Analysis Of Marjane Satrapi 's ' Persepolis ' Essay

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In her autobiographical comic Persepolis, Marjane Satrapi, within the first five pages of the book, tells the reader that she was born with religion. She immediately explains (in regards to the Islamic practice of veiling) that “I really didn’t know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde” (Persepolis, 2003, pg. 6). For western feminists, this ambivalence towards the veil has been a common topic of discourse. In secularized western countries, the veil is often viewed as a symbol of patriarchal oppression. In France (where Satrapi currently lives), for example, there have been numerous laws banning different forms of the veil (such as the burka and the niqab) with many critics, such as former French president Nicolas Sarkozy, arguing that they are “oppressive” and “not welcome” in France (“The Islamic veil across Europe,” 2014, pg. 1). This is the western view of the veil, but what do Muslim women think of the veil and the fundamentalist values that westerners often associate with it? For Satrapi, the Islamic faith was a source of comfort for her when she was a child. In fact, she was so enraptured by her faith that she told her school teacher she wanted to be a prophet when she grew up (Persepolis, 2003, pg. 8). However, this sentiment quickly changes when her uncle Anoosh is executed as a result of the Iranian revolution. She confronts God and shouts “Shut up you! Get out of my life! I never want to
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