Analysis Of Like Water For Chocolate By Laura Esquivel

“You know perfectly well that being the youngest daughter means you have to take care of me until the day I die.” (10). This statement shows how Tita is being oppressed not by mama Elena choice but family tradition. Like Water for Chocolate by Laura Esquivel concentrate into the stories of the women of De La Garza. Tita the main character aim to find love, happiness and independent, and Elena De La Garza the antagonist who will stand in the way of Tita happiness and would do anything in her power to stop Tita to fulfil her goals which is to find true love with Pedro. This mother and daughter relationship was predestined since the day when Tita was brought up into this world, and her father’s sudden death. Mama Elena was the opposite of a loving, caring women she never had a relationship with Tita. While Tita formed a relationship with food that gives her the strength, and love she never experienced before. The women of De La Garza experienced many challenges in this strict societies. All the women expected to follow an oppressive family tradition.

Tita’s thoughts shows how, despite her fear of Mama Elena, she still attempts to gain her right to marry and she is secretly happy about Pedro marrying Rosaura just to be near her. Despite Mama Elena 's intentions to break Tita 's heart by making her watch the person she loves getting married to her sister, Tita completely changes the meaning of this wedding to something that makes her love for Pedro grow stronger. This is also portrayed in the film when Tita 's smile remains even after Mama Elena scolds her. The contrast in Mama Elena and Tita 's behaviour is conveyed when Tita thinks about what it would be like to have her mother’s strength:

Mama Elena is quoted telling the Captain, “I have a very good aim and a very bad temper, Captain. The next shot is for you…” (Esquivel p. 90), after just shooting the chicken one of the soldiers swung in her face. She stood up for herself which in return granted her respect from the rebel soldiers. Additionally, Mama Elena’s sharp mind can sense when someone is trying to get over on her. This is demonstrated in chapter four of the book when Tita had accidently exposed her breast to Pedro. In the book Like Water for Chocolate, the author exemplifies by sharing one of Mama Elena’s strengths, “Still, there was something in the air, she could smell it, and she sharpened her senses to try to figure out what was troubling her” (p.70). As you can realize Mama Elena was a tough person to get passed. These two examples of Mama Elena contribute to only half of her of character

Additionally, the sorrow that Tita felt was also unintentionally transferred to others. . Specifically the wedding cake in which she managed to communicate her longing and sadness to Rosaura and Pedro 's wedding guests. As she prepared the Chabela Cake, her tears fell into the batter and icing. "The moment they took their first bite of the cake, everyone was flooded with a great wave of longing...Mama Elena, who hadn 't shed a single tear over her husband 's death, was sobbing silently. But the weeping was just the first symptom of a strange intoxication-an acute attack of pain and frustration-that seized the guests and scattered them across the patio and the grounds and in the bathrooms, all of them wailing over lost love" (Esquivel 39). The tears affected everyone at the wedding banquet with longing for lost loves, so much so that they become physically sick. They were literally love sick and Tita was responsible even though she had no idea what she had just done. In the same manner, even though Tita didn’t actually make the hot chocolate from story’s title "Like water for chocolate", it still symbolizes her biggest emotion. It is learned that once she hears Rosaura tell Alex about

Secondly, Mama Elena’s control over the ranch makes it so not only people’s health is damaged, but also other problems. This is shown when Mama Elena makes the decision of marrying Pedro to Rosaura instead of Tita “Mama Elena came into the kitchen and informed them she had agreed to Pedro’s marriage--to Rosaura”(14). This of course becomes a problem when Tita and Pedro’s love still exist.

