Analysis Of Maxine Hong Kingston's The Woman Warrior

They are afraid, that the “Canadians” will assume that they are poor. in the poor village in china in which grandmamma grew up, searching through the garbage was acceptable, but in Canadian it is frowned upon. Therefore, Choy identifies that these two generations have different perspectives about Chinese culture, and fails to grasp important information about the norms and cultural views. While the children attempted to fit in, their father and stepmother were determined to hold on to their Chinese roots. It shows that as the younger generations, integrate into the American culture, individuals move forward, and the definitions of “Chinese” as older generation alters, for younger generations. It also portrays that the older generations politically need to adapt need to adopt with the “Canadians”, because as time progresses, identities culture and traditional perspectives will begin to change with the Chinese-Canadian culture. It demonstrates that culture will have to integrate into an Canadian society in order to be inclusive

There was a time when America was segregated; Caucasians and African Americans were forced to attend different restrooms, restaurants, and water fountains. However, the era of segregation has been terminated; now America embraces and appreciates the various cultures and ethnicities that create this melting pot several people call home. Likewise, it is this melting pot, or mosaic, of races that multitudes of individuals have identified themselves with. Thus, race and ethnicity does matter for it portrays vital and crucial roles in the contemporary American society. Furthermore, ethnicity and race brings communities together in unity, determines which traditions and ideals individuals may choose to value, and imposes an impediment for it categorizes humans unjustly.

In this essay, I attempted to lay bare the issues of being an Asian-American and being labeled as an ethnic “other” in modern America. This label of “other” causes them to become marginalized and lose their sense of identity, belonging neither to Western culture nor Eastern culture. In order help stop this loss of identity in Asian-Americans, we must tear down the social construct of the “other” and integrate the different cultures into the melting pot of popular culture. Once we have stopped alienating different cultures, we can then have a moral society that upholds diversity and identity.

America has always been labeled the “melting pot” and the “land of the free,” but when one is analyzing the history and social norms of the country, these statements are far from true. America has thrived through the oppression of minority groups and social pressure towards these groups to conform to the majority culture. In any historical sense, from the near extermination of Native Americans to the racial profiling of Muslim individuals after the 9/11 terrorist attacks, minority groups have always been the victims and have always been viewed as different if they do not assimilate into the “typical” American culture. Numerous works of literature have successfully displayed the struggles that minorities face when attempting to conform. Two works in particular, The Absolutely True Diary of a Part-Time Indian by Alexie Sherman and When the Emperor Was Divine by Julie Otsuka, tell stories of two different minority groups: Native Americans living in the 21st century and Japanese-Americans during World War II. While these stories are separated by several decades, it is clear that American culture has not changed, as each story exemplifies how difficult it truly is to leave old cultural norms behind in order to be accepted by the majority.

In Asian American studies, identity is “a set of characteristics or a description that distinguishes a person or thing from others” (Ho 125). One would have to truly perceive his or her culture, language, beliefs, customs and values in order to be viewed as a distinct person in terms of identity. However, many Asian Americans are often faced with personal struggles when they are finding their own identity. These included the issues of assimilation, and contradictions of race and identity within their family and school life. They may sometimes feel insecure with their identity as Asian Americans due to their position as racial minorities in the Unites States. As a consequence, some would unconsciously reject their identity when their emotions are severely damaged in confronting with unequal treatment or being labeled with the Asian stereotypes. In his article “Distilling My Korean American Identity,” Patrick S.

