Analysis Of La Otra Conquista

Malintzin had an important role in the ancient history and colonization of Latin America. She would rise from just a simple servant girl and slave, to become one of the key factors of the Spanish colonization of the indigenous natives in the New World. She helped translate for the Spanish conquistadors and even Hernando Cortés himself. Malintzin’s interpreting skills would prove crucial in the dealings between Hernando Cortés and the Aztec emperor Montezuma. Camilla Townsend uses the story of Malintzin to display the conquest of Mexico in a different aspect and first person point of view.

Matthew Restall, a Professor of Latin American History, Women’s Studies, and Anthropology at Pennsylvania State University. He also serves the Director of the university’s Latin Studies. Throughout “Seven Myths of the Spanish Conquest,” he discusses many false truths that have been passed down through history. For instance, he discusses, “The Myth of Exceptional Men.” “The Myth of Spanish Army,” and “The Myth of Completion.” For the sake of time, I will discuss three myths that correlate with class lectures and serve as the topic of this paper, “The Myth of Exceptional Men,” “The Myth of the King’s Army,” and the “Myth of the White Conquistador.” It should be noted that Restall speaks to his audience assuring us that his “...his purpose is not to degenerate this technique of historical writing completely...Nor do I mean to create a narrative in which individual action is utterly subordinated to the larger structural forces and causes of social change.” (4). He states that his intentions are to react to more than just the works of Columbus, Pizzaro, and Cortez.

In this paper, I will be summarizing the following chapters: Chapter 3: "A Legacy of Hate: The Conquest of Mexico’s Northwest”; Chapter 4: “Remember the Alamo: The Colonization of Texas”; and Chapter 5: “Freedom in a Cage: The Colonization of New Mexico. All three chapters are from the book, “Occupied America, A History of Chicanos” by Rodolfo F. Acuna. In chapter three, Acuna explains the causes of the war between Mexico and North America. In chapter four, Acuna explains the colonization of Texas and how Mexicans migrated from Mexico to Texas. In chapter five, Acuna explains the colonization of New Mexico and the economic changes that the people had to go through.

La Otra Conquista was set in 1520 in colonial Latin America. The story focuses on Topiltzin, a young Aztec scribe and son of Moctezuma and his struggle with religion during the conquest. A Spanish Friar named Diego makes it his mission to convert Topiltzin into civilised Christianity. Hernan Cortes who is the voice of power in Tenochtitlan grants Friar Diego his wish to take Topiltzin, who is now called Tomas by the Spanish, to the mission. Topiltzin must learn how to navigate this new world while still holding to his own culture. Struggling against both spiritual and personal difficulties, Topiltzin tries to show Friar Diego how similar Christian beliefs are to the Aztec beliefs. Overall, the film stays fairly true to history with some exceptions that director used to move the storyline forward. Religion played a key role in the film as it did in the conquest itself. The Spanish conquistadors and friars were there for converting the Aztec to Christianity through whatever means necessary. Whereas the Native Americans were trying to hold onto their beliefs and culture throughout the horrific takeover. In order to communicate their wishes, the Spanish needed someone who could translate so they taught Native Americans to speak Spanish who could then communicate into the tribal language. The most famous of these was La Malinche, who is referenced in the film although at this time is her replacement, Dona Isabel or Tecuichpo. The film is fairly accurate to how this would have looked historically. The conquistadors are appropriately harsh, cruel and violent. At any moment trying to exert their power over the Native Americans and quick to subdue. In summary, La Otra Conquista was a fairly historically accurate film that portrayed the tension and violence of the time.

For decades, the history of Latin America has been shrouded in a cover of Spanish glory and myth that misleads and complicates the views of historians everywhere. Myths such as the relationship between natives and conquistadors, and the individuality of the conquistadors themselves stand as only a few examples of how this history may have become broken and distorted. However, in Seven Myths of the Spanish Conquest Matthew Restall goes to great lengths to dispel these myths and provide a more accurate history of Latin American, in a readable and enjoyable book.

Every artist's dream is to create something that leaves a lasting impression. The Last Conquistador follows the story of a sculptor who does exactly that. John Houser spent nearly a decade painstakingly crafted a 34-foot tall equestrian statue featuring the infamous Spanish conquistador Juan de Oñate y Salazar. Following in the footsteps of his father who assisted in the carving of Mount Rushmore, Houser's fantasy of leaving his mark in one of the largest bronze equestrian statues in the world finally became a reality (Valadez). However, what an artist attempts to express and what message is truly received may not be one and the same. While the Hispanic elite of El Paso praised (and funded) the magnificent piece, the Acoma were horrified by the towering symbol of oppression and genocide looming overhead. This film not only provides a window into the conflict and controversy surrounding Houser's work, but also showcases several aspects of Texas political culture and highlights the dismissive attitude toward Native American culture that is still prevalent today.

