Analysis Of Mary Maloney In A Mamb To The Slaughter

She lifted it out, and looked at it---a leg of lamb “ (Page 2). The fact that Mary Maloney can’t even feel herself doing anything, corresponds to how shocked she is. As a matter of fact, that is when her consciousness of her action momentarily fades away. She cannot accept the fact that her beloved husband would betray her like this, but in a way, the introduction to the story already tells us that their relationship isn’t strong and loving. Also, Mary is shown to have picked the very first thing she found, which was a lamb leg. This proves that she had no intention of premeditating a weapon beforehand, but instead used whatever she could find to let out her emotions. In addition, pregnant women are more emotionally unstable and because of that Mary Maloney couldn’t handle the stress of the news her husband told her. The final quote that proves her temporary insanity is, “She stepped back, waiting, and the strange thing was that he remained standing there for at least four or five seconds. Then he crashed onto the carpet. The violence of the crash, the noise, the small table overturning, helped to bring her out of the shock… It was extraordinary, now, how clear her mind became all of a sudden. She began thinking very fast. As the wife of a detective, she knew what the punishment would be…In fact, it would be a relief. On the other hand, what about the baby ” (Page 2)? Not only did she regain her consciousness, moments after her husband’s death, but she also

Mary begins the story as a doting housewife going through her daily routine with her husband. She is content to sit in his company silently until he begins a conversation. Everything is going as usual until he goes “ slowly to get himself another drink” while telling Mary to “sit down” (Dahl 1). This shocks Mary as she is used to getting things for him. After downing his second drink, her husband coldly informs her that he is leaving her and the child. This brutal news prompts the first change in Mary, from loving wife to emotionless and detached from everything.

Mary has one motive for murdering her husband. The motive is that she couldn’t accept the fact that her husband was leaving her. He says, “ ‘This is going to be a bit of a shock to you, I 'm afraid,’ he said. ‘But I 've thought about it a good deal and I 've decided the only thing to do is tell you right away. I hope you won 't blame me too much...So there it is,’ he added. ‘And I know it 's kind of a bad time to be telling you, bet there simply wasn 't any other way. Of course I 'll give you money and see you 're looked after. But there needn 't really be any fuss. I hope not anyway. It wouldn 't be very good for my job.’ " Although he didn’t say the exact words the reader can infer this when he states “… i’ll give you money and see you 're looked after. But there needn 't really be any fuss. I hope not anyway. It wouldn 't be very good for my job…” Some readers might disagree with her for killing her husband because he was leaving her, but she was truly in love with him

Throughout the story Dahl also use Verbal Irony to make Mary seem as an innocent being and not knowing anything that happened. After the death of her husband, she sets a plot to show that she didn't know her husband was dead. In the story, Mary tells the clerk, “Patrick had decided he is tired and doesn't want to eat out” (Dahl 320). This is a lie because Patrick never wanted food. Mary is saying this to make it look like she is cooking for the both of them and like nothing happened that night. Later that night when Mary gets home, she walks in asking her husband how he is doing (Dahl 321). Thus, this is verbal irony being used by Mary because she knows that her husband is dead on the floor. She say this trying to

The irony in the story doesn’t really start until the end of the second page when Mary kills her husband and then in the most calm manner says, “All right… so I’ve killed him”(Dahl 3). Everything the reader has seen up to this point about Mary’s character is that she is docile, little housewife that will do anything to make her husband happy. She eagerly awaits her husband's return from work and does everything she can to make him comfortable rushing to pour him a drink or offering to get his slippers. Taking a piece of meat and using it to crush one’s husband's skull is the exact opposite of these traits that have been seen previously in Mary. Add

There’s plenty of meat and stuff in the freezer, and you can have it right here and not even have to move out of the chair’’’ (2). Mary only ever want to please Patrick. She made sure everything was perfect for him and to never do anything wrong. She could not think of anything she had done to deserve such news. She immediately rejected the news and decided to pretend as if it never happened. Patrick was behaving so cruel to her while she was being nothing but nice to him. She even continued to make him dinner and he yelled at her saying not to because he is going out. This angered Mary resulting her to hit him with the leg of lamb and kill him. This shows that Mary is a sympathetic character because she was always compliant to Patrick. He had no right to disrespect her as he did.

