Analysis Of Mary Shelley 's ' Frankenstein '

Victor had an obligation to care for his creation, but chooses at first glance of his construction to abscond from its presence. The comparison of Victor as God-like highlights Enlightenment philosophers who have gone beyond the limits of humanity in order to attain knowledge. Victor is characterized then as a savant manipulating nature. The Creature acts as a balance for philosophers to stop and reflect upon their own enterprise and determine the fine line between acceptable and unacceptable knowledge as it pertains to nature. To this end, Shelley enforces that humanity must pay due respect to the limits placed in front of them by avoiding the Enlightenment philosophy that man is to find a definite definition for every phenomenon he encounters.

In the passage Shelley skillfully paints an intense image in the audience’s mind. Although it should be an exciting moment for Victor, Shelley purposely makes the scene dark, drab, and dreary. She chooses illustrate this scene in a sinister way because this moment is only the beginning of the horrors come. She achieves her dark image by incorporating details such as the lighting, weather, time of day, and even the time of year. All of these details come together to effectively paint a vivid picture of Victor and his creation as he breathes life into it. The imagery in this passage also greatly affects the tone of the passage.

"A Hermit is simply a person to whom society has failed to adjust itself." (Will Cuppy). In the gothic novel Frankenstein by Mary Shelley we follow the life of Victor Frankenstein in 18th century Germany. Shelley displays a recurring theme of isolation and how it drives once good people to do terrible things. If civilization does not adjust itself to a creature of any kind they will be forced into isolation and ultimately self destruction.

Through the development of Victor and the creature’s relationship, questions are raised about the responsibilities of the creator and what values make us human. Victor makes a creature that he abandons to the harsh world where he is not understood. This shapes the way the creature is developed and supports the ‘blank slate’ idea of Shelley’s context. Shelley challenges the values that assume we are born with a certain fate and those who are bad deserve bad lives. She puts forward the Enlightenment idea that humans are all born with the potential to be good. Shelly shows this through the relationship between Victor and the creature, who both need love and compassion; aspects of human nature that are given through nurture. The creature had been capable of impulsive acts of kindness as he rescues a child from the river and does acts of kindness for the De Laceys. Shelley uses this to represent the potential for good in human nature and that people are not predetermined but can be turned to evil if neglected: "I was benevolent and good; misery made me a fiend". These are the results of Victor’s blind ambition, self pity and disregard for his responsibilities, all unfavorable aspects of human nature.

Mary Shelley 's Frankenstein is a riveting story that not only succeeded in captivating the reader 's attention, but also comments on societal views on “Good” and “Evil”. The story draws a parallel between the main character Victor Frankenstein and his creation The Crauter. The novel undoubtedly contains evil and acts of evil yet it is not apparent who is the true “Monster”; the creator or the creation. Victor Frankenstein is a selfish man who, out of a surplus in ego, created something that should have never lived. That creation, the creature, went on to commit murder and bring a real sense of hell on Earth to those whom he surrounded himself with. So, the question is asked “who is more evil, Frankenstein or his creation?” The crux of

John Locke is one of the most influential Enlightenment thinkers and is famously known for asserting that all humans have natural rights. He also believed that humans are born with clean slates, and that the environment humans grow in, especially at a young age, has massive influences on aspects of their personalities, ideals, and motivations. Shelley was most definitely influenced by this claim when writing Frankenstein. As the reader, we can see the monster that Victor Frankenstein creates grow up alone, without guidance, and be formed by the experiences it is put through while trying to survive. Its emotions and beliefs throughout the book were merely a result of its experiences as it encounters the harsh reality of the world. Mary

In Frankenstein, written by Mary Shelley, the creation, made from scraps of corpses, was built by Victor Frankenstein, a man fascinated and obsessed with the knowledge of life. Following the creation’s rouse, Victor immediately abandons him with no desire on keeping or teaching his new being. Because of his lack of nourishment and direction “growing up”, the creation goes through a process of self-deception. He endures a period of deceit by believing that he is a normal human being like everyone around him. But as time progresses, he learns to accept how he is alone in this world and disconnected with everyone. Because of the creation’s lack of guidance and isolation, he grows up feeling unwanted.

Beauty is often the most lethal poison. It intoxicates both the beholder and the beheld. Humans are raised into a society that instills certain standards of elegance and beauty. In Mary Shelley’s Frankenstein, the woes and misery of the monster is brought to the readers’ attention as humans constantly berate and abuse the creature for it’s hideous body. Mary Shelley’s Frankenstein discusses the advantages and the detriments that an alluring versus unappealing body provides a person, and how that person is affected due to the pressures and assumptions of society placed upon their shoulders. Mary Shelley may have been amongst the first to examine the concept of beauty and the advantages it provides. She insinuates that the conformity of the ideals of beauty place shackles, and struggles upon those who do not fit into such standards.