She can never fully assimilate to the American way because others cannot over look her different cultural heritage. However, she cannot fully revert back to her Japanese culture. She has lost touch to the language and traditions. Her linkage to Japanese culture go back so far that the only remnants of her Japanese identity can only be identified through blood. Trying to find an escape from this scrutiny, Nishio seeks refuge in art. However, coming from the west coast, she remains an outsider when she comes to the east coast. The artistic styles differ on the opposing coasts, which makes it hard for Nishio to identify as one or the other. Nishio’s background puts her in the position of an outsider. Another outsider who presents her story through her memoir The Woman Warrior is Maxine Hong-Kingston. Kingston is an outsider in both the American and Chinese community. Kingston could never figure out “American-feminine” (Kingston, 204). Her Chinese blood interferes with Kingston’s potential of becoming a “true American.” The Chinese and American standards contrast one another rather than complement each other, which compiles Kingston’s hate, especially towards her Chinese

Throughout the novel he focuses on the notion of language and how being a native speaker provides evidence for one to claim or be seen as a native of America. Chang-Rae Lee

Maxine Hong Kingston’s “The Woman Warrior” is novel composed of myths and memoirs that have shaped her life. Her mother’s talk-stories about her no name aunt, her own interpretation of Fa Mu Lan, the stories of ghosts in doom rooms and American culture have been the basis of her learning. She learned morals, truths, and principals that would be the basis of her individuality.

As the United State is becoming more of a diverse country, cultural adaptation is becoming the norm, as well as, bicultural identity. “Culture change has traditionally referred to the modifications, revisions, and new manners of expression that result from the process of interaction between cultures.” Robbins,Chatterjee and Canda, (2012) (pg.135). When any culture, individual has embedded within a community that assimilates the heritage receiving the culture biculturalism likely to emerge.

Throughout the novel The Woman Warrior, by Maxine Hong Kingston, the past is incorporated into the present through talk-stories combined into each chapter. Kingston uses talk-stories, to examine the intermingling of Chinese myths and lived experiences. These stories influence the life of the narrator as the past is constantly spoken about from the time she is young until the novel ends and she becomes an adult. Kingston incorporates two cultures. She is not a direct recipient of Chinese culture, but she has her own sense of talk-story, that she learns from her mother, which tells the old Chinese stories with a sense of myth, in a new American way. This is a way of weaving two cultures together, bringing the Chinese past into her present American life.

As a result, they are able to claim one’s ethnic identity is voluntary and symbolic. One’s family structure, surname, ranking of preferred ancestry, and intermarriage patterns affect white American’s “choice” of primary ethnic identity. Waters theorizes that symbolic ethnicity fulfills Americans values of individualism and conformity simultaneously while granting individuals the freedom of choice. In other words, symbolic ethnicity for white Americans is a way to claim membership while feeling unique and “special.” However, as Waters points out, such freedom of choice in claiming ethnicity is not guaranteed for non-white. White Americans unknowingly (or knowingly) perpetuate racism through their symbolic ethnicity because they consider all ethnic identities to be “equal” as their own, ignoring the structural inequalities faced by non-white racial minorities in the United States. They not only equate their ethnicity with non-white ethnicities, but also consider the level of discrimination and marginalization their parent and grandparent generations experienced to be similar to that of non-whites in contemporary society. However, the reality is very different—in today’s hierarchical racial structure of the United States, non-whites experience structural and interpersonal racism and because

The theme of “voiceless woman” throughout the book “the woman warrior” is of great importance. Maxine Kingston narrates several stories in which gives clear examples on how woman in her family are diminished and silenced by Chinese culture. The author not only provides a voice for herself but also for other women in her family and in her community that did not had the opportunity to speak out and tell their stories.

Thesis: The similarities of coming of age tales and how women grow up and are shaped by love, sex, and marriage. (OR MOTHER HOOD AND COMING OF AGE)

Wong feels that she needs to fit into the dominant culture from an early age. The reason for this is because society stresses the dominate culture, promotes the dominate culture and pressures immigrant children to fit in. Wong uses herself as an example of the tremendous pressure children of immigrants are under to fit in, which is a burden placed on them by society. The pressure is so great that many are embarrassed by their roots and their heritage. Wong experiences this burden, and this is what drives her to want to become the stereotypical All-American girl. She learns to hate her culture so much that she does not want anything to do with it and she wants a divorce from her ethnic roots, “Wong’s adolescent embarrassment of her ethnic

At this point in her autobiography, Kingston remains disoriented about her position in the two enveloping cultures, and Ling suggests this idea by considering the significance of Kingston's two culturally different responses rather than only one- either American or Chinese.