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Analysis Of Kenneth Grahame 's Wind

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Kenneth Grahame’s Wind in the Willows was first thought out as stories for his son Alastair. Because Wind in the Willows was told first to entertain, Kenneth Grahame has broken all the rules. His book is written like a bedtime story, and Grahame allows him self to really have fun with this book. Rather than creating a story with a moral lesson for young children of the Victorian era, Grahame has indulged himself by avoiding realism, focusing on family values and is characters while also dealing with his own fears regarding the status of the class structure in the Victorian era.

Elements of oral storytelling are evident in Grahame’s Wind in the Willows. His chapters lack detailed physical descriptions of characters, instead opting for the name of the characters to do the trick. All a child needs to know is that Toad looks like and is a toad. By leaving the descriptions so open-ended, Grahame allows for his character to be dynamic in their physical attributes. His characters are large enough to ride in a caravan pulled by a horse, but small enough to ______. They are human enough to pass for a washerwoman and to be put into jail, but animalistic in their physic characteristics. Grahame avoids physical descriptions to allow his characters to shift as needed. He cuts out realism, letting his animals be the same approximate size. Badger’s are typically much larger than Moles, but yet Mole is quite comfortable in Badger’s underground home. Toads are typically quite small, but yet

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