Analysis Of Morrison 's ' The Environment '

Claudia, another character who goes through a similar situation compared to Pecola. She is a young girl who came out from a loving family and is intrusive, yet sensitive.

Besides the inherent self-confident issue, the outside voice from community is also affecting Pecola’s view. For example, in the “accident” when Pecola went into Junior’s house, Junior killed the cat and impute to Pecola. His mother, Geraldine, saw Pecola was holding the dead cat. Without any thought and didn’t even ask for the truth, Geraldine simply called Pecola a “nastylittle black bitch.” This event, again, reinforces Pecola’s view of what beauty means.

Society continues to rape Pecola through its refusal to acknowledge her as a human being. Since society thinks she is “ugly”, no one needs to care for or love her. For example, one of the biggest insults that her peers use for teasing boys is using Pecola as the insult.

With some background knowledge on Pauline, the mother of Pecola, it’s easier to understand some of Pecola's core traits. There are parallelisms between Pecola and Pauline. They find their reality too harsh to deal with, so they become fixated on one thing that makes them happy, and they ignore everything else. Pecola's desire for blue eyes is more of an inheritance that she received from her mother. One of Pauline’s own obsessions was back when she was fascinated with the world of the big pictures. As long as they can believe in their fantasies, they're willing to sacrifice anything else.

After she meets Pecola, her concerns go to Pecola. She explains about each and every incident that occurs to Pecola and the reasons behind leading to those incidents. According to Claudia, the narrator of the story, not just Pecola but it was the Breedlove family members who treated themselves the uglier rather than the society. Only the difference is that they make a different mindset deal with it. The narrator vividly mentions by saying, “Then you realized that it came from conviction, their conviction/And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it” (Morrison 39). This explains more of what they were dealing with. It is impossible to make them believe that they aren’t relentlessly and aggressively ugly (38). Being young, vulnerable and more importantly, female, Pecola is the one who gets abused frequently and endures the damage in greater

If she had beautiful blue eyes, Pecola imagines, people would not want to do ugly things in front of her or to her. The accuracy of this insight is affirmed by her experience of being teased by the boys—when Maureen comes to her rescue, it seems that they no longer want to behave badly under Maureen’s attractive gaze. In a more basic sense, Pecola and her family are mistreated in part because they happen to have black skin. By wishing for blue eyes rather than lighter skin, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently. She can only receive this wish, in effect, by blinding herself. Pecola is then able to see herself as beautiful, but only at the cost of her ability to see accurately both herself and the world around her. The connection between how one is seen and what one sees has a uniquely tragic outcome for

She realizes that her problems are not as important because in her hand, she holds nine pieces of Mary Jane candy. The Mary Jane candy seems to be making every disappointment in life become something more attractive, something better. “ A picture of little Mary Jane, for whom the candy is named. Smiling white face. Blond hair in gentle disarray, blue eyes looking at her out of a world of clean comfort…She eats the candy, and its sweetness is good. To eat the candy is somehow to eat the eyes, eat Mary Jane. Love Mary Jane. Be Mary Jane”(Morrison 50). Pecola is more than obsessed with these full- blown artificial images, making it obvious that she is unstable about her appearances, therefore, wanting to replace it with something that she believes is better (Weever 3/5). All over town, there are many little girls just like Pecola, buying into the products of Shirley Temples and Mary Jane.

By contrasting the homes of Claudia and Pecola throughout the entire novel, Morrison stresses the importance of home in defending against a predatory, racist society. In Claudia’s home, her parents truly care for her and her sister. In one instance, her father took out a gun to fend off a tenant that touched Freida’s breast. This completely contrasts with Pecola’s home, where her parents are both hateful and self-hating, and her father actually raped her. Even though both households are

From the day Pecola is introduced to us in the novel, she has been a target for others to dump their “waste” onto her. On page 163, Claudia states, “We were so beautiful when we stood astride her ugliness…”(Morrison

At an early age Pecola learns that she is not thought of as beautiful and that society does not believe that she is an equal with a blue eyed fair skinned girl. Because she is constantly undervalued and rejected, she begins to hope that one day she will have blue eyes so that she will be respected. Pecola’s family, The Breedloves, lived in poverty and in an unpleasant storefront because, as Pecola, they did not believe they were worthy of a better home. Pecola’s family “stayed there because they believed they were ugly” and since they felt that self worth was based on appearance they believed they did not deserve any better

Pecola is constantly labeled as inferior due to her ugliness and copes with her sorrow by conforming to society’s label. Throughout the novel, Pecola’s fascination with white girls is heavily expressed. It is first shown very early on when Pecola admires the Shirley Temple cup. Claudia narrates, “She was a long time with the milk, and gazed fondly at the silhouette of Shirley Temple’s dimpled face” (19).

However, when Pecola was raped by her father, she told her mother and she didn't believe her, therefore she did nothing. Even though Frieda likes Shirley, she had her sister and parents to help her through this horrible event, although Pecola had nobody. Since Pecola isn't able to love herself, she has to love Shirley. On the other hand, Claudia McTeer hates Shirley. She was brought in the same family as Freida, but since nobody expects anything of Claudia, she is able to have her own opinions and is able to despise the actress.

Pecola, the protagonist is a dark skinned person who believes that she is ugly living in the world that white skin and blue eyes were classified as beauty. Pecola experiences shame because of the standard beauty and desire to racism but she doesn’t desire to be beautiful she desires to be the most beautiful human being living. Her desire was to be beyond the most beautiful girl the town has ever seen.

Throughout the story there is a strong sense of abandonment on Pecola’s part. She is a lonely character that is heavily influenced by society and what it thinks. Pecola is very concerned on meeting the standard in society despite her past life. She is determined but in some respects this is one of the downfalls to her character. "Why, she wonders, do people cal them weeds? She though they were pretty". Mr. Yacobowski humiliates her, and she passes the dandelions and thinks, "They are ugly and they are most definitely weeds". This shows how Pecola can easily be manipulated by others and society. In a sense, Pecola has transferred society’s dislike for her to the dandelions. She cannot accept the fact that she is not wanted. At one point in the story the narrator says, "We tried to see [Pecola] without looking at her, and never went near. Not because she was absurd or repulsive, or because we were frightened, but because we had failed her. Our flowers never grew so we

Pecola uses her desire for blue eyes as a coping mechanism to protect from the pain of neglect she endures from her family