Analysis Of Mira Nair's 'Monsoon Wedding'

Jesminder Bhamra, like the director, is British-Asian. Just like Director Chadha had refused to take traditional Punjabi dancing lessons and watch Bollywood films as a child, Jesminder unintentionally rebels when trying to integrate cultures. Jesminder’s traditional Sikh parents want her to be ‘good’ by completing university and marrying an Indian man. However, due to local

Such hints are clearly visible during the opening scenes of the film. Ravi recounts how, even as a child, he had always felt that he didn’t fit it. With his multicultural background, one could sympathize with his struggle to fully assimilate into an American lifestyle. Moreover, the viewer learns that in the face of a family trip to Gujarat – the area from which his parents emigrated nearly 35 years ago – Ravi reveals to the audience that he has recently broken up with Audrey, a red-haired American woman whom he had been seeing without his parents’ knowledge for the past two years. With the single status of both Ravi and his older sister Geeta plaguing the traditional mindsets of their parents, the marriage question is very much a code red. At the same time, Ravi also states that the strain of living a “double life” – that is, blending his own cultural background and heritage with his and Audrey’s relationship – was ultimately

As a beginning of this film, a myth is told by the Nyinba people of Nepal: a story of fearsome spirits thought to kill children and the weak. Their crime was adulterous passionate love and it was this that had condemned them to live eternally between life and death. In this film, we learn about and explore marriages in tribal societies. We can clearly identify the differences that challenge both side’s ideas and sensibilities about marriage bonds.

The marriage is one of the best things to make a happy life. Many years ago, parents had arranged marriages for their children. In Asia, as the customs of Vietnam, parents who decide and arrange the marriages of their children. Normally, parents flanked by close friends so they wanted their children to marry parent friend’s children, and gratitude between them will be even stronger together. Additionally, parents arranged for their children to marry the wealthy children to give their children full life. Also, parents choose their child partners and it is their customs. These children have no right to disobey and reject marriage. Their children married without ever knowing each other or see each other 's face. According to the book “The Immigrant Advantage,” it has a story of the Indian girl married under the marriage arranged by her parents. Until now, the Indian customs that still exist. Not only in India, in other countries, there is still customary marriages arranged by parents. Vietnam is no longer

In the film Monsoon Wedding, Indian culture is illustrated in the practices of the traditional Punjabi wedding. The wedding in the film was arranged as is the norm in Indian culture. Thought the wedding was rushed it was not forced. Aditi wanted to be married having realised the uncertainty of her previous relationship with a married man.

Ali explained to me that in her Hindu culture and religion, it was custom to have a marriage between two people arranged by the parents. My shock turned to confusion; I had only heard of arranged marriages in movies and books. Not something seen in real life. I was used to a culture where the majority of the population is Catholic and Hispanic and couples choose each other. Since she’s my friend, my first thought was concern for her happiness in an arranged marriage after living in the United States for so long. How much of our culture and customs has she absorbed and what impact will it have on her “arrangement”? But, she then mentioned she was happy and excited because she knew and liked the person whom she is set to marry. My concern for her arranged marriage dissipated; I knew that what may not seem normal for me was normal for her. So, I also came to realize the important part here was that she was happy. I didn’t know it then, but those thirty minutes around lunch table altered my views and they were forever changed for the better. It also exposed me to a small part of the world outside of my non-diverse border

Hank’s physician assistant Divya Katdare, is of Indian decent, who’s parents to do not approve of her working in the medical field. Instead, her family sticks to the traditional Indian cultural roles of arranged marriage, which eventually falls apart and becomes shunned by her parents for a time for not obeying their wishes. In this instance, we can see the cultural values of the United States beginning to shine through. Freedom to choose and marry whomever a person wants is a cultural norm and something that is prided upon by Americans. As a culture, we tend to look down on cultural traditions where individuals are forced into arranged marriages. This also goes along with stereotypical views of Indian culture. If their children do not obey the parents, they suffer from being shunned by their

These two aspects are also one of the key elements in “Monsoon Wedding”. The convocation of Varun and his father clearly demonstrate how Nair has reflects the India caste system (Mrdowling2005) within the movie.

Couples who dare cross the social conventions have to cope with a lot of social pressure within their families and outside. These problems are more acute in the rural areas compared to the urban areas and metropolitan cities. Much depends upon the family background. If parents are educated and enlightened on both sides, things would be easier for the children, who get involved in unconventional relationships. One of the evils of Hindu marriages is the ubiquitous dowry system.

