Analysis Of Mirror By Sylvia Plath

Saying Sylvia Plath was a troubled woman would be an understatement. She was a dark poet, who attempted suicide many times, was hospitalized in a mental institution, was divorced with two children, and wrote confessional poems about fetuses, reflection, duality, and a female perspective on life. Putting her head in an oven and suffocating was probably the happiest moment in her life, considering she had wanted to die since her early twenties. However, one thing that was somewhat consistent throughout her depressing poetry would be the theme of the female perspective. The poems selected for analysis and comparison are, ”A Life”(1960),”You’re”(1960), “Mirror” (1961), “The Courage of Shutting-Up” (1962) and

Sylvia Plath is known as a profound writer, depicted by her lasting works of literature and her suicide which put her poems and novel of debilitating depression into a new perspective. In her poem “Lady Lazarus,” written in 1962, her mental illness is portrayed in a means to convey to her readers the everyday struggle of depression, and how it affects her view of her world, herself, and even those who attempt to tackle her battle with her. This poem, among other poetry pieces and her novel The Bell Jar, identify her multiple suicide attempts, and how the art of dying is something she has become a master of. Plath’s “Lady Lazarus,” about her trap of depression and suicide attempts, is effective and thought provoking because of her allusions to WWII Nazi Germany and the feelings of oppression and Nazism that the recurring images evoke.

In 1963 on a cold winter day of February 11th, Sylvia Plath ended her life. She had plugged up her kitchen, sealing up the cracks in doors and windows before she was found with her head inside of her gas oven inhaling the dangerous fumes. She was only thirty years old, a young woman with two small children and an estranged ex-husband. A tragic detail of her life is that this is the second time she had tried to commit suicide. Plagued with mental illness her whole life, which is evident within her poetry. She would write gripping, honest portrayals of mental illnesses. Especially within Ariel, the last poetry book she wrote, right before she took her life. Although it’s hard to find a proper diagnosis for Sylvia Plath, it is almost definite that she at least had clinical depression with her numerous suicide attempts and stays in mental hospitals undergoing electroshock therapy. Sylvia Plath is now famously known for her writing and the more tragic parts of her life. Such as the separation from her husband, Ted Hughes, mental illness, etc… Plath may not have intended for her life and art to become inspiration to many people but that has become the end result. Sylvia Plath writing shows symptoms of her suicidal thoughts. To study specific moments in Sylvia Plath’s life, it can be connected to certain writing’s of her’s, such as “Daddy”, The Bell Jar, and “Lady Lazarus”.

After reading “what the mirror said”, some readers may say that this poem was not written to embrace the woman’s beauty but to explain that she is confusing and hectic. A reader with this point of view would

Sylvia Plath was an American Poet who was renowned for poetry mostly in the United States. She, however lived a difficult and depressing life which led to a few futile suicide attempts, but ultimately led to a successful suicide attempt leaving her children to live on without a mother. This end result was due to a multitude of issues in her life from Sylvia’s sanity. She wasn’t the most stable child. Her marriage also played a role in her suicide. Her successes weren’t acclaimed until after her death, when a majority of her work was released. There were two major aspects to her life: her poetry and her sanity. These three combined make up a majority of Sylvia’s life.

Doesn’t everyone wish they could grow up faster when they are younger, but when they actually start to grow up, they just want it to slow down? Aging is a unique experience to everyone and each person deals with it differently. This theme of aging and how people see themselves can be seen both similarly and differently in “Mirror” by Sylvia Plath and “The Road Not Taken” by Robert Frost. These similarities and differences can be seen through each author’s tone, each poem’s structure, and each poem’s overall message.

In this reflective essay, Stewart discusses the struggles her and her family went through. He family has faced a lot of struggles and throughout all these struggle a mirror was there to see it all. The essay starts off when Stewart is arguing with her mother then blinded by anger she broke the family mirror. It all started with her great-grandmother Elsie when she lost her husband in a tragic fire. The mirror was the only thing left in this fire. Elsie passed this mirror on to her daughter Ruby.

Both Judith Wright and Sylvia Plath explore different feminist views in their poetry in order to highlight the freedom that comes with the empowerment of women and the escapement from the boundaries of social expectations. Wright uses stylistic devices such as punctuation, oxymoron, metaphor, and personification to discuss the insecurities she has with her body in her poem ‘Naked Girl and Mirror’. The oxymoron, “I see you are lovely, hateful naked girl”, depicts the internal struggle she deals with that centres on her self-image. The world has metaphorically detached Wright’s mind from her body and this encourages her to write with a more feminist view in order to remind her listeners that she has a soul and her gender is not all she is.

The first thing one can notice in Sylvia Plath’s poem “Mirror” (rpt. In Thomas R. Arp and Greg Johnson, Perrine’s Literature: Structure, Sound, and Sense, 9th ed. [Boston: Wadsworth, 2006] 680) is that the speaker in the poem is the mirror and the woman in the poem is Sylvia Plath. As you read through the poem, the lake is relevant because of the famous mythological story of narcissus. He was extremely beautiful and one day while drinking from a lake he saw his reflection. He looked at it for so long and so close that he fell in the river and died. This shows the consequences of vanity. Sylvia Plath uses this metaphor to show that the little girl that used to look in that mirror has now

It is said that people cannot truly know themselves, but must rely on reflections in mirrors, photographs, and other people in their lives. Unable to see themselves as others see them, people often get confused and end up detaching themselves from reality. Author Sylvia Plath was a bright, young woman with an interest in poetry and writing. However, after the death of her father, she developed neurosis and attempted suicide for the first time using sleeping pills, but was unsuccessful. She uses her depression and suicidal tendencies as a foundation for her novel, published two weeks before her successful suicide.

To start off is the theme of social anxiety in Sylvia Plath’s Mirror. This poem is about a mirror that spends most of it’s days reflecting the wall, but occasionally, it is the friend of a man or woman. One day, a woman comes to stare into its depths,

from a mirror to that of a lake. In doing so does the shift in message

Sylvia Plath (1932-1963) and Anne Sexton (1928-1974) both explored similar themes such as tone, structure, and symbolism. Many of their poems were cries for help, which resulted into metal illness, depression, and suicide. In 1958, Anne Sexton and Sylvia Plath met, and much to their surprise had a few things in common. They both were fascinated with death and suicide. Both Sexton’s and Plath’s poetry are considered as confessional poetry in which they were very honest, depressed, and had suicidal or homicidal tendencies. Sylvia and Anne’s views on what happened in their life and on independence, are what nearly separates them from other confessional poets. Sexton and Plath’s poetry range over a variety of topics such as death, suicide, rage, and mourning. They both utilize a convincing use of symbolism, deep image, metaphors, and soul-searching. Plath’s “The Colossus”, “Full Fathom Five”, “Daddy”, and Sexton’s “And one for My Dame” and “All My Pretty Ones”, are very enraged and different feminist perspectives, giving different views on the relationships with a father and a husband.

In this essay we will look into her life through three of her poems in

Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a