Analysis Of Mad Max : Fury Road

The issue at the heart of the David Fincher film, Fight Club, is not that of man’s rebellion against a society of “men raised by women”. This is a film that outwardly exhibits itself as promoting the resurrection of the ‘ultra-male’, surreptitiously holding women accountable for the decay of manhood. However, the underlying truth of the film is not of resisting the force of destruction that is ‘woman’, or of resisting the corruption of manhood at her hand, but of penetrating the apathy needed to survive in an environment ruled by commercial desire, not need. In reality, Fight Club is a careful examination, through parody, of what it means to be a man; carefully examining the role of women in a society busy rushing towards sexual

Paul Haggis directed an Oscar winning film in 2004 called “Crash”, this movie basically talks about racism and the impact it has on the lives of people in Los Angeles. This movie got a good response from the viewers, as it concentrated on some real harsh realities of racism and asked some hard questions which are generally avoided in movies. This movie clearly promotes the a very delicate issue, and hence requires some detailed assessment. I personally feel the movie was good and it portrayed some very common events of racism, I think “Crash” shows realities, but in a not-so-realistic way.

In the beginning of the film Mad Max: Fury Road, most of the women are viewed as powerless, either being used to breed children or to produce milk. Albeit Furiosa, does not fit that category and she shows the women that they can be strong and that they can be powerful, by taking control of their lives to change their destiny.

In Hollywood film women 's roles have varied quiet considerably between genres, geographical placement, and period settings. These factors contribute to the different representations of women 's roles in the film they are present in. The roles are diverse going from the traditional maternal role to that of manipulative murderer. Women 's roles in movies can be almost equal to the male roles, and the co-stars are not given the majority of the acclaims just because they are male. Society has set certain standards that women are supposed to follow. The most common image of women is that they are very passive and try to avoid conflict in any situation. More and more in society women are breaking down the social barriers that confine them to their specific roles. The films Rear Window and Resident Evil show women in roles that are untraditional for our society. These two movies help to show how women are rebelling against social norms and that they are taking more active and aggressive roles. In film noir’s we can see women represented as the femme fatale, a woman whose mysterious and seductive charms leads men into compromising or dangerous situations. In action movies we see the heroine who is strong both physically and mentally, and has the ability to use weapons. Women seem to be more trapped than men because they are supposed to live up to society’s standards dealing with beauty and size, which are more physical characteristics. These specific guidelines have been set by

The film is centered on a group known as the Women’s Army. It is a group comprised of women who seek to eradicate the ever-present inequalities between males and females. They end up going on marches, networking with different radio shows and meeting together in order to find ways to educate women and the general public about the hypocritical nature of the government and its role in the social and economic status of women. In the beginning of the film we see men catcalling women as they walk down the street, harassing them while riding the subways, and even attempting to rape them in broad daylight. This highlights the impact of societies ideology about gender

“Iron Road” has successfully shown why Chinese workers came to Canada in the 1880s as well as the challenges they confronted. Most of the film’s storyline occurs in China, where it uses the point of view of a Chinese peasant called Little Tiger, to display the daily struggles of the Chinese. The setting is full of war and destruction, thus destroying many farms resulting in famine and poverty. This has resulted in peasants having insufficient funds to support themselves and making them live in unsanitary living spaces. As a result, this gave the workers more reason to move to Canada as there was also better income and resources there. However, once they arrived in Canada, they discover that the conditions there weren’t as good as they thought. Although they had a better income than they did in China, there was a lot of discrimination, dangerous working conditions and horrible living spaces. There was worse pay for the Chinese workers and they had to do the most life-threatening jobs like working with explosives as well as working on the side of a cliff with no harnesses. Throughout the film, “Iron Road” has used the setting, characters and point of view of a Chinese peasant to show that there were horrible conditions and chaos in China, as well as the racism, dangerous working conditions and poor living space the peasants faced in Canada.

Ex Machina goes above and beyond when it comes to science fiction and philosophy, if anything the movie leaves us with more question than answers. In the movie we are introduced to Caleb, a person we think has won the lottery only to find out he was chosen to be a participant for a Turing Test against AI, Ava, to see if she can pass as human. We are also introduced to Nathan who is the AI’s father of some sorts, he is wild, crazy genius that throughout the movie we are never sure if he is trustable or not. Nathan represents humanity at its darkest state; he is a self-destructive drunk who seeks his own demise. When he talks about the future and how the robots he created will take over the world, he talks about with awe like he can’t wait for

Die Hard, a film directed by John McTiernan, successfully utilized several aesthetics, which offered viewers various meanings throughout the duration of the film. Although the diverse meanings grasped by viewers may differ, it was clear to me that McTiernan effectively applied elements of cinematography and mise-en-scene that resulted in viewers being allowed to interpret a range of different meanings or functions of the elements.

