Analysis Of Judith Wright 's ' Asiatic Drinker ', Remittance Man And Sanctuary '

White Australians state “shame when [their] kids they die from colds or from sheer neglect. Shame when [they] live on the river banks. While collectin' [they’re] welfare cheques. Shame when [they’re] blind from trachoma. Shame when [they’re] crippled from blights.” The rhyming scheme in the stanza makes poem flow seamlessly constructing a conversational tone as if the narrator is speaking directly to the audience. This feature purposefully lulls the reader into agreeing with the white Australia’s arguments as it constructs an image that the Indigenous people are refusing to integrate themselves with modern society and suffering the consequences of those decisions. The mention of welfare cheques also contribute to the perspective that white Australians are attempting to mend the lives of Indigenous individuals, however this could not be further from the truth and message of this

Bruce Dawe is one of the most inspirational and truthful poets of our time. Born in 1930, in Geelong, most of Dawe’s poetry concerns the common person – his poems are a recollection on the world and issues around him. The statement ‘The poet’s role is to challenge the world they see around them.’ Is very true for Bruce Dawe, as his main purpose in his poetry was to depict the unspoken social issues concerning the common Australian suburban resident. His genuine concern for these issues is

His resolve to rise above his broken beginnings persisted while many other black people essentially ceded power to the dominant white population. He was never afraid to question what shaped his life, despite opposition, and he started with his lack of sustenance. Physical hunger was a critical factor in Wright’s existence that underscored his actions and gave weight to Black Boy.

Gilbert’s poem portrays many Aboriginals plight’s within Australia and conveys notions of despair, anguish and anger for his fellow Aboriginal comrades. Again, Gilbert uses strong visual imagery in “the anguished death you spread” which helps convey the persona’s feeling of horror and anger at the Europeans. This is further emphasised through the poet’s vehement and repetitive use of second person pronouns in “you” which conveys a sense of blame and accumulates into an accusatory tone and generates a strong sense of detachment between the author and the European settlers. Furthermore enjambment enhances the accusatory tone in “you pollute all the rivers and litter every road” because the lack of punctuation and pauses makes the lines sharp and quick, creating a sense of anger in the author. In addition the author’s use of metaphors in “humanity locked in chains” creates a sense of struggle and inability to escape the oppression the Aboriginals are in, whereby the word “chain” is symbolic for trapped and lack of freedom. Kevin Gilbert’s emotional poem brings light to the pain and suffering Aboriginals are going through, which is a stark contrast to the image of Australia, being a free and accepting

Claudia Rankine’s Citizen contains a number of intricate images usually following a story within a section of the lyric. Using the context of the story, one is able to perceive his or her own meaning for why the image was included. The images provoke thought and emotion in many different ways. While an image may seem sad to some, others may decipher a positive or progressive view of their own. The true beauty of these images alongside their text is that they will bring forth a unique response from each and every reader.

The poet Oodgeroo Noonuccal, draws the realistic image of the confronting realities of alienation and displacement of Indigenous Australians. It is because of such experiences that has empowered Noonuccal to express and advocate learning from experiences by positioning the audience to view the horrors that occurred, creating a platform for her poetry. Through the emphasis of identity, it allows the audience to deeply connect with the past, determining and illustrating a profound link between the ancient past and contemporary present. Oodgeroo’s deep connectivity with art and poetry highlights the importance of learning from experiences, for not only the Aboriginal culture but, for all cultures, and that colonisation does not destroy self-identity. Through the poems The Past and China…Woman, it has allowed the individual to promote change, encouraging the survival of cultures through learning from past experiences

Robert Gray is an Australian poet whose work is closely linked with nature. He grew up in the post ww11 era, and lives on the north coast. The poems ‘The Meatworks’, and ‘Flames and Dangling Wire’, express how he feels about life, his experiences and his beliefs. His poetry has such an enduring nature because it can be understood in so many different contexts, and includes universal themes which remain relevant to societies past, present and future.

Bruce Dawe, an Australian known poet, born 1930 is still one of the biggest selling and most highly regarded poets of Australia. His ability to write such influential poems has made an impact on a number of people, as each poem can be related to the ordinary living lives of Australians throughout the years. Bruce Dawe's poems are interesting because they comment on the lives of ordinary people. This statement is agreed on. In relation to the statement, three key poems can be linked being Enter Without So Much as Knocking (1959), Homo Suburbiensis (1964) and Drifters (1968).

Donald Bruce Dawe was born in 1930 in Geelong, Victoria, Melbourne, he is one of the most successful and prolific contemporary poets of Australia. He struggled with his studies, leaving school when he was sixteen, working as a gardener and postman. In 1954 he entered the University of Melbourne. He grew up in a household where his father, a farm labourer, was often unemployed and absent from home. The poem ‘Drifters’ by Bruce Dawe should be selected for the prestigious honour of ‘Best Contemporary Australian Poem’ as it is a realism poem, describes Australian lifestyle felicitously, which lead the Australian contemporary audiences easily fall in the poem and deeply engraved in their mind. Bruce Dawe drifted

Douglass and Wright both experience similar reactions to their newly gained knowledge. After finding access to a library, Wright begins to read and learn more about different perspectives and the way others think. He eventually realizes, through his readings, that he is hurt by what he learns as is evident in quotation “But to feel that there were feelings denied me, that the very breath of life itself was beyond my reach, that more than anything hurt, wounded me,”

Wright had a very troublesome childhood, but it also impacted the way he viewed the world around him. When he was young, Richard’s father deserted their family, and his mother had a sickness that continuously got worse. He was also forced to become independent from his grandmother as a child because she disagreed with his hobbies (Wright, Richard). Wright’s younger years caused a disruption in his home and his education. Richard Wright grew up in the

Wright was one of the first American writers to confront racism and discrimination (Fabre 102). Through the book Eight Men, which includes this story, Wright alienated impoverished black men who

What features or characteristics of the human condition can you identify in Judith Wright’s Legend? How has the poet used specific language techniques to emphasise these attributes of life.

Melissa Hamilton, a journalist for the Australian newspaper recently wrote an article tilted This (Transplanted) Life, which is a physical, inner and spiritual journey. It is a recount of her journey home, it’s written in first person to personalize her journey and evoke mood and tone with her audience. The composer uses juxtaposition to compare the city to her country home, “When we arrive I stumble with soft city feet over the gidgee stones” and to compare the people of the city and country “the quite is loud enough to keep them up at night.” Through her thorough description of the country surroundings and the lifestyle of the people that live there, she takes us on a spiritual journey of her hometown. The composer also uses creative language such as exaggeration, repetition, alliteration, personification and a metaphor to establish her love and knowledge of

Judith Wright’s knowledgeable use of poetic devices enhances the reader’s enjoyment and understanding of the white invasion that occurred in Australia many years ago through the use of metaphors, imagery and rhyme. “The blue crane fishing” is an example of a metaphor as a crane is a species of bird but it is also a type of rod used for fishing. The poet uses this to show the difference between how the Aborigines used to hunt for food independently and how the settlers who arrived in Australia manufactured food which changed the way Aborigines lived. Throughout this entire poem Wright uses rhyme. For example Stanza Two: