Analysis Of Kath Walker 's ' We Are Going '

White Australians state “shame when [their] kids they die from colds or from sheer neglect. Shame when [they] live on the river banks. While collectin' [they’re] welfare cheques. Shame when [they’re] blind from trachoma. Shame when [they’re] crippled from blights.” The rhyming scheme in the stanza makes poem flow seamlessly constructing a conversational tone as if the narrator is speaking directly to the audience. This feature purposefully lulls the reader into agreeing with the white Australia’s arguments as it constructs an image that the Indigenous people are refusing to integrate themselves with modern society and suffering the consequences of those decisions. The mention of welfare cheques also contribute to the perspective that white Australians are attempting to mend the lives of Indigenous individuals, however this could not be further from the truth and message of this

Good morning/afternoon Mr Webster and 8 Mahoney. Banjo Paterson, a renowned Australian poet of the 19th and 20th centuries, wrote countless ballads that explored the idea of Australian identity. Although Australian identity has undergone several changes, its foundations remain largely unchanged. Paterson’s unique background allowed him to explore Australian identity from a perspective that otherwise could only be obtained through the melding of various poets, thus allowing for an unrivalled insight into the concept of the Aussie lad. One of Paterson’s one hundred and sixty-two poems, The Geebung Polo Club, written in 1893, explores the ideas of mateship, resilience and fortitude, all of which are fundamental to the idea of the Aussie lad.

The loss of Aboriginal ethnicity is also highlighted when the land asks “Where are the laws and legends I gave?” This dates back to the Aboriginal culture, as their spirituality is inextricably linked to the land. They believe everything on the vast landscape has meaning and purpose. As long as they look after the land, the land will thereby return the favour. However, through time, Aboriginals have begun shifting away from their original beliefs as their world collides with the Western world. Different meanings could be made out of this; such as the more Aboriginals walk away from their culture, the less inclined the land will be to look after them, thus breaking the chain of their spirituality and beliefs. Caesuras such as full stops and question marks are used are pauses for a moment of reflection. Through the reader’s understanding of the poem’s structure, they are able to not only understand how the poem is to be read but also get the feel and emotions coming across from the poet.

This poem relates to Aboriginal Australian as it was written by the hand and views of one, and was written for the Aboriginals. The text itself is very emotive and powerful and I personally was unable to resist the emotions it reverberates however I cannot say whether it would be the same for anyone who could read it.

Oodgeroo Noonuccal was an Australian poet, activist, artist and a campaigner for Aboriginal rights. Her poems ‘We are going’ and ‘Let us not be bitter’ conveys the loss of the Indigenous culture and how much they suffered because of this. Oodgeroo Noonuccal’s perspective on Aboriginal rights is impassioned, concern and worry for the loss of her family and home. She expresses these emotions using imagery, poetic structures and poetic techniques, such as inclusive language and symbolism, to strongly represent what she is feeling and how much the Indigenous people have suffered through.

Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.

Gilbert’s poem portrays many Aboriginals plight’s within Australia and conveys notions of despair, anguish and anger for his fellow Aboriginal comrades. Again, Gilbert uses strong visual imagery in “the anguished death you spread” which helps convey the persona’s feeling of horror and anger at the Europeans. This is further emphasised through the poet’s vehement and repetitive use of second person pronouns in “you” which conveys a sense of blame and accumulates into an accusatory tone and generates a strong sense of detachment between the author and the European settlers. Furthermore enjambment enhances the accusatory tone in “you pollute all the rivers and litter every road” because the lack of punctuation and pauses makes the lines sharp and quick, creating a sense of anger in the author. In addition the author’s use of metaphors in “humanity locked in chains” creates a sense of struggle and inability to escape the oppression the Aboriginals are in, whereby the word “chain” is symbolic for trapped and lack of freedom. Kevin Gilbert’s emotional poem brings light to the pain and suffering Aboriginals are going through, which is a stark contrast to the image of Australia, being a free and accepting

The poet Oodgeroo Noonuccal, draws the realistic image of the confronting realities of alienation and displacement of Indigenous Australians. It is because of such experiences that has empowered Noonuccal to express and advocate learning from experiences by positioning the audience to view the horrors that occurred, creating a platform for her poetry. Through the emphasis of identity, it allows the audience to deeply connect with the past, determining and illustrating a profound link between the ancient past and contemporary present. Oodgeroo’s deep connectivity with art and poetry highlights the importance of learning from experiences, for not only the Aboriginal culture but, for all cultures, and that colonisation does not destroy self-identity. Through the poems The Past and China…Woman, it has allowed the individual to promote change, encouraging the survival of cultures through learning from past experiences

This text response will be looking the comparison of the two poems, ‘Drifters’ by Bruce Dawe, And ‘In the park’ by Gwen Harwood under the name of Walter Lehmann. Drifters is about a seemingly constantly moving family, it describes the process the family will go through leaving their newest home. In the park is about a seemingly single mother raising her children, it describes the mother sitting in the park with her children when a previous lover comes by and talks about the children. With in each poem, the form and structure, language techniques and the tone and message will be analysed and compared with the other to gather a grater understanding of the Australian voice.

Hello ladies and gentlemen, I am here to bring forth some poems that represent our beautiful country for the Australian day anthology. Australians identity is a wonderful thing with our mate ship and way of life respected throughout the world. Our acknowledgement of our past makes us the country we are and creates the country we have, with the pride shared between all who happily call Australia there home. These poems explore our country’s pride through times of hardship, this being the Vietnam war. And how our strong mate ship and pride helped us prevail through this time. These are very clear throughout the poems becoming clear staple pieces for this era.

values, assumptions and voice of the poem and of Australia at that time, one that shows courage and

A little pondering suggests that the poem has a keen focus on the Australian environment. The poet is successful to grab our attention with descriptive explanation in the line in the

Donald Bruce Dawe was born in 1930 in Geelong, Victoria, Melbourne, he is one of the most successful and prolific contemporary poets of Australia. He struggled with his studies, leaving school when he was sixteen, working as a gardener and postman. In 1954 he entered the University of Melbourne. He grew up in a household where his father, a farm labourer, was often unemployed and absent from home. The poem ‘Drifters’ by Bruce Dawe should be selected for the prestigious honour of ‘Best Contemporary Australian Poem’ as it is a realism poem, describes Australian lifestyle felicitously, which lead the Australian contemporary audiences easily fall in the poem and deeply engraved in their mind. Bruce Dawe drifted

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

The ‘colonisation' of Australia by Europeans has caused a lot of problem for the local Aborigines. It drastically reduced their population, damaged ancient family ties, and removed thousands of Aboriginal people from the land they had lived on for centuries. In many cases, the loss of land can mean more than just physical displacement. Because land is so much connected to history and spirituality, the loss of it can lead to a loss of identity. This paper will examine the works of Tim Rowse and Jeremy Beckett as well as other symbols of identity that are available to modern Aborigines in post colonial Australia.