Analysis Of Kathryn Stockett 's ' The Great Gatsby '

The 1920s in America, known as the "Roaring Twenties", was a time of celebration after a destructive war. It was a period of time in America characterised by prosperity and optimism. There was a general feeling of disruption associated with modernity and a break with traditions.The Roaring Twenties was a time of great economic prosperity and many people became rich and wealthy. Some people inherited "old money" and some obtained "new money". However, there was the other side of prosperity and many people also suffered the nightmare of being poor. In the novel,The Great Gatsby by F. Scott Fitzgerald, Jay Gatsby is portrayed as a wealthy character

Bridge: This is a truth that is found in F. Scott Fitzgerald’s The Great Gatsby, novel full of unlikable characters, two of which are unhappily married women having affairs. The Great Gatsby is about a guy named James Gatsby. He buys a house in front of a woman named Daisy. He throws parties hopping she will come over but never does. It's a person named Nick that helps him out with Diarys. Daisy and Gatsby have history together, way back even before Daisy meet Tom. Gatsby does everything in his power to win back Daisy.

Dreams are a compelling force in people’s lives. They are what propel them forward each and every day in an effort to reach something better. The American Dream has been sought after by millions all over the world for hundreds of years. This country was founded on the belief that anyone could achieve their dreams. However, in the 1920s these hopes and aspirations began to splinter until they ultimately shattered. In the novel, The Great Gatsby, F. Scott Fitzgerald uses symbolism, setting, and theme to depict the unattainability of the American Dream.

“‘Don’t you ever wish you could change things?”’ (10). In Jackson, Mississippi during the 1960’s, woman ahead of her time, Miss Skeeter, proposes an idea to write a book about the lives of colored maids in Jackson. Aibileen and Minny, two maids, are among the first ones to agree to help Skeeter, despite the potential danger to themselves. In The Help, Kathryn Stockett creates an engaging and immersive world that explores racism and social injustice by using well-developed writing, the ideal amount of imagery, and strong characters.

F. Scott Fitzgerald’s The Great Gatsby is a novel that highlights the stark contrast between the rich elites of East Egg and the dirt-poor ashen people of the Valley of Ashes through the reckless power that the wealthy of this world can exert on the unfortunate. As concluded by Nick in the novel, “They were careless people, Tom and Daisy – they smashed up things and creatures and then retreated back into their money or their vast carelessness [...] and let other people clean up the mess they had made” (Fitzgerald, 179). By thoroughly examining the thoughtless actions of Daisy and Tom Buchanan and their consequences, Baz Luhrmann's rendition of The Great Gatsby portrays the carelessness of the elites more effectively than the novel. Through the inclusion of additional scenes and the omission of some, Baz Luhrmann conveys the utter disregard that Tom and Daisy posses towards other characters in the novel.

In The Great Gatsby, the author, F Scott Fitzgerald depicts the post - war roaring 20’s, a time of overwhelming prosperity and a new found sense of hope for the future. While this novel is often perceived as a romance, it is also a criticism on the devastating nature of the elusive american dream. The story of Jay Gatsby is a representation of what had become the values of the individual at the time. With the progression of the early 1920’s the vision of the perfect life, or the american dream, had been skewed. It was replaced with greed, and an abundance of reckless spending in which the wealthier individuals placed their misguided ideas of happiness. In the Great Gatsby F. Scott Fitzgerald chooses to expose the hidden truth behind the illustrious concept of the American dream. Through his use of literary devices such as, symbolism, metaphor, and, irony the central idea of the truly unattainable American dream is supported throughout the novel.

“The orgastic future that year by year recedes before us” is the unattainable goal of those living in Tom and Daisy’s world—a world where lives are wasted chasing the unreachable (Fitzgerald 180). In his 1925 novel The Great Gatsby, author F. Scott Fitzgerald suggests that making any progress whatsoever toward this aspiration often requires people to establish facades that enable them to progress socially, but that a crippled facade will backfire and cause detriment to its creator. In the passage where Nick realizes who Gatsby is on page 48, Nick observes two different versions of Gatsby—one that is reassuring and truthful and another who “pick[s] his words with care” (Fitzgerald 48). Nick is at first attracted to Gatsby’s constructed