Following, we learn that Mama Elena has no milk to feed Tita, which makes Nacha, the family cook - her official caretaker as she replaces Mama Elena. This is important to point out because the initial separation of the two main characters is quite evident; there is no mother-daughter bond that should have been established, Mama Elena doesn’t have time to worry about her, “without having to worry about feeding a newborn baby on top of everything else.” (7) We grow to understand why Tita forms other vital bonds with Nacha, and of course the food that surrounds her daily, helping her not only to grow but acts as an outlet for her emotions. “From that day on, Tita’s domain was the kitchen…this explains the sixth sense Tita developed about everything concerning food.” (7) From the beginning, Tita is given barely any freedom, she is given a purpose, she will not marry anyone until Mama Elena is alive, she is to look after her, which becomes a great conflict when the love of her life, Pedro, is to marry her sister, Rosaura, and not her. Mama Elena wants to hear nothing about Tita’s frustration. Mama Elena herself has lost her true love and because of it is insensitive to Tita’s love with Pedro. The reaction of each woman to her predicament helps explain the opposite characters. Mama Elena lets the loss of her young love turn into hatred for anything but tradition, and

Mama Elena, sensing Tita's reluctance to participate in her sister's upcoming wedding, warns her, "I won't stand for disobedience... nor am I going to allow you to ruin your sister's wedding, with you acting like the victim. You're in charge of all the preparations starting now, and don't ever let me catch you with a single tear or even a long face, do you hear?" (27). At the wedding party the following day, although Tita keeps a perfectly calm demeanor, her true feelings about her sister's marriage to Pedro are revealed in the guests' first bite of the Chabela wedding cake. "The moment [the guests] took their first bite of the cake, everyone was flooded with a great wave of longing... [T]he weeping was just the first symptom of a strange intoxication that seized the guests" (39), all but Tita, on whom the cake had no effect. The author uses the cake's effect on the guests to reveal first, Tita's grief over her loss of love through the guests uncontrollable weeping and second, her disgust over her sister and Pedro's

Mama Elena is the type of person that think other should take care of her and his the type of person that want to take control of someone else life. Elena thinks that a daughter only job is to take care of her mother until she dies, but more to Tita because she is the youngest one. Mama Elena only shows people her cold heart and harsh woman, so that people respect her and fulfill her needs. Mama Elena is like a dictator, she is the only one who have full control of everyone and everyone most do what she says at all time. “During the funeral Tita really wept for her mother. Not for her castrating mother who had repressed Tita her entire life, but for the person who had lived a frustrated love. And she swore in front of Mama Elena’s tomb that come what may, she would never renounce love.”(Tita). People only want to remember the good side of Mama Elena even her own daughter, that only wanted to remember the human side of her mother and not the heartless mother that she knew since her

The phrase “mother knows best” refers to maternal instinct and wisdom. It is often used to describe how mothers are the most knowledgeable when it comes to their children’s needs. This cliche is frequently used by mothers who try to guide their children on the path towards success, especially when the child protests. Tita’s mother, Mama Elena, embraces this expression fully, and always pushes Tita towards what she believes is the road to achievement. Mama Elena is perhaps one of the best portrayals of “tough love” in a character in literature. Like Water for Chocolate’s author, Esquivel, depicts Mama Elena as a strong, independent woman who does not bother with things she deems insignificant. This translates to the reader through the decisions and actions Mama Elena makes throughout the book. Her disregard for emotions is often the reason why her actions are misunderstood by readers who claim that she is a cruel, unrelenting mother who is apathetic to her daughter’s suffering. However, this is not the case, as Mama Elena never acts without reason and only goes out of her way to discipline Tita when she believes that Tita is in the wrong. The readers see her go to great lengths to protect Tita numerous times, although these instances are often hidden behind her less than pleasant words, such as when she tries to shield Tita and Nacha from the rebels who were known to frequently terrorize families and rape women. Despite being a strict and unforgiving mother, Mama Elena’s

From the very first page of Laura Esquivel's Like Water for Chocolate it is clear that the real world in which her characters inhabit shall be greatly exaggerated. When Esquivel's narrator describes Tita as being so sensitive to onions that “when she was still in my great-grandmother's belly her sobs were so loud that even Nacha, the cook, who was half deaf, could hear them easily.” (Esquivel, p. 5) the reader encounters something at once refreshing, as is always the case when one experiences the supernatural where least expected, and yet ancient at the same time. While Esquivel could have attempted to tell her story, really the tale of a (mostly) unrequited love, in a straightforward manner, the casual inclusion of the extraordinary places it immediately in the tradition of magical realism.

