Analysis Of Mtv 's Girl Code And Guy Code

Imagine a world in which men could act feminine and women could act masculine without being judged. Now try and identify why this may never happen. Men and women are both taught at an early age what they can and cannot do because of what gender they were born as; they are markedly similar in this aspect. There is a known gender stereotype for girls and boys, and the parents of these children enable these stereotypes from the day that they are born. girls are given pink clothes, and boys are given blue clothes. These colors set the rules of how they must behave for the rest of their lives, this idea is known as The Girl and Guy code. It is all black and white thinking, or in the case pink and blue. There is no in-between because once you stray from the code it is immediately recognized and looked down upon. Although the girl and guy code are almost polar opposites, they go hand in hand with one another because they are both used among society as a way to create a better image in front of others. The Woman looks better in the eyes of other women if she is more lady-like, and a man looks better in front of men if he is more manly; both genders deal with a heavy set of homosocial ideals.

In a systemically patriarchal society that encourages and enforces the gender binary, we as a public are conditioned to accept and cooperate with the heteronormative paradigm. Pop-culture and the media are large contributors in the ways in which the gender binary is perpetuated. Gender norms are constantly marketed towards

The second pattern that the show demonstrates is the dominance of heterosexuality and heterosextual privilege. All the character in the show are in a heterosexual relationship which are reflected in the nature of the space that they occupy. In the workplace and within the household the representation of heteronormative culture dominates. There is no representation of homonormative spaces or other sexual minorities in the show. The third pattern that the show demonstrates is gender performance. West and Zimmerman refer to gender performance as “doing gender” which will be later discussed in the next section. Due to the strong heteronormative nature of the show, the pattern of explicit gender performances are portrayed through clothing, behaviors, and interactions.These patterns are all related to specific locations in which each of the genders occupies. It is through this segregation of genders that the show perpetuates societal norms that support heteronormative culture and result in gender inequalities.

Our society seems to have a lot of very stereotypical misconceptions about boys and girls and the role they are expected to play. Media has a pivotal role to play in this front concerning the idea of defining and framing gender. Media consumers transform the messages in that and make demeanors with

What dictates the social roles, the individual responsibility everyone has in society, and stereotypes, an overgeneralized and oversimplified belief of a particular person or group, in America’s 21st century society? Can rationale and critical thinking be held accountable for the establishment of ethical beliefs involving people and their sex, gender related value systems? The following readings covered in this essay are both found within the textbook, Signs of Life in the U.S.A.: Readings on Popular Culture for Writers; the Introduction: Popular Signs written by coauthors Sonia Maasik, a writing programs lecturer at the University of California, Los Angeles, and Jack Solomon, an English Professor at California State University, and located within the second chapter of the textbook, the brief article, Dove’s “Real Beauty” backlash, written by Jennifer L. Pozner, the executive director of Women In Media & News (“Sonia Maasik”)(“Jack Solomon”)(194). Mass entertainment culture, the popular interests of the majority broadcasted in the media, can be attributed for constituting and sustaining the potentially hindering culture myths, a fictitious but widely accepted belief of a certain culture, regarding all genders. These cultural myths are not exclusive to men and women as they also involve transgender individuals and others who identify as another gender not classified under ‘cisgender.’ An extensive analysis of mass entertainment culture and

In the media we see today, and movies that are continually coming out all have a central idea in common. They all show and represent the idealistic perspective of male versus female in society. From cartoons to chick flicks to romances and comedies we notice identifiable differences and trends represented between the two genders. In the movie I watched, “Clueless,” there are many examples illustrating male superiority over female, ideas of what femininity should be, and female appeal towards the male figures in the film.

Americans live in culture full of numerous gender codes. Gender codes are imaginary rules of how males and females should live and are created within America by the media such as TV shows, movies, billboards, magazines, and advertisements. In "Gender Codes in the American Culture", Jack Solomon and Sonia Maasik believe that "Gender codes are socially, not naturally, constructed, and usually reflect cultural values rather than natural facts" (476). This supports that the media creates gender codes because it is the main method in which cultural values are presented. They present what is accepted to be masculine and feminine in America at the time, and society follows these generalizations of what it means to be a man

15). By foregrounding the complexity of gender in a postfeminist culture increasingly opposed to gender-specific analysis, Levine reminds us that these projects of feminist media analysis are as important in the twenty-first century as they were during the early days of feminist studies.

