Analysis Of John Misto's The Shoe Horn Sonata

Well-known nonfiction author Laura Hillenbrand, in her best-selling biography, Unbroken: A World War II Story of Survival, Resilience, and Redemption, describes the chilling reality faced by those living in Japanese prisoner-of-war camps. As the title suggests, this is not the typical World War II tale of hardship that ends in liberation; rather, it follows the main character, Louis “Louie” Zamperini, through his childhood, Olympic performances, and military career leading up to his captivity, as well as his later marriage and many years of healing. Hillenbrand's purpose is to impress upon her readers the scale of this tragedy as well as remind them of the horror that so many nameless soldiers endured. She adopts an emotional yet straightforward tone in order to get readers to sympathize with the characters and truly understand what they went through. To do so, she manages to make the unique story of one man represent the thousands of others going through the same tragedy.

In the essay “The Scar,” the author Kildare Dobbs reports the parallel stories of Emiko; a young Japanese girl and Captain Robert Lewis; a U.S. army Captain harrowing events of Aug 6/1945 in Hiroshima, a day that forever changed their lives. Emiko, a 15 year old “fragile and vivacious” Japanese girl lived an hour’s train ride away from Hiroshima, in a town called Otake with her parents, her two sisters and brother. At that time, her youngest sister was extremely sick with heart troubles, her 13 year old brother was with the Imperial Army and her father was an antique dealer. Emiko and her 13 year old sister Hideko traveled by train daily to Hiroshima to their women’s college. Captain Robert Lewis was the co-pilot of the Enola Gay, a U.S.

The topic of war is hard to imagine from the perspective of one who hasn't experienced it. Literature makes it accessible for the reader to explore the themes of war. Owen and Remarque both dipcik what war was like for one who has never gone through it. Men in both All Quiet on the Western Front and “Dulce Et Decorum” experience betrayal of youth, horrors of war and feelings of camaraderie.

Some of the soldiers were such cowards that they injured themselves just to be taken away in a helicopter and extracted from the war scene. The soldiers “spoke bitterly about guys who had found release by shooting off their own toes or fingers. Pussies, they’d say. Candy-asses” (22). However, deep down inside, the soldiers who did all the mocking “imagined the quick, sweet pain, then the evacuation to Japan, then a hospital with warm beds and cute geisha nurses” (22). The soldiers even dreamt at night about freedom birds. The men were flying on a “real bird, a big sleek silver bird with feathers and talons and high screeching… The weights fell off; there was nothing to bear” (22). The soldiers did not want to be at war, they imagined to themselves “It’s (the war) over, I’m gone!—they were naked, they were light and free” (22).

The perception that all representations are limited in perfectly conveying the absolute past due to the subjectivity and specific purpose of the composer is an acknowledged idea drawn from post-modernist beliefs. In both Mark Baker’s The Fiftieth Gate and Art Spiegelman’s Maus, composers represent past events through making particular choices to communicate the interplay of both history and memory in order to gain a deeper understanding of the past as relevant to one’s identity in the present. Both texts are able to achieve an emotive representation of the Holocaust through memory to gain a deeper subjective understanding of their personal Jewish identity rather than to seek the conventional objective truth. They also successfully demonstrate the value of including historical validation when representing the Holocaust in gaining deeper understanding of how their past shapes their identity.

O’Brien’s unification of fact and fiction is to illustrate the idea in which the real accuracy of a war story is less significant than storytelling. The subjective truth about what the war meant and what it did to change the soldiers is more meaningful than the technical details of the

It’s no surprise that soldiers will more-than-likely never come home the same. Those who have not served do not often think of the torment and negative consequences that the soldiers who make it out of war face. Erich Remarque was someone who was able to take the torment that he faced after his experience in World War I and shed light on the brutality of war. Remarque was able to illustrate the psychological problems that was experienced by men in battle with his best-selling novel All Quiet on the Western Front (Hunt). The symbolism used in the classic anti-war novel All Quiet on the Western Front is significant not only for showing citizens the negative attributes of war, but also the mental, physical, and emotional impact that the vicious war had on the soldiers.

Distinctively visual texts use a variety of techniques to convey the experiences during the war. In John Misto’s 1996 play ‘The Shoe-Horn Sonata’ which is about women nurses enduring Japanese POW camps, such distinctive experiences as power and survival are shown through techniques like lighting, projecting image, sound, symbols, dialogue and body language.

The Shoe Horn Sonata provides an insight into the lives of two women who were made prisoners of war by the Japanese and explores the little known and horrific conditions and events the women endured. With the use of distinctively visual techniques, John Misto brings Bridie and Sheila’s experience vividly to life. Through the use of projected images, sound, music and symbolism; the horrors of war, survival and resilience are portrayed throughout the drama.

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

Memoirs of war often reflect the positive or negative experiences endured throughout battle. Considered by many to be one of the best memoirs of World War I, Hervey Allen’s “Toward the Flame”, recalls his own experiences of battle. His recollection of events shows that he had a negative image of war and that there was nothing glorious about it. What started out looking like a man’s greatest adventure turned into a shell-shocking reality that war is actually horrible and trying. Allen’s experiences with consistent hunger, mustard gas, and artillery shellings led to his disillusionment with war, and left him with a permanent hatred of battle.

Mary Matsuda Gruenewald, Looking Like the Enemy: My Story of Imprisonment in Japanese American Internment Camps

“Hello mother, father, this is your Louie talking. This will be the first time in two years that you’ve heard my voice. I am now interned at a Tokyo prisoner of war camp and I’m being treated as well as can be expected under wartime conditions.” As a viewer we can see the look of pure disgust and longing upon Louie’s face. It was evident that he wasn’t eager to read what was prepared for him as it depicted a false perception of what his wartime conditions were truly like. The fact that he had to make it seem like he was well when in fact he was anything but. I am now able to understand that what those in society often herd about their captured soldiers was quite often incorrect. The enemy wanted to portray an image that hid the true conditions and circumstances the American soldiers were subject to. I not only found this film inspiring as it showed the resilience American soldiers had whilst confined in the prisoner of war camps but also found it interesting as it showed the truths of war so vividly in way that could never be achieved through the use of written words. As a result of this film I am able to see how much we owe these men for our freedom, we were never truly able to appreciate the sacrifice made by those men and women until viewing this incredible film. They went through so much to ensure the freedom of many generations to come and if it wasn’t for these men who knows what our lives would be like today.

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.

As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.