he thinks he has slain really aren’t dead, nor can “Death” slay this

Donne begins his fifth Holy Sonnet by utilizing a strong literary tool: a metaphor. He compares himself to the Earth saying, “I am a little world made cunningly / Of elements and an angelic sprite” (Donne 1-2). Donne states that he is “a little world made cunningly”, implying that he is whole, he is complete like the world is full. The word cunningly is intentional as it also means artfully, just in the same way God is often described as he made us and all creatures. The following line he describes his creation further, stating that he is made “of elements”. This is to say that he is made up of all things, as elements are just pieces which together form a greater whole. Amongst his elements is also something of another kind, “an angelic spirit”. This angelic spirit describes the part of him that reflects his creation by God, his strong faith to his faith, and fills his body with life, a soul. This is a strong parallel to a famous story of the Holy Book of Donne’s faith: The

Donne transformed the love poetry he wrote in his early days, beginning in 1617 with the death of his wife Anne More, to religious poetry with a strong sense of awareness of death and its import. This poetic development from classical poetry to more personal poetry reflects the events that marked his own life, and can be traced throughout his poetry. This kind of personal and thereby

Donne's purpose is clear: he is writing to convince himself and society that no matter what denomination one chooses to adhere to, they are all seen as one under the eyes of God. He concludes the

In “Holy Sonnet 14” by John Donne, dramatizes the conflict between contradictions and a relationship with God.

Donne even goes so far as to command God to destroy the person he has

By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.

By using metaphysical conceits in "A Valediction: Forbidding Mourning," Donne attempts to convince his love (presumably his wife) that parting is a positive experience which should not be looked upon with sadness. In the first stanza, Donne compares

John Donne automatically tells us who the speaker is addressing in his poem “Death be Not Proud”; death. The speaker uses apostrophe and addresses death, an abstract idea, as if it were a person. The poet pretends that death is capable of understanding his feelings, as he informally confronts death and belittles him, and tells death to not be arrogant because even though some have called him mighty and fearful, he is not. People call death these things and fear him so much for no reason, because even though people think that he kills, the people he’s taken are not really dead. The speaker states that “Poor death” cannot kill him either, he’d simply be giving him more pleasure than he would get from resting and sleeping.

I shall now talk about how religion relates to Donne’s poetry. His life passed during a major change of religion in England the king wanted all control of the church so he could divorce his wife, he declared himself head of the Church of England. My first poem that relates to religion is ‘The Flea’ in this poem Donne is trying to convince a woman to sleep with him by using religion to sanctify him sleeping with her for example when he says ‘Where we almost, nay more, than married are…our marriage bed, and marriage temple is[2]’, he makes the bed seem holy and that g-d wants them to sleep together this may of reassured her as it connects g-d and the church together to make everything alright and holy . This poem proves that Donne is a very