Analysis Of Kahlo, My Favorite Artist Of All Times

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

Throughout her career, Frida had shown many different themes of her life through her paintings. It seems clear, through analyzation of her paintings, that Frida lived something of a double life. Frida paints herself in distinctly different ways at times, sometimes she is a beautiful woman with strength like iron, and sometimes she is a frail damsel who has been broken already and will be broken again. Contrasting paintings include Self Portrait with Monkeys (Kahlo, 1) and Self-Portrait with Thorn Necklace, Diego and I (Kahlo, 1) and The Love Embrace of the Universe, the Earth (Mexico), Me, Diego, and Mr. Xolotl (Kahlo, 1). All of these paintings show that not only is there a contrast in her personality, in fact, Frida’s is actually two different people, as she paints it.

The Mexican Artist Frida Kahlo is best known for her profound artwork and iconic likeness to the artist. She explores the ideas of gender, nationality, class, politics, etc. The emotional intensity and imaginative aspects of her artwork led many to label Frida as a surrealist. Although accepting this label, Frida distinguishly noted that her paintings are not of dream worlds, like other surrealists, but of her own reality. Frida Kahlo’s “The Broken Column” has influenced how I view myself and the world around me through its depiction of spiritual tranquility and physical anguish.

The lines within the composition draws the viewer into several directions. The ruffles draw the eyes upward to the Daniel’s finger as it points to the right. Daniel’s finger directs the viewer horizontally as it does the king. The table with its array of dishes is another example of a horizontal line. The king’s hands are holding a fork and knife. The fork is also pointing right where as the knife is pointing left diagonally towards the king. The courtesan, leaning against the king’s right shoulder, is another example of a diagonal line. The painting also has a vertical feel to it. This is evident in the composition of Daniel standing, the candle and the arm holding the cigar. Like every line, every color used draw attention to the object.

The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.

In Square at La Trinité there are very prominent vertical lines. The two figures in the right corner of the painting are vertical figures and are what the viewer is initially drawn to when first looking at the image. Another really distinct vertical line is the tree on the left hand side of the painting. That tree stands out in particular because of its dark color compared to the right side of the painting. The buildings in the background are made up of both horizontal and vertical lines. The roof and windows in particular are examples of horizontal lines. The

Lines are marks going from one point to another in a specific direction. There are many different types of lines in this painting, specifically curved, actual lines. The curved lines in this painting are the lines that make up the river, specifically those that create the oxbow. Curved lines show energy and in this painting shows the movement of the river. These lines are actual because they are visible as they outline the border between the river and the land. This river also implies the principle of movement as the curved lines show the movement of the river. Another example of a line that shows energy would be the actual and diagonal line of the leaning tree. Diagonal lines imply movement and drama. This line shows movement of how the tree was once vertical, but after the storm is moving down and leaning towards the ground (Pitard). These lines both show motion as the tree is leaning, or even possibly in the midst of falling, and the river is

As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight

The use of lines in Stone City is one of the key visual elements in this painting. The artist used many contour lines to define the boundaries between the trees and the valley, the river and the land, and even the long roads from the hills as it winds through the countryside. Wood also incorporated a lot of implied lines into his artwork. The trees and bushes that line the hills create a line of sight which draws the eye of the viewer to the house on the river, which is the focal point of this painting. The lines all move in different directions and help the artist highlight different aspects of the painting. Around the city and in the foreground of the painting the artist uses a lot of horizontal lines, which gives the town a calm sensation. As we move away from the city, we find a lot of vertical lines which denote growth. We also find a lot of diagonal lines which imply action in the painting. The diagonal lines are predominantly used by the artist in the creation of the roads and

Frida Kahlo was one of the most influential female artists in the twentieth century. Being a woman in a misogynistic career, Kahlo did not experience the fame she has today while she was still alive. Through her captivating paintings she reveals the dark side of life, relating to her own experiences. Many articles, bibliographies, movies, and even Frida Kahlo’s diary have been published for scholars, artists, and feminists to discuss the influence Kahlo had on art and society. Although the movie Frida was released forty-eight years after Frida Kahlo’s death, the movie accurately depicts her dismal life and her connection to her artwork.

To further elaborate upon the elements of art on the painting, the lines are in their vast

Frida Kahlo is a world-renowned Mexican painter known for her shocking self-portaits filled with painful imagery. Her artwork was seen by many as surrealist and socialist, but she refused the labels put on herself. Until today, her works have been able to exude the same playful and wild feel as before (Fisher n.p). Her legacy as a painter has attracted prominent people like Madonna who has confessed her admiration for the painter. Not only that but fashion designers are frequently inspired by her iconic Tijuana dresses while her paintings have been priced at more than three million dollars (Bauer 115).

For my art proposal I have chosen to research The Broken Column by Frida Khalo. The reason I have chosen this particular well known piece of artwork is because of the intensifying feelings and emotions this patings brings forward. Many of Frida Kahlo's paintings are very mysterious, I was fascinated by Frida Kahlo’s portal of herself in The Broken Column as I found myself becoming mindful of her pain with an intense anguish. It was as almost, as if her eyes were looking straight towards me, expressing the story of her sorrows. I was drawn to her suffering. This self-portrait is in distinct contrast to Frida's other self-portraits in that she is all alone, Frida stands all alone crying on a vast barren plain beneath a stormy sky. Perhaps it's her way of expressing that she must deal with her physical and emotional pain on her own. The haunting image in this painting are an endorsement to the

4. Frida Kahlo essentially became an international cultural icon, honored by many people, especially in Mexico. Her artwork withholds visual symbolism of all kinds of emotional and physical pain and most importantly she incorporated indigenous culture and her depiction of the female experience. Including illustrating the feelings of death, loneliness, pain, including the pain of miscarriages, failed marriage, and the aftermath of tragic accidents. Through her imagery, she was able to portray her life experiences. She would include specific elements that symbolized something greater. Throughout the process of analyzing all different aspects of Frida Kahlo’s paintings, it provided a deeper understanding to each painting.

Frida Kahlo’s “The Two Fridas” is a manifestation of heartbreak, inner human pain, rejection of colonialism, and emotional journey. An oil on canvas made in 1939 in the midst of Frida Kahlo’s divorce from Diego Rivera, this painting embodied Frida Kahlo’s progression at this time in her life, dealing with what she is and what she wishes to be; as well as setting out how she wishes to do it. An ode to melancholy and overcoming adversity, “The Two Fridas” is a universal, eternal reminder of human capability.