Analysis Of Moniza Alvi's 'Presents From My Aunts In Pakistan'

Comparatively, ‘The kite runner’, explores the disparity created by differences in cultural backgrounds. This connection manifests in the relationship between Amir and Hassan, though Amir is true to Hassan in private, he feels the need to relate to Hassan according to the prevailing social hierarchy in public. “Afghanistan is the land of the Pashtun’s…not the flat-nosed Hazara’s, these people pollute our homeland. They dirty our blood.” The inclusive language at the beginning of the quote is aimed at the Pashtun’s whereas the negative connotations of ‘pollute’ and ‘dirty’ emphasise the subservient position of the Hazara’s in the Afghani society and thus losing their sense of placement within society. Amir has to face that fact he is disloyal to his relationship with Hassan and begins personal growth. “He’s my servant! Had I really though that?” “Everywhere I turned I saw signs of his loyalty, his goddamn unwavering loyalty.” the absence of conjunction emphasises his thorough regrets that act as a barrier preventing him from

In his novel, The Kite Runner, Khaled Hosseini depicts his homeland Afghanistan as a host to many different cultures and classes, such as Pashtun and Hazara, Sunni and Shiite, with this dichotomy of beliefs and attributes being powerful enough to shape diverse, sometimes negative relationships amongst the characters of the novel and their behavior to each other, as well as establish that individual’s identity. Each person interprets the impact of the role of belief and social status differently, while all living in the same setting, adding to their complexity and depth as a character in the novel with many different figures tied together by the same geographical and cultural conditions.

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

The book Interpreter of the Maldives is a collection of short stories by Jhumpa Lahiri that examines the relationship between Indian and American culture. Lahiri does this by using motifs, patterns and themes that recur throughout the short stories. The relationship between the two cultures is not only evident in romantic relationships of Indian-Americans, but in Lahiri’s description of clothing. Lahiri's description of clothing in the short stories, Sexy, This Blessed House and the Third and Final Continent, show how well a character is adapting/accepting American culture.

Growing up and living in Afghanistan as a woman has its challenges. Parents choose who can marry you and they choose everything for you. In this book, Laila and Mariam both show the struggles it is to be a girl, and how much disrespect they get in Afghanistan. Both Mariam and Laila are married to the same man, and he is abusive to both of them. They also live under Taliban rule, and the rules that they set are very unfair for women. In Khaled Hosseni’s novel, he has many different themes but the most prevalent one is of woman inequality, and that is shown through multiple accounts of abuse, disrespect, and unfairness.

Through its ethnocentric tales and family based beliefs, Elizabeth Warnock Fernea’s Guests of the Sheik suggests that to find the true representation of Islamic culture, one must leave ethnocentrism behind. Not only will we discuss ethnocentrism and the cultural differences between Western and Middle Eastern societies, we will also take a look at the women of El Nahra and family within the differing societies.

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

Reciprocity is very important in Pakistani communities. As covered in A. Shaw’s ‘A Pakistani Community in Britain,’ the term lena-dena literally means ‘taking and giving’ and itself implies the obligation of exchange.

Abayas, shailas, burkas, and chadors: all are forms of veiling in the Middle East, and all are perceived as symbols of oppression and patriarchy by the West. The veil worn by a Middle Eastern woman is striking and beautiful in its simplicity and elegance. The hijab, the most common form of veiling, leaves only the face visible with the neck and hair completely covered. Onlookers are in awe at the mystery and symbolism associated with the many veils created out of fine, exotic silk. But such notions of oppression and patriarchy often associated with veiling are not only inherently biased and ironic – it would be interesting to explore the symbolism behind a mini-skirt or a pair of five-inch heels, no? – but they are also inaccurate. Although veiling has most definitely been used in the Middle East as a “mechanism in the service of patriarchy, a means of regulating and controlling women’s lives” (Hoodfar, 5), it has also been used as a mode for rebellion and self-expression. Marjane Satrapi, an Iranian woman who grew up during the Islamic revolution, resisted the regime and the universalizing nature of the veil in the hope that she could maintain her individual identity whilst communicating her political ideologies. By examining the way in which the veil is represented in Satrapi’s graphic memoir, Persepolis, while also considering the history of veiling in Iran, it will become evident that the veil is not just a political tool used by male chauvinists; it also presents an