The reading “An Aztec account of the Spanish Conquest” is mainly about a story when Hernan Cortes came for the first time at Tenochtitlan (nowadays Mexico City). The Aztecs believes that when Hernan Cortes arrive they believe the he was Quetzalcoatl, the main god in the Aztec culture. Cortes were friendly invite to the Aztec city as the most important guest, the Aztec people made a big party to celebrate the return of their god, but the Aztec people did not know Cortes intentions of conquer the empire. Later the Aztecs were betrayed by Hernan Cortes. Cortes’s army began to attack the city and at the end they take over the city.

Cortes played a large role in the conquering of the Americas, and both Traditions and Encounters and The Broken Spears document his actions. In Traditions and Encounters, Cortes’s role as captain of Spanish expeditions was detailed. The advantage that the

“Victors and Vanquished,” through excerpts of Bernal Diaz del Castillo The True History of the Conquest of New Spain and indigenous testimonies from the Florentine Codex, represents the clash between European and indigenous cultures and how there was no simple “European” or “indigenous” view. Rather, there were a variety of European and indigenous opinions and interpretations that were influenced by personal interests, social hierarchy and classes, ethnic biases and political considerations.

The film The Other Conquest is a drama about the aftermath of the 1520’s Spanish Conquest of Mexico told from the perspective of the indigenous Aztec people. It explores social, religious, and psychological changes that brought the historical process of colonization that both defined the South American continent and highly reminds us of today’s neocolonialism.

The Conquest of Mexico and the conversion of the peoples of New Spain can and should be included among the histories of the world, not only because it was well done but because it was very great. . . . Long live, then, the name and memory of him [Cortés] who conquered so vast a land, converted such a multitude of men, cast down so many men, cast down so many men, cast down so many idols, and put an end to so much sacrifice and the eating of human flesh! —Francisco López de Gómara (1552)

The capital of the Aztec empire, Tenochtitlan, and what is known today as Mexico City was conquered in 1521 by the Spanish explorer named Hernando Cortez. Cortez was born Medellin, Spain in 1485. He was the only son of a noble family and his father was a captain in the Spanish army. He was fascinated with Christopher Columbus’ journeys in the new world. This was a far cry from his parents wish for him to be lawyer. Before reaching the Yucatan Peninsula in Mexico, Cortes along with Diego Velazquez, were powerful figures in the island of Cuba. Their partnership soon ended when Cortes went against Velasquez’s wishes to marry his sister and sailed to the mainland of Mexico against his orders. On 1519 Cortez reached the harbor of central Veracruz (“True Cross”). He arrived with 11 ships, 15 horses and a fleet of 500 men in search for gold. Cortes soon learned that the land was ruled by the great Aztec lord in the city of Tenochtitlán: King Monezuma II.

Representation” by Michael Schreffler argues that “ . . . early modern rhetoric and iconography . . . constructed a distorted view of painting in Aztec Mexico and entangled it in the conventions of colonial historiography” (407). This essay is effective because of its thorough examination of the accounts that explain a painting made by the Aztec’s at San Juan de Ulúa on Easter Sunday of 1519.

Cortez and his force arrived in Tenochtitlan on November 8th, 1519. Tenochtitlan was the capital of what we know today as Mexico. Tenochtitlan was one of the largest cities in the world at that time. Tenochtitlan was run by the Aztecs. Cortes then met Montezuma, the Aztecs’s emperor. Montezuma and the Aztecs thought Hernan Cortes was a god. They thought he was Quetzalcoatl. Cortez was there at the right time because the god was supposed to arrive the same year Cortes was there. Since they thought he was a god they would do anything for his command. Later on Montezuma suspected Cortez not to be the god. He gave him gold and jewels to try and get him to leave. It had the opposite affect and increased the Spaniards greed. Cortez then captured Montezuma as hostage to prevent the Aztecs attacking.

As a new and mysterious world awaits to be discovered, daring conquistadors leave their home country of Spain in a journey of exploration. Two men by the name of Narvaez and Cabeza de Vaca set sail to thwart the untrustworthy Cortez who, behind the backs of Narvaez and Cabeza de Vaca, sailed to the New World with half of Narvaez’s crew in search of treasures. However, the journey would prove to be treacherous as the conquistadors would have to encounter hostile Native Americans and strange terrain they have never seen before. Throughout the expedition, future encounters between the Native Americans and conquistadors were heavily influenced by the personalities of the individuals and past experiences the Native Americans faced.