Kafka Integrity In The Metamorphosis

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

The structure of Franz Kafka's "Metamorphosis" establishes it as a kind of inverted, adult fairy-tale, in which regression (rather than progression) of forms occurs, good goes unrewarded and unappreciated, and evil triumphs. The story, of course, is satirical in concept, but the satire is felt chiefly because of the way in which the story stands the concept of the "fairy-tale" on its head. Gregor, who in a child's story, might progress from bug to man and be the one to enjoy the sunlight at the end of the tale, a reward for his patient suffering, in Kafka's tale turns from man to bug and dies without basking in the sunshine. This paper will show how the story's inverted scheme is meant to reflect the inverted principles of modern life, in which self-love appears more virtuous than self-sacrifice.

Everyone knows that one person from school who does not fit in. These people are known to us as strange, weird, and different from the standards set by the majorities of society. In the article, “Isn’t Everyone a Little Bit Weird?” at the beginning of Unit 2 in the My Perspectives textbook, the reading describes how even the most remarkable individuals how some hidden unexpected traits. “The Metamorphosis” is a short story by Frank Kafka. Gregor, the main character, wakes up to realize that he has turned into a bug. Throughout the story, we see how his life is slowly falling apart as his family suffers from his transformation. Overall, outsiders are not those who are misjudged or misunderstood because everyone is weird in some way, even as they attempt to fit in, people never take time and are quick to create judgements of others, and society wants all identities to be equal in order to avoid the fear of change.

As a young child, he was a lone Jew attending a German school-which no doubt forced him to learn the "value" of conformity from an early age. As for Gregor, his family refuses to associate with him any longer and casually discards him because he is useless and perceived as different; i.e., dangerous. As such, the family finds this nonconformity almost threatening to their existence. A particularly pivotal and heartbreaking moment in Gregor's life occurs when his own beloved sister is asha! med of Gregor: Things cannot go on any longer in this way...I say only that we must try to get rid of it. We have tried what is humanly possible to take care of it and to be patient...I believe that no one can criticize us in the slightest...it is killing you both. I see it coming. When people have to work as hard as we all do, they cannot also tolerate Cheng 4 this endless torment at home. I just can't go on any more...this animal plagues us. It drives away the lodgers, will obviously take over the entire apartment, and leave us to spend the night in the lane. (Kafka) Basically, Grete is willing to kill her own blood relation purely based upon his unusual, repulsive appearance. However, despite the constant threat of extermination, his thoughts remain surprisingly selfless; he "did not have any notion of wishing to create problems for anyone and certainly not for his sister...he felt a great pride that he had been able to provide such a life in a

Franz Kafka’s The Metamorphosis (1915) is a novella about protagonist Gregor, a hard-working traveling salesman transforms into some a vermin overnight and struggles to adjust to his startling change. Kafka characterizes Gregor as a selfless individual whose profound love for his family misleads him about their genuine disposition. As he adjusts to his new change, he undergoes great difficulty to determine his identity and humanity. Gregor has deceived himself into believing that his family will love him despite his repulsive appearance. In The Metamorphosis, Kafka uses characterization and third-person narrative to demonstrate Gregor’s self-deception and self-awareness regarding his family and circumstances to establish the theme of identity.

Analysis of the story “The Metamorphosis”, by Franz Kafka was written back in the early 1900’s, but reflected a more modern way of thinking and lifestyle of today. Gregor felt that he was a slave to his job, isolated from his co-workers, and misunderstood by his family. Although that is the norm in today’s society, it was not the norm back then. In the story Gregor finds himself transformed into a cockroach and his internal struggles become a permanent reality. Kafka’s choice of the family member to play the role of the cockroach was necessary in portraying the curse of the working man only living each day in hurried lifestyle with no freedom.

‘The Metamorphosis’ by Franz Kafka, the composer of the novel, explores the relations between an outsider and an insider, and Gregor Samsa’s relationship with his family, gradually following up on how Gregor decided to become an insect that he was physically being seen as, although he had been psychologically/ mentally been feeling like an “insect” for a while now. Gregor allowed himself to transition into an insect, as he chose he would let his family affect his personal happiness. Subsequently, he made the choice to become accustomed to the routine of the life he was living, to exclude and suppress himself from all persons and things, and to become fully focused on his job and his duties, despite the fact that he despised it so much. Gregor wanted to believe that he was in full control of his own life and emotions, when he only allowed his family to affect him thoughts and progression, similarly just like Kafka’s did as well as confiding to become an insect

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Metamorphoses are a concept commonly used in literature to show a character's profound change. The concept was used in The Metamorphosis by Franz Kafka, which is about a man named Gregor, who woke up one day to find out he had turned into a vermin. Following his discovery, he tried to go to work to support his family, which ended up revealing his new form. Gregor was locked in his room and slowly lost his humanity and connection to his family. Gregor eventually died alone in his room, and his family took it as a chance to restart after they realized they could support themselves without him (Kafka, The Metamorphosis). Within The Metamorphosis there is a prevalent Jewish folklore presence because of Kafka’s interest in the history of

1. Gregor’s initial reaction to his transformation, more specifically his worrying about missing the train and dwelling on the hardships of his job, reveals the extent to which Gregor’s own self-identity and way of life is dependent on his work. While most people would probably be horrified to find themselves transformed into a bug, Gregor instantly thinks of his job because that is what comprises Gregor’s identify and without his job he has no purpose or worth in his society. As Gregor contemplates his future, he thinks to himself, “Well, there’s still some hope; once I’ve got the money together to pay off my parents’ debt to him [his boss] – another five or six years I suppose – that’s definitely what I’ll do. That’s when I’ll make the big change” (Kafka 8).

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.