The spacing and structure of the poem is set up to allow flow and momentum in the poem and its narrative. The speaker’s voice is present with emotion as emphasised in a natural rhythm of thought offering an honest and bare interpretation of motherhood. The open “blank space” of the poem encourages a calm and breathy atmosphere, fulfilling a mood of tranquility and bliss. Each stanza is short with a couple quick fragmented thoughts before closing each section with the power of a single word. Each stanza breaks apart a separate thought filled with a loving passion the speaker uses to stress the beauty, wonder, and over-flowing love present in motherhood. To better the structure, the poem itself is broken into three parts, each representing a stage of motherhood. The first segment of motherhood that is represented is during the moments while the baby is still in the womb and the mother waits in anticipation for the baby to arrive. This “honeymoon” phase is expressed with a tone filtered through a perception of rose-coloured glasses and excitement as the mother is in utter bliss to carry a life into the world. The

In this novel the author, Hosseini, uses a powerful bond between the two main character to give a reader a deeper understanding about the way women are viewed and treated in Afghanistan. These two main characters are used to represent the different perspectives from which women in are viewed. The first character we meet is Mariam, a woman from an unloving and poor past. She portrays the old ideas of abuse and mistreatment towards women. Conversely, the other main character Laila, a young woman who came from a more modern and loving family, is used to represent progress towards the equal treatment and education of women. These two women obviously come from different backgrounds but are brought together through

Social conditions are what shape a country. Over the years, people, not only in Afghanistan, but around the world create norms that define people’s roles in life, their future, and how they should be treated based on their gender and beliefs. Khaled Hosseini’s first novel, The Kite Runner, comments on the social conditions of Afghanistan through telling a story about the lives of two Muslim boys; a privileged Sunni Pashtun, Amir, and his long-time friend and servant, Hassan, a loyal but disadvantaged Shia Hazara. Hosseini expresses Amir’s uncertain feelings toward Hassan which form the decisions he makes throughout the book. These choices result in Amir destroying his relationship with Hassan. The Kite Runner, by Khaled Hosseini is a commentary on the social conditions in Afghanistan as shown through the roles of women and men in society and the ideals of Afghan culture. Unfortunately, these problems are still active in most of Afghanistan.

In the short story “When Mr. Pirzada Came to Dine” by Jhumpa Lahiri, Lilia, her parents, and Mr. Pirzada react differently to Indo-Pakistani War of 1971 because of the different cultures in which they grew up. Lilia is a ten-year-old girl growing up in Boston, Massachusetts. The civil war affects her vicariously when she sees her parents and Mr. Pirzada upset. Lilia’s parents are from India and moved to Boston before Lilia was born. They show concern when watching the news of their homeland in peril. Mr. Pirzada is from Pakistan and moves to Boston for one year on a research grant while his wife and seven daughters still live in East Pakistan. The civil war affects him the most because it is his personal property and his direct loved ones that are in the midst of it all.

The characters portrayed by Leila Aboulela to a great degree vary vastly in their levels of religiosity. This novel showcases a wide spectrum of Muslim identities. Most of the devout believers follow Islam, as they are constantly expressing their faith, thru means of prayer, recitation or other adorations. These religious members are accepting of veil culture, because they have more to value than materialistic objects and western culture. For instance, the young school girls that wore tobes, while Najwa skirts to university. Also, the servants she had back home, as she would be coming home from a party at dawn, they would be make their absolution, “A light bulb came on. They were getting ready to pray. They had dragged themselves from sleep in order to pray. I was wide awake and I didn’t,” this quote from the novel, illustrates a young Najwa understanding the basis of Islam and the importance of prayer (Aboulela, 32) However, this is an evident class divide, illustrating that those with wealth are more secular and those with less are humbled towards their faith. In her time in London, Najwa befriends woman at the local mosque and develops an interest her recitation. Her realization and locality to religiousness triggers her spirituality.

The poem “They’ll say she must be from another country,” by Imtiaz Dharker explores the challenges of a woman in her everyday life. She feels that she doesn’t belong in the country she is living in, because people can notice how different she is from everyone else. She makes it easy for people to understand why she feels alienated but, at the same time feels proud of who she is. Dharker conveys her message through the many examples of alienation given throughout her poem.