Today’s filmmakers have three areas to focus on: the event or theme of the film, the audience who will be watching the film, and lastly, the individual characters and the roles they play and how they are portrayed and interpreted. Many of these films bottom line objectives are to focus on the “erotic needs of the male ego.” The focus on fetishistic scopophilia tend to slant the view such that we see the world as being dominated by men and that woman are

Neuromancer is an amazingly complex novel. Being one of the first of its kind, Gibson tells a chilling tale of a world where computers, and a thing called " the matrix," become more "real" than reality. The story, set in the not-so-distant future, has our hero, Henry Dorsett Case, embarking on an adventure that stretches the limits of the reader's imagination. But even though Case is our main character, there are others with as much or more power and influence. Women play a significant role in aiding Case throughout his mission. Not only are they noteworthy, they hold most of the "power" and at the end, it is a woman who holds the final "key." By using the feminist approach to literary

When it comes to the film industry, entertainment is the tool used to acquire what is desired, money. The main goal for filmmakers when they create a film is to attain money in addition to the money spent to make the movie. Therefore, in some films that they like to base off of true accounts, it is somewhat necessary to dramatize or embellish the story to really tug at the heartstrings of the films audience. They achieve this goal by the use of dramatic music, ambient lighting, and a small amount of tweaked diction. The Fighter is an excellent example of this dramatization in action because throughout the film the characters are faced with a multitude of decisions that must be made. The choices they make require the characters to choose

George Miller’s action packed film Mad Max: Fury Road, shines a new light on the role of women in contemporary culture. Mad Max takes place in what is called the “The Citadel”, a post apocalyptic wasteland, where an infamous tyrant by the name of Immortan Joe rules all women and war boys as servants. As the fourth installment in the Mad Max trilogy and an honorable rating of 8.1/10 (Imbd.com), what really makes the film one of a kind is that the movie, usually lead by the vengeful male protagonist, Max Rockatansky, is actually centered on a female cast this time around. By centering the film around a female cast, it alone challenges the views of feminism in popular culture because it portrays women in successful leadership roles, otherwise given to men in a notable action film and popular media. Miller provides the film with the reoccurring role of Max Rockatansky but this time focuses on a new strong and willing female cast, led by a determined Imperator Furiosa who is played by the talented Charlize Theron. In the film, Furiosa and the fives wives are obligated to serve Immortan Joe as slaves and breeders, so the five wives put their lives on the line and with the assistance of the Vulvani, challenge male authority in hope of winning back their freedom. By closely examining feminist ideologies and the actions of the female heroines in the film, the audience can determine the feminist tendencies and message Fury Road is sending popular

Action-packed and highly-rated, Mad Max: Fury Road is a critically-acclaimed film about a journey of survival through a post-apocalyptic wasteland. There is no doubt that post-apocalyptic films are becoming increasingly popular among audiences as seen with movies such as the Hunger Games. However, Leggatt (2012) describes another variation in the post-apocalyptic genre, one that has been dubbed post-9/11 after a string of patterns prevalent in some post-apocalyptic films. Leggatt’s definition of post-9/11 apocalyptic films are ones that have a pessimistic tone towards the future of a society. As the world evolves and progresses, many new issues overlap and outgrow previous issues that have plagued the world before - though this transgression, the film industry follows suit in order to invent stories and media that is thought-provoking and relevant to changing society. Mad Max: Fury Road (2015) is a film that encapsulates many elements of Leggatt’s post 9/11 apocalypse film genre through the apocalyptic setting, derailment of redemption, and societal obsession with apocalypse over utopia.

The movie chosen for this research is “Rush Hour 2”, which compactly contains set of various stereotypes of Asians, African-Americans, and Latinos in American film as well as provides examples of portraying sexuality in movies. It’s a comedy action film; it’s also a classical buddy story with unorthodox for that time buddies: African-American and Asian characters. The movie was directed by Brett Ratner, produced and distributed by New Line Cinema, story written by Ross LaManna and Jeff Nathanson. Soundtrack is written by a famous Argentinian composer Lalo Schifrin. The movie was released in 2001 as a part two of a sequel, continuation of a successful story about two detectives, one from Hong Kong and another LA, solving international crimes together. The movie was shot in Santa Clarita California, starring Jackie Chan, Chris Tucker, John Lone, Alan King, Roselyn Sanchez, Harris Yulin and Zhang Ziyi. "Rush Hour 2" is rated PG-13 for action violence, language and some sexual material (IMDB). The movie’s budget was $90 million and the box office was around $347.3 million, which is considered to be a huge success for a movie, where both main characters are non-white, which was not the case back in 2001. The movie was nominated twenty one times and won ten awards, including MTV Asia Awards for a favorite movie.

In the movie Crash, the director Paul Haggis interweaves multiple connected stories about race, class, family, and gender in Los Angeles, California after the 9/11 event. All the characters are shown to have life changing experiences with their conflicts of stereotypes, prejudice, and racism within a span of 36 hours. This movie has won three Oscars and was deemed “expertly written” and “Best Picture Oscar-winner … sprawling and ambitious, episodic and contrived” by Cynthia Fuchs, a professional movie critic. So, how did this movie become so well-known and popular in the U.S., even though there are already so many movies with similar themes?