In Mary Shelley’s, Frankenstein, she shows that good people can turn evil, but are not born this way. Humans being rude and isolating someone can make a person go insane and do things they are not proud of. Shelley shows this through the creature that Frankenstein creates and gives examples showing his evilness, but also shows that the creature tries to explain many times that he wants a friend and cannot find one because of his appearance and why he does things that are not of good character through the eyes of human beings.

Within many pieces of gothic literature, women are absent in order to show the control and dominance that men have in society. Frankenstein is particularly notable for its number of absent mothers. This may link to Mary Shelley’s own life, as her birth caused the death of her mother, Mary Wollstonecraft. The main absent mother in the novel, is the motherless monster. Although the monster was not born, he was created by Victor Frankenstein who he sees as a mother figure. Margaret Homans argues that while Frankenstein is creating the monster – while he is pregnant with it, one might say – he is full of excitement and anticipation; but as soon as it is “born”, he hates and rejects his own creation, his own “child”.

Modern society values the pursuit of passion; it is generally regarded as worthwhile and beneficial. However, a fine line separates passion from obsession. “Passion” is an extravagant desire for something. By contrast, “obsession” carries more sinister connotations. Particularly, it occurs when a persistent desire dominates an individual’s reason. An impassioned mind easily becomes obsessive when the desire grows into an uncontrollable ambition. Moreover, absolute obsession can be dangerous; specifically, the fixation on a single idea can lead to impaired moral judgement. Victor Frankenstein kindles a passion for natural philosophy, devoting hours to study the works of famous alchemists. As the years pass, Victor’s curiosity in natural science becomes a seeming obsession, setting the stage for the disastrous outcomes in the novel. The tragedies that transpire in Mary Shelley’s Frankenstein are direct consequences of Victor’s obsessive pursuit in science, as demonstrated through his self-imposed isolation from society, the creature’s countless rejection, and the demise of Victor and his family. Therefore, Victor’s unbridled scientific ambition clearly illustrates the dangers of an obsessive mind and the horror it can bring upon.

Alienation is a product of society’s inherently discriminatory bias, catalyzed by our fear of the unknown in the realm of interpersonal conduct. Mary Shelley, in her novel, Frankenstein, dissects society’s unmerited demonization of individuals who defy—voluntarily or involuntarily—conventional norms. Furthermore, through her detailed parallel development of Frankenstein and his monster, Shelley personifies the tendency to alienate on the basis of physical deformity, thereby illustrating the role of the visual in the obfuscation of morality.

In the novel, Frankenstein, by Mary Shelley, the Creature 's only need is for a female companion, which he asks Victor Frankenstein his maker to create. Shelley shows the argument between the creature and Frankenstein. The creature says: "I demand a creature of another sex, but as hideous as myself" (Shelley 139). Shelley shows what the creature wants from Frankenstein and what his needs are. Shelley gives us an idea of the sympathy that Frankenstein might feel for the creature even though he neglects him. The creature confronts Victor demanding his attention and expressing his needs. I feel a lot of sympathy for the creature based on him being able to forgive Victor for abandoning him and being able to communicate with him.

Mary Shelley’s life was constantly enveloped in tragedy and scandal, so it is no surprise that a despairing work of gothic science fiction would result form an ill-fated, tortured soul like Shelley. From the very beginning of her life, Shelley experienced great misfortune with the passing of her mother. Later on, three of her four children died in their infancy, and her husband drowned off the shore of Tuscany. It would not be hard to believe that it was this series of burdensome life events that acted as inspiration for Shelley’s melancholy novel. It is also no wonder that the heavy notion of “playing God” serves as a driving force for this book, after all, bringing her loved ones back to life was something that Shelley probably spent a great deal of time contemplating about. The novel most likely served as an outlet for those thoughts, helping her put things into perspective and not get beyond herself into a state of insanity. In the book’s introduction, we are presented with a quote by Shelley that describes a vision that inspired Frankenstein and her first image of what would eventually become Victor and the monster.

Introduction: Mary Shelley’s “Frankenstein” is a book with a deep message that touches to the very heart. This message implies that the reader will not see the story only from the perspective of the narrator but also reveal numerous hidden opinions and form a personal interpretation of the novel. One of its primary statements is that no one is born a monster and a “monster” is created throughout socialization, and the process of socialization starts from the contact with the “creator”. It is Victor Frankenstein that could not take the responsibility for his creature and was not able to take care of his “child”. Pride and vanity were the qualities that directed Victor Frankenstein to his discovery of life: “...So much has been done, exclaimed the soul of Frankenstein-more, far more, will I achieve: treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation”[p.47]. He could not cope with this discovery and simply ignored it. The tragedy of Victor Frankenstein and the tragedy of his creature is the same – it is the tragedy of loneliness and confronting the world, trying to find a place in it and deserve someone’s love. The creature would have never become a monster if it got the love it strived for. Victor Frankenstein would have never converted his creature into a monster if he knew how to love and take responsibility for the ones we bring to this world.