Analysis Of John Gardner 's ' The And The Brave Universe '

Gardner’s Grendel is a novel containing twelve chapters which is parallel to the battle between Grendel and Hrothgar, the signs of the zodiac and the months of the year. These astrology references emphasize life’s cynical nature along with the inevitability of life.

The tone of the author is bitter. “In a billion billion billion years, everything will have come and gone several times, in various forms. Even I will be gone. A certain man will absurdly kill me. A terrible pity—loss of a remarkable form of life. Conservationists will howl (Gardner 70). This simply shows that Gardner can be cruel but intellectual. The author’s voice is suitable for the novel and gives me a sense of the place it’s set. The setting is calm and tranquil but has his own uniqueness that differs from what a typical novel’s setting. In comparison, the world that I live in is similar in terms of the four seasons that they experience every year but it also differentiates from the setting in Grendel. Gardner’s writing style is blunt and clever. “It was a cold-blooded lie that a god had lovingly made the world and set out the sun and moon as lights to land-dwellers, that brothers had fought, that one of the races was saved, the other cursed. Yet he, the old Shaper, might make it true, by the sweetness of his harp, the cunning trickery. It came to me with a fierce jolt that I wanted it... I wanted it, yes! Even if I must be the outcast, cursed by the rules of this hideous fable (Gardner

In the novel, Grendel by John Gardener, Grendel is a human-like creature capable of rational thought as well as feeling emotions. Early on in the story Gardener depicts Grendel as being very observant, critical and somewhat spiteful of the world around him. He describes himself as a murderous monster who smells of death and crouches in the shadows. Grendel watches the humans from the shadows of the trees and at first it seems as though they are the real monsters, slaughtering and pillaging all for the sake of their leaders and for power. This light that the humans are put in gives Grendel a certain charisma about him, making him seem like the one to side with in this novel. Later in the story, however, things change. Grendel seeks out the

John Gardner’s novel “Grendel” can be characterized as unique, to say the least. His portrayal of the illustrious “shadow stalker”, Grendel, must be carefully considered throughout the book. Although readers are able to sympathize, as well as relate, to this terrifying monster, he must still be classified as evil, given his destructive and corrupt tendencies. Because of his harmful actions, Grendel faces the worst punishment of all, as he is forever an outcast from the human society.

The story of Beowulf is a heroic epic, chronicling the distinguished deeds of the great Geatish warrior, Beowulf, who travels across the seas to rid the Danes of the evil monster Grendel, who has been inflicting destruction and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land fiendish monsters and stopping the scourge of evil, while the monster, Grendel, is portrayed as a repugnant creature who deserves death for its evil actions. However, many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel, sets out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms Grendel, once perceived as an evil fiend in Beowulf, into a lonely but intelligent outcast who is actually quite similar to humans, due to his intelligence capacity for rational thought and his real, and at times irrational emotions. Gardner portrays Grendel as a hurt individual and as a victim of oppression, ostracized from civilization. Although the two works revolve around the same basic plot,, the themes and characters in Beowulf and Grendel are often different and sometimes contradictory.

Although he describes her as a “life-bloated, baffled, long-suffering hag” (11), Grendel realizes that “she would gladly have given her life to end my [his] suffering… with useless, mindless love” (102). He also believes that “she must have some human in her” (11), furthering Grendel’s character as one that derived from humankind at the very least. The novel acts as a witness to the fact that Grendel did have a childhood. Although his childhood brought on some struggles, this is a part of all life, including that of people. He finds his purpose in life when “at an early age [he] is forced to deal with a brutal and meaningless reality” (Butts) and he begins he finds his purpose. Throughout Gardner’s novel, Grendel tries to learn “how best to deal with the world” (Butts). As Grendel grows up, he learns from and is influenced by many different people who act as his teachers and role models. These interactions are Grendel’s closest alternative to the relations that the average human has. Grendel has three unique influences in his life: his mother, the Shaper, and the dragon. Grendel views his mother with disgust and she provides the inspiration and motivation for him to do better with his own life. The Shaper’s influence brings out Grendel’s ability of

In the beginning of the book when Grendel was a small child, he was incredibly lonely but due to the nievnuss of his youth fills his world with imaginary friends. In chapter @#$ he states “Crafty-eyed, wicked as an elderly wolf, I would scheme with or stalk my imaginary friends, projecting the self I meant to become into every dark corner of the cave and the woods above”. This illustrates the alienation that Grendel feels by giving insight to the companionship that he so greatly desires. Imaginary friends can serve a very important role in a social world such as the world Grendel lives in and even the world we live in. As an example a quote by “Psychology Today” states “ Alienated young children often in boarding schools have a tendency to develop imaginary friends to cope with extreme stress or separation. Another quote from chapter one of Grendel states “Not, of course, that I fool myself with thoughts that I'm more noble. Pointless, ridiculous monster crouched in the shadows, stinking of dead men, murdered children, martyred cows. (I am neither proud nor ashamed, understand. One more dull victim, leering at seasons that were never meant to be observed.) "Ah, sad one, poor old freak!" In this moment Grendel shows his firm internal view of himself that he is and always will be an outsider, he's a freak of nature, a creature that has no business existing at all, and therefore does not deserve to be part of the