In this paper, I will use my media observation of the Big Band Theory to demonstrate how the social construction of gender roles reinforces the structure of feminine and heteronormative ideals in society.

With the music videos, the roles they play in movies and the way they treat women in work sites. But, The Bad Girls Club is specifically for women with little to no self respect or self worth. Which makes no since at all because, who wants to get on national television, have sex, party, get drunk every night and most embarrassing of them all fight. The media are making women become more objectified in the sense they are viewed as objects with little value. People look at the media to determine how they should dress, act and in some cases even how they should perform sexually. As you will see on television women that suppose to be super hero and crime fighters, are fighting crime in their little bikini sets, whereas as men they have on full figured clothes. But of course as they say sex sells, so the more a women degrades herself the more money she will make. Although television can also show powerful women, who is lawyers, but at the same time have to have a sex scene in it to make it more appealing to the audience. Why cant television shows, have an average women who is either a doctor or a lawyer just be about them being women that hold a powerful title just as man. In my opinion there are no real television show that shows the power that women control and the only thing that they do have power over is the one to seduce. Why is the media controlling the way that women should behave, dress,

the winning and holding of power and the formation (and destruction) of social groups in that process” (644) such that it is crucial that the ruling class establishes and maintains its domination. Moreover, it includes persuasion of a big part of the population, especially through the media and the organization of social institutions. Homophobia and heterosexuality form the foundation for hegemonic masculinity and all comprehension of its meaning is predicated “on the feminist insight that in general the relationship of men to women is oppressive” (644). Hegemonic masculinity is grounded in form of the hero and displayed through forms that deal with heroes, e.g., sagas, and westerns, in television, books, and movies (Connell qtd. in Donaldson 646). To define a specific form of masculinity as hegemonic, it is important to note that “its exaltation stabilizes a structure of dominance and oppression in the gender order as a whole” (Connell qtd. in Donaldson 646).

Hegemony is the accepted beliefs of the ruling class and negative representations exist because those in power, the elite’s offer audience’s representations, which present certain groups in a negative light. There is a “phallocentric order” (Newsom, 2012, p. 125) the privilege of the man in the construction of meanings. This allows man to create certain representations of women as they have power within the media. The media products analysed were originally novels written by and adapted for the screen by men. “Throughout history males have done all the writing and filmmaking, naturally from a male’s point of view” (Thornham, 1999, p. 14). Those who fall outside of the hegemonic ideal are represented as deviant and the elites construct texts

Growing up as a child with parents that were both fairly busy with work I often found myself sat in front of a television either waiting for the day to begin or to end. I remember watching shows and seeing how the boys always seemed to be more outspoken, hyper-masculine and the leader in a given situation while the girls were always the passive ones who were depicted as shy followers. Now that I am older I find myself watching even more television, allowing me to see how the media depicts men and women in society. For example, The Big Bang Theory, in its earlier seasons, it only had one female lead, Penny. Her character was very stereotypical in the sense that she was the scattebrained neighbor. The way that men and women are portrayed has

Dating back to the 1920’s mass communication mediums of film, television and print have all been means that act as powerful tools of propaganda and thus play an integral role in the lives of individuals. It is for this reason that it is often widely accepted that the media is to be used as a tool, which represents a common public interest. Men and women are represented through forms of media in different ways, which create images depicting stereotypical traits and characteristics. The problem brought fourth by this is concerned with the issue of gender or the ‘discourse’ of gender and how individuals perceive themselves (Gauntlett, 2008) As the media is such a big part of everybody’s lives, there is not doubt that when this powerful function is synthesized with the medium’s capacity to accentuate present day realities on our screens the result tends to elicit a dominant ideology; which in turn presents an argument for major ethical implications in regard to public stigma and subsequent prejudice. This essay shall critically consider gender representation in Sex and the City (HBO, 1998-2004) and the extent to which these characters challenge the patriarchal privilege.

As a Communication major, I spend a lot of time studying the human communication process, which is the exchange of verbal and nonverbal messages between a receiver and sender. This communication process does not only apply to face-to-face interactions but also includes mass media, rhetorical, and technological communication. Through these various forms of communication, the sender not only expresses his/her message but also expresses power hierarchies about race, gender, and sexuality that are present in society. Mass media has a significant impact on socializing gender roles and perpetuating gender stereotypes, and to prove that, I am analyzing mass media messages, such as television shows, movies, and advertisements.