Nothing will ever go according to plan. Tests are failed, people are changed, loves are lost. As is the case with Tim Burton’s The Corpse Bride, following the story of an elegiac young man, the son of newly rich fishmongers. Victor Van Dort (Johnny Depp) is betrothed to Victoria Everglot (Emily Watson), the daughter of penniless aristocrats, to heighten both of their families, and despite his initial terror, he falls in love with her. Unfortunately, Victor has a horrible time at the rehearsal and cannot remember his vows, leading him off into the words where, while practicing, he inadvertently puts the wedding ring on the Corpse Bride (Helena Bonham Carter), a young woman who was murdered on her wedding day for her parent 's money. Victor’s adventures in the land of the dead tear him between his new wife and his intended bride, while teaching him more about himself and those around him. Throughout the film, the elegantly lifelike clay figures portray the lifelessness of the living juxtaposed with the liveliness of the dead in Victorian Europe.

Monsoon Wedding, a Bollywood film directed by Mira Nair and released in 2001, earned just above $30 million at the box office [1]. The film brilliantly depicts romantic entanglements during a traditional Punjabi wedding in Delhi, while delicately handling sensitive issues such as child-abuse, pre-arranged marital infidelity, growing old and striving to be different as an upper middle class Indian boy, or being a flirtatious, bored but basically settled NRI (non-resident Indian) housewife. The film won the Golden Lion award and received a Golden Globe Award nomination, achieving a total of six wins and ten nominations [2].

Marriage is a significant social event in contemporary society. It is a means of building new bonds between two individuals and their subsequent families. The foundations of memorable weddings are built on those that bring often-distant family and friends together for the occasion, while dressed in their most sophisticated attire, surrounded by elegant flowers, a night of dancing, captured through the lens of an exceptional photographer. Although Hinduism and Islam are two extremely distinctive religions, their matrimonial customs do share some comparable elements, like most other cultural wedding ceremonies. In both religions, they are devotedly obedient concerning religious and cultural practices in their marital ceremonies.

Crawford (2012) described many difference characteristics in mate selection which may potentially lead to marriage. She first describes marriage as being institutionalized because the laws (and certain religions) tells you who you can and cannot marry, when you can marry, and the responsibilities to each other while married. Yet people are infatuated with the ideology of love and romance. People choose their partners as individuals and expect to live their marriages according to their own needs and wishes (Crawford, 2012). Something that can explain why people choose to get married can be the marriage gradient. The marriage gradient states that women have the tendency to “marry up” and men tend to “marry down” (Crawford, 2012). This came

The idea of marriage is deeply ingrained throughout cultures across the world and is a shared experience for most. Marriage brings the union between partners for life and similarly is an idea that unites the world. However, many have different views on marriage, the reasons for marriage and the choices made relating to this union. Many of these issues are discussed in the collections of short stories, Interpreter of Maladies by Jhumpa Lahiri and The Thing Around Your Neck by Chimamanda Adichie. Both of the authors’ stories examine the cultural experience immigrants endure, marriage often playing a large role. A Temporary Matter from the collection, Interpreter of Maladies uses a well-established immigrant couple, whereas Arrangers of Marriage from The Thing Around Your Neck uses an arranged marriage to show the experiences immigrants endure. While we often recognize marriage as a beautiful thing, we must understand it is not always done for the right reasons. The authors Lahiri and Adichie both use the subject of marriage to illuminate the various aspects of the immigrant experience. The idea of marriage and being able to immigrate to the United States is portrayed as desirable. The external pressures facing people may lead them to believe it is worth compromising their values for what is seen as desirable; rather marriage should be based off love and internal desires, not external pressures. First, we will examine the immigrant experience through the lens of the

In my opinion, Deepa Mehta is a courageous and bold director to produce a movie ‘Water’ which is intended to affront the tradition and living style of Indians back then. She displays how every character brings up almost perfectly similar kind of stance which is because of the doctrine and beliefs that have been set in their minds for a long period of time. The practice inherited from one generation to another generation which later becomes the tradition of Indian community. I could see how every widow refuses and rebuffs changes; which they are forbidden to marry again as a result of believing in they themselves bring unluckiness or bad luck to others. In fact, other women either married