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Analysis Of Khushwant Singh Train And Pakistan

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Train to Pakistan:
“In India, the summer of 1947 was not just another summer.” With this simple, almost vulgar phrase, the novel by Khushwant Singh Train to Pakistan (Train to Pakistan, 1956). No, that was not just any summer. A year earlier, in the midst of the monsoon, India had attained independence from Britain and the country had been divided into Hindu India and Muslim Pakistan. The same Khushwant Singh was born in 1915 in Hadali, a town that after the territorial split incorporated to Pakistan.
“Well, according to the chronicle of reality, in the summer of 1946 there were serious disturbances in Calcutta, …show more content…

The daily life with its logical incidences was governed by the regular passage of the trains. Until one-day thieves murder lender Lala Ram Lal, a train from Pakistan loaded with bodies that are cremated is stopped at the station, return them to the Pakistani area (Raizada, H. 1986). A group of young radicals, including the assassins of the usurer, have the chilling project of massacring those who until the day before had been their gentlemen assaulting the train that takes them to Pakistan.
Train to Pakistan happens, a classic of Khushwant Singh 's Indian written work that now recovers with astonishing Asteroid Books.
Regardless of anything else, there is a character called, Hukum Chand, the Magistrate and Deputy Commissioner of the District, who is a worse executive and a typical government worker.
Hukum Chand as a Magistrate needs to guarantee the rights and the high and human regards; yet he appreciates inclined and devilish activities. He enrolls Haseena, a sixteen year old girl, a prostitute who is likewise as old as his daughter to meet his suggestive delights.
The second character through whom Singh laughs at the educated, westernized and involved Indians is Iqbal who is a social worker deputed by his gathering (People 's Party) to deal with the things and bring care to the dominant part of Mano Majra. Iqbal is a westernized character (WOG) like Sir Mohan Lal in “Karma” and Santosh Sen in “A Bride for the Sahib.” Iqbal 's refined

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