preview

Analysis Of Louise Erdrich's Tracks

Decent Essays
Open Document

Tracks by Louise Erdrich takes place between 1912 and 1924, when the Europeans were forcibly stripping the Ojibwe of their homes, traditions, and human rights. Erdrich uses a mixture of complex language and literary techniques, such as the juxtaposition of narrators, in order to present a more complete story of the Native Americans in the novel Tracks. For foundation, the most intriguing part of the language in Tracks is the use of two different narrators Nanapush and Pauline. Erdrich’s characters complement, yet contradict each other in a first person perspective. Nanapush is a strong, respected elder of the community. He is also very tradition in his ways, for example, when discussing ways to teach Clarence a lesson for disrespecting Margaret and himself he explains to Nector “snares. They demand clever fingers and the ability to think exactly like your prey. That requires imagination, and that’s the reason snares have never failed me.” To follow, Nanapush also expressed his feeling towards Lulu’s diminished appearance when returned from the boarding school, “your braids were cut, your hair in a thick ragged bowl, and your dress a shabby and smoldering orange, a shameful color like a half-doused flame.” By opening his home to Eli and his arms to Lulu, Nanapush also proves to be reliable and heartwarming. In contrast, Pauline gives off a lot of contrasting traits. Pauline has both Native and European ethnicity in her, and although raised by the Ojibwe, later in the story

Get Access