Early in the novel, the reader’s perception of Grendel is barbaric. Gardner writes, “ Similarly, in Gardner’s society at the time, the greater population was very narrow minded in refusing to acknowledge black people’s humanity. Grendel has grown up as a monster, and as a result, he has endured constant mockery and abuse: “And so being the twelfth year of my idiotic war. The pain of it! The stupidity!” (Gardner

Grendel’s encounter with the bull marks his initial understanding of the world; he realizes the universe provides no definite meaning to living creatures, as it is very isolated and mechanical. During Grendel’s earlier life, he accidentally gets his foot stuck in a tree. No matter how hard he cries for help, no one, not even his mother, comes to his aid. This makes him feel distanced from the rest of the world as he thinks he is not important enough to be cared by anyone. Furthermore, a bull comes to attack him and shows no sign of empathy to Grendel but rather charges at him mindlessly. He finally understands that

In John Gardeners Grendel Kennings, existentialism and metaphor are used to highlight Grendle’s isolation and clearly establish a central idea that isolating one’s self leads to self destruction. Throughout the novel these literary techniques help Gardener to establish the idea of an already corrupt mind, collapsing around the edges. As the novel progresses the energy created intensifies and allures the audience.

"The mountains are what I define them as.... What I see I inspire with usefulness... and all that I do not see is useless, a void." [28-29] Grendel then sees that the world is how he views it, and his senses make up everything: reality is dynamic. This important conclusion leads him to begin to look around him and form thoughts and opinions on all that he sees, as well as placing him at the first step down the road of the cynical death he suffers. His first impressions

In Grendel by John Gardner, the author establishes a dark and somber mood in chapter nine through his use of syntax. In the beginning of chapter nine, Grendel promotes a dark mood while observing the humans, made clear by his constant use of death-related words. The chapter itself begins with Grendel's depressing statement that "December, approaching the years darkest night, and the only way out of the dream is down and through it" (125). On the surface, his statement doesn't seem too dark, but under closer scrutiny it is clear that Gardner specifically utilizes concepts that are typically considered negative; "darkest night" and "down and through it" both hold a dark and foreboding connotation that makes it clear that Grendel seems to be

In the work Grendel by John Gardner, Grendel says, “The world is all pointless accident. I exist, nothing else” (28). This quote demonstrates Grendel’s nihilistic view in the novel. Nihilism is defined as the view that rules, morals, laws, and religion are pointless because they are man-made, as well as existence in general being pointless. Along with nihilism, Grendel has sarcastic and cynical perspectives of life. These views on life are a reaction to the events that he lived through as a monster. The effect of these events therefore results in his actions that express his views of his life and life around him. Throughout the novel, Grendel expresses a nihilistic, cynical and sarcastic point of view of life for several reasons.

As I sat in the desk of my afternoon class, “Intro to Philosophy 1101,” I longed to be outside with my fellow colleagues enjoying the winter air as it turned to spring. Instead of sitting on the grassy lawn, I sat confined behind the jail-resembling cinder block walls of the classroom. My professor’s lesson contradicts the atmosphere of the classroom as she mumbles about, “Existentialism” and how it is “a philosophy emphasizing individual existence, freedom, and choice that influenced many diverse writers in the 19th and 20th centuries.” (Funk & Wagnalls 1.) At the time, I did not notice a significance to the lesson, but while reading pieces of literature in English, I understand the purpose of existentialism and how apparent it is in written works. Writings such as “Raj Bohemian,” “The Lottery,” and “Good Country People” all show evidence of an attitude of choice. The term itself suggests one major theme: the stress on the concrete individual existence and, consequently, on subjectivity, individual freedom, and choice. (Funk & Wagnalls 1.) The use of existentialism shapes the characters’ such as the Narrator in “Raj

Existentialism, a philosophical ideology conceptualized by Jean-Paul Sarte, encapsulates most thought processes where “the individual is obliged to make a choice as though he were choosing for all mankind” (Arnold, “Jean-Paul Sarte: Overview). Put simply, Sarte’s concept of existentialism is the thought process by which humans find themselves existing, and the analysis of their existence itself (Tulloch, Sartrian Existentialism). This analysis of existence found itself in many writings during the twentieth century, and acts a driving force in both Bishop’s “In the Waiting Room” and Lispector’s “The Daydreams of a Drunk Woman”.