Analysis Of Mothers Day 1996

The settings and environments of the documentary Painted Babies position the viewer to respond to how beauty

The last succession of frames in the chapter “The Ordinary Devoted Mother” contains a dizzying array of images, texts, and emotions. In previous frames the reader is able to easily flow through the novel reading left to right. However, these particular frames force the reader to read each frame several times in order to glean the full story.

Carol Berkin’s "Revolutionary Mothers: Women in the Struggle for America's Independence" is an excellent book that I immensely enjoyed. When many people think of the Revolutionary War, they might imagine George Washington gallantly leading his men through the winters at Valley Forge or the like. Berkin begins her masterpiece by giving a general overview of the roll that women played in our countries war for independence. Now I, like many others come to think of the iconic role model women like Betsy Ross and the fabled Molly Pitcher, but this star of a book opened my eyes to the everyday

To begin with the analysis, we must look at the general shape of this piece of art is very 2D meaning its flat and it has some well-defined lines. As you look at it you can see that it is not balanced and not proportionate. The subjects are identifiable. There are three people in this piece of work along with a dog. As you look at it you can see a mother and her two children and their family dog. One child is sitting on the dog and the other girl is looking ar her sister while the mother watches them closely. You can clearly see a narrative being portrayed on the canvas because the two girls are looking at one another. The style is realism because their features are not over drawn to exaggerate a body part. The title relates to the piece of art because it’s a picture of a woman and her children. The message is conveyed very clearly and the style is very realistic looking.

As we know, the result of “Art is” is “Art is” which returned in an ephemeral form at the Studio Museum. All forty photographs are on display on the basement level of the galleries, which are supposedly reserved for pieces in their permanent collection. The room just outside, whether coincidentally or not, is filled with photos of students - reflecting personal memories. How the museum decides to play with this, is by missing them with old-timer photos of Harlem from the

The book Revolutionary Mothers, by Carol Berkin is a truth telling and eye opening experience for the reader that shows how the fight for America’s independence affected the role of women. The book reveals the unknown side of women during young America’s first major war, the Revolutionary War. It portrays the very important role women played during war despite the fact that war brought scarcity, bloodshed, and danger into their lives. Women’s lives changed drastically during this time period.

When we look at this piece, we tend to see the differences in ways a subject can be organized and displayed. This assemblage by Betye Saar shows us how using different pieces of medium can bring about the wholeness of the point of view in which the artist is trying to portray. So in part, this piece speaks about stereotyping and how it is seen through the eyes of an artist.

The primary focus of this exhibition is Archibald J. Motley Jr.’s Mending Socks, an oil painting created in 1924 currently located at the Ackland Art Museum. Depicting Motley’s grandmother across a 43.875 x 40 inches (111.4 x 101.6 cm) frame, Mending Socks exhibits a familiar setting complimented by bold colors. Such colors immediately draw the eye to the grandmother, then to the socks on her lap. One then looks to the table, to the fruit overflowing from the bowl, eventually falling on the background. Trailing along, Motley’s grandmother is the off-center grounding of the piece, proving a strong, soothing, and familiar image of relaxed family settings. Behind her, however, are subtle reminders of white power.

The viewer can see and feel the bond between the mother and the child. I also think the artwork is beautiful and makes a deep impression on the viewer, because of the innocence and peaceful appearance of the infant. The woman has such an intense gaze with the way she is looking at the infant; it gives each viewer an opportunity to interpret it in their own way, concern or admiration, all part of motherhood. The woman’s body language is intriguing because she is replicating the infant’s arm position, maybe to find her own peace. In my search, I discovered that Berthe Morisot was a famous female artist in the 19th century, and in making a choice, this piece of art quickly caught my

Often the most important trait a person can posses is to be aware of their surroundings. If someone is aware of their surroundings on a physical, mental and emotional level, they have the power to fully immerse themselves in their experience, without hesitation or limitation. In Saidiya Hartman’s memoir Lose Your Mother, the reader is presented with an orator who lacks complete awareness of their surroundings, which later translates to a lack of self-awareness, while in both Jamaica Kincaid’s and Caryl Phillips respective memoirs the reader is presented with authors who are fully aware of their surroundings and thus self aware as well.

During the American Revolution, men were often thought to have been the only ones to fight and participate in the war. While men were the majority that fought in the actual war, women were left to tend to all of the duties left by men, as well as, their own duties. Women were the backbone of towns, farms, and other businesses during the war. The book, Revolutionary Mothers by Carol Berkin, shares the stories of what women went through during the Revolutionary War. Carol Berkin writes about what all the women, no matter what race or political beliefs, went through during the war, and how these women handled the war.

So, we had a member of my group ‘‘Emily Zenisak’’ who showed a couple of her friends and recorded their reactions to the painting. The first volunteer was Kayla Rrymarz, a freshman at Grand Valley State University. Kayla initial reaction was ‘‘On first glance it looks like pieces from an old house and all the things on the bottom are supporting the house.’’ She followed up with ‘‘I think the meaning is what the 1950s?

Mary Stevenson Cassatt was an American impressionist painter. Cassatt is most remembered for her noteworthy paintings that portray special moments captured between a mother and her child. Cassatt stated, “I love to paint children. They are natural and truthful.” This quote is ironic to me because Cassatt was not married, nor did she have children. My notion is that Cassatt painted the important intimate bond between mother and child in this painting because she herself was longing for that feeling. As a result of painting this intimate bond she thought she could experience motherhood through art. The Child’s Bath is Mary Cassatt’s unconventional way of showing her long for family, independent spirit, and commitment to her craft. I feel that Cassatt was trying to show a mother the way she feels a mother should be. In the painting The Child’s Bath Cassatt paints the mother as someone who is embracing the lifestyle of motherhood. The painting shows the love and joy a mother has just by holding her child, and shows how a mother can have dignity in motherhood. When I first glanced at the painting The Child’s Bath, I saw simplicity in its most bare and beautiful

The art world has been host to a vast menagerie of talent, intellect, and creativity for about as long as human culture has existed. It has grown, developed, and changed just as humanity has. Naturally, with such an impressively expansive history, various avenues of art are visited time and time again by new artists. Artists seek not only to bring their own personal flavor and meaning to timeless concepts, but to find new ways to approach them. While not every single creator and craftsman can make such a great impact on art or the world, their efforts have given birth to some truly magnificent and unique works. In an effort to create a more meaningful understanding, as well a deeper appreciation, of the nuances, techniques, and design choices employed in these attempts, a comparison will be made between Edouard Vuillard’s Interior With a Screen (1909-1910) and Henri Matisse’s Blue Nude (Souvenir of Biskra) (1907). In this essay, each artist’s approach to the subject of the female nude will be closely analyzed, compared, and contrasted, as will their styles of painting, handling of visual elements, and their use of the principles of design. An interpretation of each work and what the artist intended when creating it will also be provided.

The idea of this piece is to show the connection between mother and daughter being painted. It shows the time and the classic style of the