In Roald Dahl's 1951 short story, "Lamb to the Slaughter," Mary Maloney comes to embody a feminist heroine by escaping her husband's oppression. Her behaviour in the

The first reason why I believe Mary is criminally responsible for her role in the murder of her husband is because of the way she manipulated the crime scene. Mary brutally murdered her husband with a frozen leg of lamb, an unusual choice in the first place. After committing the murder, and realizing what she had done, Mary leaves his body limp and lifeless on the floor, and goes upstairs to clean up, and make herself presentable. “All right, she told herself, So I’ve killed him.” (Dahl 382). This sudden realization shows that Mary knows what she’s done and comprehends the gravity of the situation. “Then she washed her hands and ran upstairs to the bedroom. She sat down

Mary is very manipulative in that she is able to create the character of the poor, pregnant wife, whose husband has just been murdered. She is able to convince the police to take pity on her, to mix her a drink and then to even eat the evidence, the leg of lamb that she has left in the oven. "Why don’t you eat up that lamb that is in the oven" (Dahl, p. 17). Mary realizes that if the police find the evidence she will go to jail. Her quick thinking and manipulative character results in the police officers eathign the evidence and therefore she cannot be charged of this crime. These actions show the complex character that Mary Maloney truly is.

Mary Maloney appears to be a peaceful, pregnant wife who adores her husband. She seems to be at peace with herself and her life serving her husband’s every need. Roald Dahl, the author, creates this innocent, young character to surprise and keep the readers in wonder of what happens next. Dahl also uses the literary device of irony to develop his story. In the short story, “Lamb to the Slaughter,” Roald Dahl uses verbal, situational, and dramatic irony to construct an amusing murder story.

Moreover, after committing the murder, Mary is able to keep her emotions together, and work towards keeping herself, and her baby, alive. Moments like when

This is where the reader knows more then the characters, having seen the murder from Mary’s point of view and now watching the police officers discuss the crime. Also ironic, is that the police officers are doing Mary a huge favour by eating the evidence, making her practically undiscoverable. What is also special about the story, is that in the very beginning, Mary Maloney is described as a weak woman, only devoted to her husband and submissively in love with him. The reader is completely shocked when she murders her husband.

In “Lamb to the Slaughter,” the husband was killed with a frozen leg of lamb. The woman, his wife, who killed him was named Mary Maloney. One can relate this story to the children’s nursery rhyme, “Mary Had a Little Lamb”. Similarly, both stories take place in the 50’s, with a housewife and a working husband. In the stories, the husband is disrespectful to the wife or angers her in some way, which ultimately leads to his death.

Deceit is a poisonous character trait. Characters who possess this trait are untrustworthy. Roald Dahl craftily illustrates this in his short stories “Lamb to Slaughter” and “The Landlady”. “Lamb to Slaughter” is the story of Mary Maloney, a young pregnant woman struggling to cope with her husband’s betrayal; “The Landlady” tells the tale of a sneaky bed-and-breakfast owner who never lets her tenants leave. Therefore, Dahl’s incorporation of these characters within his short stories are the epitome of deceitfulness.

Mary's husband tells her that he is leaving her. "´So there it is," he added. "And I know it's a bad time to be telling you this, but there simply wasn't any other way. Of course, I'll give you money and see that you're taken care of. But there really shouldn't be any problem. I hope not, in any case.´¨ The husband makes it sound like Mary must depend on him -- like she is worthless without him. In reality, Mary can take care of herself. As if to prove this point Dahl has Mary kill her husband. Which can be seen as the ultimate act of revenge. At this point, Mary has called the cops and they are arriving. ¨´The car came very quickly, and when she opened the front door, two policemen walked in. She knew them both. She knew nearly all the men at the police station."Is he dead?" she cried. "I'm afraid he is. What happened?´" This is perhaps the darkest form of revenge simply out of the fact that the statements she makes are out of anger. It is plain deceit -- Mary is lying to men she has known for a long time. The dark and simple dialogue in this section of Lamb to the Slaughter shows an extreme form of revenge, in the case, murder.