Rosaura, as the eldest daughter among the three, strives to maintain Mama Elena’s tradition and also barely cared about Tita as she married her lover. This can be compared to some people in the higher rank during the Mexican Revolution who wanted to maintain certain rules, for example the land reform which took away the land of farmers and indigenous people. They didn’t care about the people in the lower rank just like Rosaura didn’t care about Tita. Gertrudis, who is the middle daughter, is the only one in the family who was probably so desperate for freedom that she ran away from her family, ignoring the tradition of Mama.

Mama Elena is a very independent character who is also the mother of Gertrudis, Rosaura and Tita. When the Father comes over to the baptism party of Roberto, he questions who will take care of her and her ranch once Pedro is gone when she asks if she can move her daughter Rosaura to San Antonio, she says, “I’ve never needed a man for anything, all by myself, I’ve done all right with my ranch and my daughters” (80). This shows that Mama Elena didn’t need a husband to help her with anything, although the man is suppose to be the hardworker. Another reason is when Mame Elena says, “ Men aren’t that important in this life, Father”- she says emphatically” nor is the revolution as dangerous as you make it out! It’s worse to have chiles with no water around!

No human being is completely free. Individuals’ values, ideas and identities are influenced, and to a certain degree, shaped by the cultures and societies they live in. However, by realizing identity, an individual can find a sense of independence, which subsequently leads towards self-actualization. In the novel “Like Water for Chocolate”, by Laura Esquivel, the protagonist, Tita, faces her journey from a young, submissive daughter to a strong, independent woman who is eventually able to achieve self-actualization, which is reflected in her non-traditional sense of identity and independence, and is something that not only ties in with Maslow’s hierarchy of needs, but I can relate myself to as well.

Since Tita was unable to stand up to Mama Elena, she felt helpless, which she then realized how strong her fate for an identity would be nonexistent; however, Tita would not accept that fate. From the day Tita was born and past off to Nacha, the cook, Mama Elena formed resentment towards Tita, while attempting to make Tita obedient through force, cruelty and mistreatment. The physically punished Tita endured, multiple times, by the hands of Mama Elena, forced her to live the life as a servant and a house cook; as well as, arrange the wedding of her love, Pedro, to her sister, Rosaura (26-29). While under Nacha’s care, Mama Elena bounded Tita to the kitchen and constrained her to cook for the family, and if Mama Elena saw signs of Tita disobedience, she would strike Tita in rage. The preparations for Pedro and Rosaura’s wedding was Tita’s responsibility, which Mama Elena placed Tita in charge just to lower her spirits and eliminate any hope she may have within, causing Tita to have a weak moment that triggers her to hallucinate. In the opinion of

But of course Rosaura was hurt because of the fact that he brought Tita roses instead of her and Mama Elena did not approve and told Tita to throw them out, but Tita didn’t listen to her so she went into the kitchen to express them the best way she could which was through food, so she cooked the quail in rose petals sauce making the food have a sexual tension especially towards Gertrudis. When Pedro complimented the food Mama Elena downgraded it and Rosaura excused herself. Gertrudis was feeling very hot and lusty causing her to go to the bathroom and shower herself but that didn’t help and the heat from her body cause the bathroom to catch on fire which made her run out of the bathroom naked the opposite way of the ranch, pg. 51 in “Like Water for Chocolate says “The delicacy of her face, the perfection of her pure vaginal body contrasted with passion, the lust, the leapt from her eyes, from every pore. These things, and the sexual desire Juan had contained for so long while he was fighting in the mountains, made for a spectacular encounter.” The tension that she was feeling made her run away from the ranch with Juan on the horse and from there that’s when Gertrudis made love for the very first time. Those two examples were the two major recipes that showed how much Tita’s cooking had a big impact on the people that surrounded her and what it did to them to affect them.