Gatsby cannot be classified as a truly moral person who exhibits goodness or correctness in his character and behaviour. Gatsby disputes most moral damage throughout the novel. Gatsby exhibits characteristics explaining the reason behind moral decay in society. Corruption and lies are responsible for the destruction of humanity. Gatsby’s whole life’s basically is a lie as he created a fake identity for himself. A whole new persona, Jay Gatsby is not even his real name. Gatsby

Aibileen, a housemaid, was brought up at this time. Living in Mississippi in the 1960s couldn't be much worse for Aibileen, she lived in the the outskirts of jackson with all of the black community in low quality housing, she lost her son to wreckless white people that didn’t give a damn and she got paid just under $1 an hour to work for the white privileged. Growing up Aibileen knew she would be a maid. This is proven through dialog when she says “my Mama was was a maid, and my Gran’mama was a house slave. The mournful tone she speaks with displays her desire to be more than a black dot on a white wall, meaning she did not want to be another black maid living among her supposed white superiors.

The film “The Help” (2011), is a story based on the daily lives of prominent white women and the relationships with their African-American housemaids in Jackson, Mississippi, during the 1960s Civil Rights movement in America. A well-to-do white woman and central character in this film, Eugenia “Skeeter” Phelan, aspires to be a journalist and decides to write and publish an exposé of the stories of the housemaids in Jackson to achieve this goal, however, only two maids, Aibileen Clark and Minny Jackson are willing to discuss their experiences with her. The other maid’s in Jackson resist telling Skeeter their stories, fearing the punishments they would endure if the authorities were to find out. In spite of this, after the malicious arrest of one of their befriended maids, all of the maids begin to share their experiences, which consist of racial hostility and being treated as intrinsically subservient to white people. The story Skeeter publishes entitled The Help, creates a disturbance among the white families in Jackson, by exposing the racism the maids are faced with, forcing the white families to reflect upon how they have treated their maids. The storyline represented in The Help exhibits examples of the primordial approach to race and ethnicity, as well as numerous sociological concepts including segregation, internalized oppression, and white privilege, which will be exemplified in this paper in order to uncover the race relations evident within this film.

She works for Elizabeth, an affluent white woman who is pregnant with her second child, even as she neglects her first child. Aibileen is the liaison between Skeeter, Elizabeth’s best friend, and the other maids.

In it’s planning stage, Build-A-Bear seemed like a whimsical idea that wouldn’t sprout into anything more than a daydream. However, successful entrepreneur Maxine Clark thought otherwise. While adults might not have understood the passion and love for a small stuffed bear, she knew children did. She had felt that passion since she was a small girl, all the way back in 1949. Small animal friends were what inspired children, what aided their social growth throughout childhood and became their best friend. Bored of her old life, and with the support of her loving husband Bob Fox, she withdrew nearly all of her retirement funds and started a business. In 2008, she’d be named one of the 25 most influential

“The Help” is a movie about African-American maids working in white households in Jackson, Mississippi. The two black maids, Aibileen Clark and Minny Jackson, tells their side of the story to a young white woman, Eugenia “Skeeter” Phelan, who is a journalist who decides to write a book from the maids point of views. Skeeters intention for writing this book is exposing the racism they receive while working for white families in Jackson. Aibileen Clark takes care of white children and helps raise them and cleans around the house, while her best friend, Minny Jackson, is an outspoken black maid but has a quick short temper which gets her into trouble later on. Eugenia “Skeeter” Phelan is a white single independent woman, she earned a double-major

Although the maids were struggling and going through a difficult time in 1960’s, The Help portrays that their family members were too. Segregated society against the backdrop of the growing US civil rights movement in the 1960’s has an impacted. “Race also determines who has access to educational, occupational, and economic opportunity. Racial tensions are high as white community members employ violence and coercion to try to keep the Civil Rights Movement from sweeping into their Mississippi town” (Shmoop Editorial Team). The white community in the movie continue to keep the black women as their servants throughout their lives. As Skeeter the white lady, who writes a book about The Help and portrays through the book that the African American women go through. As the white women of Jackson, Mississippi read the book they began to act more violent to the black women. The book is away as the black women to make a statement about the civil rights they have.

It is commonplace for white families to have black maids serving them at this time. Aibileen (Davis) is a strong-willed maid who is